Documentary about the production of Bunk #7.
Social & External
Self
A part of Porto’s nightlife history is revealed. In this work, the artist draws on her extensive archive of video recordings of Porto’s artistic and cultural landscape, which she has captured over the last 26 years, to focus on some of the city’s nightclubs that haven’t survived the years. A work commissioned by Batalha Centro de Cinema.
Between 1879 and 1986, upwards of 100,000 children in Canada were forcibly removed and placed into Indian Industrial Residential Schools. Their unique culture was stripped away to be replaced with a foreign European identity. Their family ties were cut, parents were forbidden to visit their children, and the children were prevented from returning home.
Three intrepid women battle for Indigenous women's treaty rights.
Bryan Charles Kimes has a lot to say, but the power of language escapes him. Lost in a public-school system that does not suit his needs, his parents fight to help him find his voice.
Martin Scorsese, Robert De Niro, Joe Pesci, and Al Pacino in conversation about The Irishman.
Carrie Davis was part of the child removal system near the end of the Sixties Scoop. With guidance from her uncle Emmett Sack and the community, Carrie reconnects to their land, language, and culture.
This 2007 behind-the-scenes documentary on the making of PERSEPOLIS features interviews with codirectors Marjane Satrapi and Vincent Paronnaud as they undertake the complex process of adapting Satrapi’s graphic novel into a film.
Indian freedom fighter Gandhiji was killed by Nathuram Godse. But what made Nathuram Godse to take this extreme step?
Directors Errol Morris and Werner Herzog describe and discuss the film The Act of Killing (2012).
Join Sebastien Ogier, future ten-time winner of the Monte Carlo Rally, on his reconnaissance drives. Enjoy Sébastien Loeb's expert commentary, get an insider's view of how a team works with young Adrien Fourmaux, and share the thrill of the ever-spectacular night stages with the fans...
In 1921 the Kwakiut'l people of Alert Bay, British Columbia, held their last secret potlatch. In 1980 at Alert Bay, the U'mista Cultural Centre (U'mista means "something of great value that has come back") opened its doors to receive and house the cultural treasures which were seized decades earlier and only then returned to the people. The center also took up activities such as recording stories told by elders so that some part of the past would always be alive and teaching children about their heritage in order to make them feel connected to their ancestors. This film documents the cultural significance of these events for today's Kwakiut'l people. It is an eloquent testimony to the persistence and complexity of Kwakiut'l society and to the struggle for redefining cultural identity for them.
In 1885, German Zoo owner Carl Hagenbeck hired nine Aboriginal men from Bella Coola to perform their dances and songs for German audiences. The nine dancers spent one year in Germany performing in zoos and theatres in 22 cities. During summer 2005, the Canadian filmmaker Barbara Hager came to Germany to retrace the steps of the nine Nuxalk men on their original 13 month long tour.
A display of a fallen red cedar at Olympic National Park headquarters proclaims in 1349 "Indians live here." TREE BEGINS LIFE INDIANS STILL LIVE HERE produces a meditation on the territories of the First Nations of the Pacific Northwest, and invites an alternative interpretation of U.S. sovereignty over these lands.
Zakynthos is a Greek island on the Ionian Sea famed for its beauty. It also has the unique distinction of having saved all 275 of its Jewish inhabitants during WWII. In this compelling story, Haim Konstantini, one of the survivors, narrates how the islanders united to ensure the survival of their Jewish population. Two key figures instrumental to the story were Mr. Loukas Kerreri, Mayor of Zakynthos’ capital, and Bishop Chrysostomos, who both refused to list the island’s Jews for the occupying Nazis. They have been recognized as Righteous Among the Nations at Yad Vashem for their bravery.
In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.
A short film warning the unaware housewife of the dangers of “dry cleaning” with gasoline at home.
Comments on the history of a people, made by the filmmakers and their characters. From the time of contact, through captivity in rubber plantations, to the current work with video, the testimonies give meaning to the process of dispersion, loss and reunion experienced by the Huni kui.
In interviews, various actors and directors discuss their careers and their involvement in the making of what has come to be known as "cult" films. Included are such well-known genre figures as Russ Meyer, Curtis Harrington, Cameron Mitchell and James Karen.