Women of the Kingdom of Dahomey (now Benin) are shown creating pottery.
Social & External
Thousands of royal artifacts of Dahomey, a West African kingdom, were taken by French colonists in the 19th century for collection and display in Paris. Centuries later, a fraction returned to their home in modern-day Benin. This dramatized documentary follows the journey of 26 of the treasures as told by cultural art historians, embattled university students, and one of the repatriated statues himself.
The film portrays the trajectory and life of the “Agudá” people today. This is a group of descendants of Africans enslaved in Brazil, who returned to their homeland with the end of slavery, and also descendants, Brazilian and Portuguese, of slave traffickers, who settled in that region of Africa in the 18th and XIX. Present in Benin and Togo, the “agudás” assimilated the surname and part of the culture of their masters.
Hazoumè's "NGO (Beninese Solidarity with Endangered Westerners)" reflects on issues of immigration, economic disparity, and perceptions of wealth. Taking a critical eye toward the vast numbers of local and international nongovernmental organizations (NGOs) operating in his country of Benin, the artist created his own NGO to aid poor Westerners, thereby reversing conventional assumptions concerning poverty and the distribution of capital from so-called developed nations. In an attempt to expose the often hidden realities of the income inequality that exists in global Northern countries, he asked Beninese celebrities to solicit donations from Africans, who commonly associate Westerners with affluence. For Hazoumè, the driving concept of the project is to uncover such illusions: "To all appearances, it’s a matter of reversing the help, from south to north. But in reality—it is about making the Africans cogitate differently."
What happens when a group of Finns travel to a tiny village in Benin to participate in a vaccination study? By participating, they can aid in the development of a diarrhea vaccine for children in developing countries – and, at the same time, have a different kind of vacation in West Africa. The complicated side of helping people and the clashes between two cultures rise to the forefront of Mia Halme’s delicious documentary film.
When Lena and Ulli start the engine of their old Land Rover, Lady Terés, they have a plan: to drive from Hamburg to South Africa in six months. What they don't know yet is that they won't ever get there. Two totally different characters, jammed together in two square meters of space for almost two years, they experience what it really means to travel: leaving your comfort zone for good.
In July 1860, the schooner Clotilda slipped quietly into the dark waters of Mobile, Ala., holding 110 Africans stolen from their homes and families, smuggled across the sea, and illegally imported to be sold into slavery. Surviving Clotilda is the extraordinary story of the last slave ship ever to reach America's shores: the brash captain who built and sailed her, the wealthy white businessman whose bet set the cruel plan in motion, and the 110 men, women, and children whose resilience turned horror into hope.
A young man having omitted to make the ritual offerings of voodoo, suffers the wrath of the spirits.
Adopted at the age of ten from her homeland of Bénin, West Africa, and raised in an abusive household in Connecticut, Chef Adé Carrena travels back home on a journey to reclaim her identity through food and represent what was taken away from her across the Diaspora.
David, a clueless and cocky Spanish video blogger traveling in Africa, arrives in Benin, where he accidentally finds the truth behind an ancient legend.
Esosa, Fatouma, and Giselle, three women trafficked as teenagers who reunite seventeen years later to dismantle the powerful men behind their pain. From the streets of Lagos to the shadows of Abidjan and Cotonou, they execute a cold, calculated mission, each move sharpened by trauma, sisterhood, and strategy.
In the heart of the Caribbean, a mother and daughter confront a malevolent curse erasing identities of all the island's women, propelling them on a daring quest to reclaim their rich cultural heritage and triumph over the encroaching darkness.
In the oceanside village of Iyi, the revered Mama Efe acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted but rebellious daughter Zinwe and skeptical protégé Prisca warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper, a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi.
Experimental Video Opera.
The film is based on interviews with 2,000 women from 50 countries, and covers the status of women all over the world. The topics covered include forced marriages, sexual assault, female genital mutilation, acid attacks, motherhood, sexuality, menstruation, education and the professional success of women.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
While in San Francisco for the promotion of her last film in October 1967, Agnès Varda, tipped by her friend Tom Luddy, gets to know a relative she had never heard of before, Jean Varda, nicknamed "Yanco". This hitherto unknown uncle lives on a boat in Sausalito, is a painter, has adopted a hippie lifestyle and loves life. The meeting is a very happy one.
An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years.
A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.
An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.
Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.
A non-narrated documentary following the lovesome lives of four infants from birth to their first birthday. The babies featured are two from rural areas: Ponijao from Opuwo, Namibia, and Bayar from Bayanchandmani, Mongolia, as well as two from urban areas: Mari from Tokyo, Japan, and Hattie from San Francisco, USA.
Musician and performance artist Laurie Anderson reflects on the deaths of her husband Lou Reed, her mother and her beloved dog.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Impersonal and beautiful images of Akerman's life in New York are combined with letters from her loving but manipulative mother, read by Akerman herself.
Nine filmmakers each profile a young girl from a different part of the world to weave a global tapestry of youth in the 21st century.
A documentary about the making of season five of the acclaimed AMC series Breaking Bad.
This special explores the return of Obi-Wan Kenobi and Anakin Skywalker to the screen, as well as Ewan McGregor and Hayden Christensen to their classic roles. Director Deborah Chow leads the cast and crew as they create new heroes and villains that live alongside new incarnations of beloved Star Wars characters, and an epic story that dramatically bridges the saga films.
An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.