A documentary on the South Korean ferry disaster that claimed the lives of more than 300 passengers in April, 2014.
Social & External
Self
Self (archive footage)
On the shores of Jeju Island, a fierce group of South Korean divers fight to save their vanishing culture from looming threats.
304 people drowned as the car ferry sank. Four fathers recall their memories of their children; high school students who were on their field trip. Professors, lawyers, journalists, an activist, a diver, and a politician explain why the system ultimately allowed the tragedy to occur. What is stopping the next tragedy? The world has turned upside down.
It is year 2011 and the government still talks of economic growth through medical care under the table. In reality, common people cannot afford to go to a hospital. They are nothing but extra casts in a promotional film for showing. The reality is a white jungle where medical care has become the market of extreme commercialization and doctors and patients are just too familiar with the physiology of jungle life. New rules and regulations must be practiced in this jungle. The film finds a solution by looking at medical care not as a personal means of production but community welfare.
Following a year in Cadance and Amanda's gender transition, this intimate documentary charts not only their personal transformation but the building of a life and community together in regional New South Wales.
The 10-year struggle of the families who lost their children from the Sewol Ferry Disaster.
Yoo Kyung-geun, who lost her daughter Ye-eun in the Sewol Ferry Disaster, sits down at the podcast production studio. It is to meet with the bereaved families of numerous social disasters before and after the Sewol Ferry Disaster. They are Hwang Myung-ae, the mother of Han Sang-im who died in the 2003 Daegu Subway Fire, Ko Seok, the father of Gahyun and Nahyun who died in the 1999 Sealand Youth Training Center Fire, and Bae Eunsim, the mother of Lee Hanyeol who died in 1987's June Struggle. The bereaved families talk about "the life after" and their daily lives, and Yoo Kyung-geun learns to live without Ye-eun.
My father led a coup in 1961. Two years later, I became the president's daughter.
Ryun-hee Kim, a North Korean housewife, was forced to come to South Korea and became its citizen against her will. As her seven years of struggle to go back to her family in North Korea continues, the political absurdity hinders her journey back to her loved ones. The life of her family in the North goes on in emptiness, and she fears that she might become someone, like a shadow, who exists only in the fading memory of her family.
A documentary that scientifically analyses and tracks down the route of the Sewol Ferry that sank on the 16th of April in 2014 using its AIS to discover the cause of the unconfirmed sinking.
A documentary that reports on the the rescue failure of the Sewol incident. In the days of media control, Park Geun-hye and her government sabotaged the screening of "Diving Bell" at the Busan International Film Festival.
Why did Moon Jae-in, a human rights lawyer who hated politics, become president? During five years at the Blue House, why didn’t he use his power? Why did he just silently plant flowers while being sworn at by protesters? One by one, those who watched him reveal their hidden stories.
Ten years ago, 304 innocent people aboard the Sewol ferry in Korea lost their lives at sea. The reason for the sinking and the complete failure of the rescue are crucial factors yet to be revealed. But the government continues to withhold key evidence, citing national security reasons. This documentary finds a conclusion of why all the matters have gone wrong.
This documentary tells the story of people who were at the scene of the 2014 Sewol Ferry disaster: journalists, bereaved families of the victims, and the survivors. Ten years after the disaster, what did it leave them? These are three omnibus documentaries with different perspectives.
While reporting on the rise of spy cam porn in South Korea, a crime that affects thousands each year, a journalist discovers that she too is being watched in her own home. She decides to speak out, joining a nationwide movement of women seeking protection from this frighteningly ubiquitous crime.
The church is the body of Christ. In Greece, the church embodied a philosophy. Then in Rome, it became an institution. Spreading throughout Europe, it became one with the culture there. Traveling to the US, the church became a business. And when it arrived in Korea, it became a conglomerate. The top five largest churches in the world are located in Korea. However, Christ has long been absent in the nation. So then, what is the church? Who is Jesus Christ? What kind of world do Christians want? If the church is indeed the body of Christ, then we must ask the questions point-blank. Where do we stand in all this? And where exactly are we headed? Korean churches—“Quo Vadis?” Korean society—“Quo Vadis?”
A thousand lies to conceal the truth of the Sewol Ferry. As many as 1,000 ships, 160,000 AIS data, were manipulated to hide the truth behind the sinking of the Sewol Ferry on April 16, 2014. Who are the organizers of this and why did they build a ghost ship! We must ask persistent questions. Since that day, nothing has been revealed yet. Government AIS data of a thousand lies. Now it is time for the Korean prosecution to answer.
Shedding new light on a geopolitical hot spot, the film — written and produced by John Maggio and narrated by Korean-American actor John Cho — confronts the myth of the “Forgotten War,” documenting the post-1953 conflict and global consequences.
In her first feature-length documentary, filmmaker Nam Arum turns her camera on her parents, two members of South Korea’s 386 Generation. The political activism of this generation came to a head in June 1987 with major protests that forced the authoritarian government to hold universal suffrage elections and implement key democratic reforms. Over 35 years later, the filmmaker reflects on the state of this democracy through a warm-hearted family portrait set against the backdrop of the country’s recent history. Using a personal and intimate cinematic style, Arum examines her father's adherence to conventionality as a high-ranking civil servant and her mother's fervent enthusiasm as a feminist activist. In the midst of these two contrasting dynamics, Arum seeks to discover her own role and how she can contribute to social change.
Where I Should Go explores one of the most pressing issues in contemporary China, the interaction between the rural and the urban, telling the intertwined stories of two families who move from the countryside to the city in order to try and get a proper education for their children.
Returning from eight years abroad at work and in prison, Jeong-il struggles to reconnect with his wife and their young daughter, Ye-sol, whom he barely knows.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.
Superman has to thwart wartime saboteurs tampering with things at the Metropolis Munitions Plant...who have captured Lois Lane and loaded her into a torpedo!
A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.
Things seem to be normal in an area of Thailand. But then Dracula is summoned to that region from Europe. He goes after a young woman. He has a bunch of dancing female vampire servants. Devils, zombies and some other weird creatures also show up.
In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...
Zanskar is a remote kingdom in the northwest Indian Himalaya, where local people are snow-bound for six months of the year. About 10,000 Zanskaris live in the isolated valley. In winter, mountain passes are blocked, the summer Jeep road closes and buses stop. Two decades ago, three friends founded a ski school - to enable winter travel in the valley, improve quality of life, and to encourage young people to stay in Zanskar by helping establish a culture of mountain sports. The film tells the story of this friendship, the ski school and the development of skiing in the area. Along the way a bigger question is raised. Most recently, the federal government announced a major road building project that will provide year round access to Zanskar. How can Zanskar's wilderness be preserved? It is only a matter of time before the winter road is completed, and the "Big India" rushes in.
The adventures of two girls from Zeeland in Zandvoort.
A new house in a new town could mean the beginning of a phase of domestic bliss for a small family. Nina, a doctor, has taken a few days off. Her husband Frieder is busy laying tiles, while their daughter Charlotte plays in her new room. But Nina is having her doubts; she stands about in the half-empty rooms, feeling thoroughly alienated. Suddenly, without saying a word, she decides to leave...
The story focuses on a veteran (the General) who served the military during WWII, Vietnam and the Korean War. He has quite a few alarming conceptions about warfare ("politics are the extension of war", “Civilians are as much the enemy as men in uniform”…) When he returns to his estate in Antwerp, he continues to live under the impression of being in command of his troops and hikes into the nearby woods fully armoured.
The mysterious man in black returns, and this time Ghost Rider is going Back to Basics with some of the most extreme high-speed action ever seen. The latest installment of the adrenaline-packed Ghost Rider series features incredible on-board footage from the highways of Sweden and busy streets of Stockholm. Join Ghost Rider as he weaves through traffic, rides the Nurburgring, "off-roads" in a city center, goes sledging without snow and comes within seconds of disaster during unexpected encounters with a police van and a huge lorry! Ghost Rider swaps two wheels for four as he burns rubber in a high performance Subaru, showing he has skill and style whatever the machine. All the way the Swedish police are on his tail, the pursuits captured from incredible on-board camera angles and shown in split screen - so you can see what's ahead as you leave the pursuers behind. Plus, Ghost Rider finally agrees to take on a street race, with his bike at stake as well as his pride.
Nikola goes to Montenegrin south to say goodbye to his best friend. On the way, he meets Maja, with whom he has more in common than it seems.
