Europigeon

Famous South Yorkshire artist John Shuttleworth enters a song for Europe, aided and abetted by his impresario manager Ken Worthington in this spoof.

Wild Dances

In a small rural Australian town in 2004, two teenage outcasts come into conflict with their families on the night Ruslana wins the Eurovision Song Contest for Ukraine. 17-year-old Todd faces awkward and unsubtle probing from his family about his sexuality, specifically whether or not he will take a girl to the upcoming school dance. Across town, Lesia Lysenko, the only girl from an immigrant family at Todd's conservative, Catholic High School, clashes with her strict, Ukrainian father, who insists that Lesia take her younger brother to chaperone her to that same school dance. As Lesia experiments with a newfound sense of rebellion, Todd is asked out by a clueless, smitten girl with a pet hate of pop music. He practises the dance moves from Ruslana's song in his family's tool shed and hatches a secret plan to get the song played at the disco. The film moves towards its fabulous, genuinely heartwarming climax as Lesia and Todd learn that life begins when you dance to your own beat.

The Apple

In a pseudo-futuristic 1994, a square couple enter the corrupt world of the music industry, and subsequently a maze of drugs, sex, and temptation.

Eurovision Song Contest: The Story of Fire Saga

Two small-town singers chase their pop star dreams at a global music competition, where high stakes, scheming rivals and onstage mishaps test their bond.

Not Another Eurovision Song Contest

Angus Deayton trawls the archives to re-live the unusual outfits, never-to-be-repeated dance moves and strange songs that make the Eurovision Song Contest an annual peach in the television schedule.

Catchpenny Twist

Roy and Martyn want to write the next Irish winner for the Eurovision Song Contest. So who thinks they are working for British Army Intelligence? And why has someone sent them two bullets through the post?

#Eurodrama

What if the Mayans, the scientists or even Jordi Hurtado were wrong? What if the key to the end of the world is in Eurovision? Four friends, beers, pizzas and the Eurovision Song Contest. None of them expect what will happen at the end of the night... for better or for worse. Marga, Miki, Nati and Jorge are about to live a real life.

A Song for Eurotrash

A satirical look at Eurovision featuring cover versions of classic songs.

The A-Z of Eurovision

Rylan Clark-Neal narrates a guide to all things Eurovision and takes a sideways look at the greatest singing contest on the planet. The A-Z of Eurovision features all the disasters, the costume changes and memorable musical moments from 65 years of Eurovision.

Rise Like A Phoenix

Eurovision aka the Gay World Cup. A poetic documentary about Eurovision Song Contest fans. The film hears the intimate testimonies of what the contest means to them.

Dance Alone

12 Points

Adam and Wiktor are obsessed with Eurovision and their hearts beat extra hard for the Swedish double winner Loreen. But the harsh jargon that prevails among the young people in their Polish town risks poisoning both their friendship and dreams of Sweden.

Sounds Like Teen Spirit

A 2008 documentary and debut feature film of Bafta-Award nominated director Jamie Jay Johnson. It follows the lives of the participants of the Junior Eurovision Song Contest 2007, specifically the entrants from Belgium, Bulgaria, Cyprus and Georgia. The film sees them proceed from the national finals that saw them crowned the representatives of their country through to the international song festival itself held in Rotterdam, the Netherlands where they each compete against 16 other acts.

ABBA Forever: A Celebration

This definitive music documentary, featuring a greatest hits soundtrack and bounty of classic performance clips, provides an inside look into how Swedish pop group ABBA's music was made, as the former members and various colleagues tell their story from pre-ABBA days onward.

Congratulations: 50 Years of the Eurovision Song Contest

Congratulations: 50 Years of the Eurovision Song Contest was a television programme organised by the European Broadcasting Union (EBU) to commemorate the Eurovision Song Contest's fiftieth anniversary and to determine the Contest's most popular entrant of its fifty years. Hosted by Katrina Leskanich and Renārs Kaupers, the event took place at Forum, in Copenhagen on 22 October 2005. The host broadcaster was Danmarks Radio (DR). Fourteen songs from the Contest's first half-century, chosen through an internet poll and by a jury, contested the event.

The Punk Voyage

In December 2016 a remarkable chapter in music history was closed as the Finnish punk rock band Pertti Kurikan Nimipäivät (PKN) retired. Punk Voyage is a feature length documentary film about the last years of the band, with all the ups and downs included. After becoming celebrities in Finland, this incredible quartet continued to conquer new fans around the World. In its seven years run PKN played nearly 300 gigs in 16 countries. In 2015 the band was selected to represent Finland in the Eurovision Song Contest, where they played to over 100 million television spectators. However, the busy traveling and success created a lot of pressure within the band: Kari struggled with the temptations and responsibilities brought by publicity; Sami extended his territory to politics and religion; Toni's and the band's roadie Niila's crush to the the same girl caused conflicts; and Pertti, tired of this all, decided to retire.

Naked Eurovision

Richard Fairbrass goes behind the scenes of the 1998 Eurovision Song Contest.

United By Music

Behind the scenes look at the 2023 Eurovision Song Contest.

Kalush Orchestra, or How We Stopped Worrying and Won Eurovision During the War

A documentary story about the participation and victory at the Eurovision Song Contest 2022 by the Ukrainian band Kalush Orkestra.

A Song Called Hate

The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.