Middle-aged women start acting and launch a drama club. However, nothing big or small goes right. But they never give up the play.
Social & External
Self
Gangstresses, a documentary by Harry Davis, tells the story of violence, poverty, and survival in the streets from a female perspective. Over a two-year period, Davis interviews female hustlers, drug dealers, rappers, porn stars, prostitutes, mothers, and daughters. Among them are Champagne, a well-known African American porn star who has a small child; Mama Mayhem, a street hustler; Uneek, a rapper from the Bronx; and Vanessa Del Rio, a famous porn actress. Musicians Lil' Kim, Mary J. Blige, Ice T, and Tupac Shakur also share personal stories of survival. The documentary conducts follow-up research on the women's complicated lives, offering glimpses of both tragic reality and hopeful recovery.
As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.
Documentary focusing on 25 year-old actress Jane Fonda as she and her director Andreas Voutsinas prepare a stage play called The Fun Couple for Broadway.
What is the secret behind the success of "Rocky Horror"? Is it the music? The actors? The comedy? It's certainly not the Special Effects. "Rocky Horror" has been around for more than 40 years, and still continues to be successful in the movie theaters as well as on stage. This documentary is highlighting the history of "Rocky Horror", which started off as a two-page script written in crayons, and ended up with two movies, tons of merchandise, millions of fans and world touring shows, grossing more than $500 million in revenue.
In her first feature-length documentary, filmmaker Nam Arum turns her camera on her parents, two members of South Korea’s 386 Generation. The political activism of this generation came to a head in June 1987 with major protests that forced the authoritarian government to hold universal suffrage elections and implement key democratic reforms. Over 35 years later, the filmmaker reflects on the state of this democracy through a warm-hearted family portrait set against the backdrop of the country’s recent history. Using a personal and intimate cinematic style, Arum examines her father's adherence to conventionality as a high-ranking civil servant and her mother's fervent enthusiasm as a feminist activist. In the midst of these two contrasting dynamics, Arum seeks to discover her own role and how she can contribute to social change.
François Delisle draws an intimate portrait of his mother in a nursing home. A chronicle of the daily life and medical care of a woman approaching the end, treated with love, respect and dignity.
A documentary on the South Korean ferry disaster that claimed the lives of more than 300 passengers in April, 2014.
A thousand lies to conceal the truth of the Sewol Ferry. As many as 1,000 ships, 160,000 AIS data, were manipulated to hide the truth behind the sinking of the Sewol Ferry on April 16, 2014. Who are the organizers of this and why did they build a ghost ship! We must ask persistent questions. Since that day, nothing has been revealed yet. Government AIS data of a thousand lies. Now it is time for the Korean prosecution to answer.
A documentary that scientifically analyses and tracks down the route of the Sewol Ferry that sank on the 16th of April in 2014 using its AIS to discover the cause of the unconfirmed sinking.
Two nine-year-old girls report a flasher to the police even though they never saw him. Three filmmakers meet the only residents of a deserted village - an elderly brother and sister who have not spoken to each other in 16 years. Retired cleaning women are found raped and strangled in a small town. The fiction slowly turns into a documentary.
What if you love your child, but are unhappy in your role as a mother? Spijtmoeders is a documentary film about mothers who, if they could make the choice again, would rather not be mothers. Three women talk about their struggles with motherhood, the shame and guilt they feel, and the high expectations society places on them. The fear of judgment from others is great: what if people think that they are not a good mother, that they do not take good care of their child? What if they think they don't love their child? The mothers are represented by hyper-realistic dolls, but their voices are real.
Terry Wilson is a 70-year-old lifelong resident of Meadowvale Village, Ontario's first heritage district. As development looms and begins to destroy Terry's favourite place in the world, he recreates pieces of history in his backyard, crafting an oasis where it feels like nothing has changed. A beautiful tribute to his childhood, his mother, and his town, Terry passionately fights to preserve history in a world that's too anxious for change.
A documentary that reports on the the rescue failure of the Sewol incident. In the days of media control, Park Geun-hye and her government sabotaged the screening of "Diving Bell" at the Busan International Film Festival.
Mother compiles clips of mother figures from classic Hollywood cinema and television dramas. The figures range from the Virgin Mary and Mother Courage, to characters from Maude (1972–78), Aliens (1986), Imitation of Life (1959), and American Gangster (2007). The characters play out scenes of care, loss, emotional manipulation, abandonment, and grief. The intense relationships between mothers and daughters are especially prominent.
Seven strangers are interviewed to talk about the relationship they have with their mother.
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
When the MV Sewol ferry sank off the coast of South Korea in 2014, over three hundred people lost their lives, most of them schoolchildren. Years later, the victims’ families and survivors are still demanding justice from national authorities.
In April 2014, the entire nation of South Korea watched on television live as The Sewol capsized off the coast of Jindo. The tragedy left life-long wounds in the hearts of people whose family and friends had been among the 304 passengers killed. The majority of the victims were high school students on a school trip. Their parents were not even given the luxury of grieving, as they had to camp out in front of the Parliament, City Hall and the Presidential House, asking for only one thing - to know the truth about why their children had been left to die. But after more than a year, that truth has yet to be brought to light. This film is a documentation of the year-long struggle and painful soul-searching of people destined to be labelled as 'bereaved families' for the rest of their lives, as they come face to face with the naked face of their cruel country.
The stories of a group of Latina migrant mothers whose kids have been taken away by an unfair system in Italy.
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