Social & External
Raisa
Walid
Sharazad
Firas
Samir
Osama said, "I often took walks with Luna. We roamed around Damascus, where nothing could compare to the smell of bread and jasmine in the morning. Sometimes, Luna would tell me stories about wonderful cities."
THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.
A mysterious American gets mixed up with gunrunners in Syria.
The story of iconic Syrian peace activist Ghiyath Matar whose brutal torture and death at the age of 26 outraged the international community and erupted into one of the most violent uprisings in modern history.
In focusing his attention on the competitors of Mr Gay Syria, director Ayse Toprak shatters the one-dimensional meaning of “refugee”. Using the pageant as a means of escape from political persecution, the organiser Mahmoud — already given asylum in Berlin — hopes to offer the winner a chance to travel as well as bring international attention to the life-threatening situations faced by LGBT Syrians.
In the privacy of her own home, a Syrian woman shares her thoughts and feelings, talking about her existence, and her desire to be open about her sexuality in a conservative society.
This intimate documentary follows a group of Syrian children refugees who narrowly escape a life of torment and integrate into a foreign land.
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless.
Like a visual elegy, My Memory Is Full of Ghosts explores a reality caught between past, present and future in Homs, Syria. Behind the self-portrait of an exsanguinated population in search of normality emerge memories of the city, haunted by destruction, disfigurement and loss. A deeply moving film, a painful echo of the absurdity of war and the strength of human beings.
A mysterious black marble tablet is found in Syrian desert by an Arab terrorist after an attack on a UN scientific expedition.
The autobiography of a film director who grows up in a small town then leaves for the city to finish his studies. When he became famous, he decided to make a film about his upbringing in the village based on his childhood memories.
Set in Syria in the early 1900s. A peasant has his land taken from him by the authorities. He gets imprisoned and beaten by the gendarme, but manages to escape to the mountains where starts a bloody struggle for revolution.
As the forces of ISIS and Assad tear through villages and society in Syria and Northern Iraq, a group of brave and idealistic women are taking up arms against them—and winning inspiring victories. Members of “The Free Women’s Party” come from Paris, Turkish Kurdistan, and other parts of the world. Their dream: To create a Democratic Syria, and a society based on gender equality. Guns in hand, these women are carrying on a movement with roots that run 40 years deep in the Kurdish Workers’ Party (PKK) in Turkey. GIRL’S WAR honors the legacy of Sakine Cansiz, co-founder of the PKK who was assassinated in Paris in 2013, and reflects on the sacrifices made by all of the women in the movement, who have endured jail, rape, war, and persecution in their quest to liberate their lives and sisters from male dominance. With scenes of solidarity, strength, and love amongst these brave women soldiers, GIRL'S WAR is a surprising story of Middle Eastern feminism on the front lines.
On the front line of the Syrian war, a 30-year-old commander leads her female battalion to retake an ISIS-controlled city and emerges severely wounded, forcing her to redefine herself in this empowering tale of emancipation and freedom.
As an elderly man on his deathbed looks to give his name to one of his newborn grandsons, he's unable to acknowledge any of them. The three boys grow up with no name in the Syrian mountains, as they struggle to survive in a war-torn country.
A disturbing portrait of four Western volunteers who risk their lives to fight ISIS alongside Kurdish forces. The feature documentary 'My War' probes the complex motives behind the need to take up arms on someone else’s behalf.
A female Lyft driver navigates the night shift in New York City while waiting to hear life-or-death news from her family in Syria.
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
A look back over nine years of the Syrian Civil War, an inextricable conflict, like a black box, due to the competing interests of the many factions in presence and those of the foreign powers.
After he completed his mandatory military service, the filmmaker was held in retention as the revolution unfurled in his country. His military rank was that of a sergeant. During these times, he would go back to his home, located in the middle of Damascus city, take off his military uniform and return to his normal life, working as an assistant director with his friend, the filmmaker Mohammed Malas. To make sense of this schizophrenic situation, he decides to take his camera and start shooting a ‘making-of’ that will eventually go beyond Malas’s film.
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