The silent daily routine of a young man is revisited through Dostoevskian musings.
Social & External
A Sick Man
When most of the population of Earth is infected by a virus and transformed into flesh eaters and blood drinking creatures, a group of hunters lead by Tao and his sword chase the vampire zombies to eliminate them. Six non-infected survivors try to find the exit of an abandoned hospital crowded of the infected creatures. Meanwhile, the military is ready to bomb the whole area.
Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.
A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.
When rogue stealth-fighter pilot Vic Deakins deliberately drops off the radar while on maneuvers, the Air Force ends up with two stolen nuclear warheads -- and Deakins's co-pilot, Riley Hale, is the military's only hope for getting them back. Traversing the deserted canyons of Utah, Hale teams with park ranger Terry Carmichael to put Deakins back in his box.
A sensual hommage to Germany's most productive queer filmmaker, Rosa von Praunheim.
A comfortable rhythm composed of light and shadow. Director Ogino-style absolute movie which freely manipulates geometric figures.
Jake, full of anger after his father's death, is just starting to find a place for himself at his new Orlando high school - until Ryan, head of an underground MMA fight club, picks Jake out as a prime opponent. After being trounced by Ryan in front of the entire school, Jake begins training under the firm, moral guidance of a MMA master, where he learns how to fight... and how to avoid a fight. But it becomes obvious that a rematch will be inevitable if Jake wants to stop Ryan and his bullying, once and for all.
The first GRITTY UNDERGROUND feature film ever in Denmark - no budget - no problem! It plumbs the depths of its dark themes with passionate, convincing performances, LAST EXIT is a gritty, sexy psychological thriller. Its antihero is Nigel, an incompetent criminal. He and his wife Maria shack up at a hotel, while each struggles separately with a drug problem. Maria manages to get a straight job, and Nigel gets a gig storing illegal goods for a local crime boss known as the President. Things heat up when Nigel falls for Tanya, a prostitute who works for the President, and their affair makes him ever more distant from Maria. The stage is set for a sex and violence-fueled descent into mayhem that remains intelligent throughout, as the plot twists and secrets are revealed. Maria gets pregnant and Nigel starts to snap, and the only sane one seems to be Jimmie, Nigel's existential pot dealer... "GOOD TASTE MADE BAD TASTE!" - Peter Jackson
Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.
Trevor, an insomniac lathe operator, experiences unusual occurrences at work and home. A strange man follows him everywhere, but no one else seems to notice him.
Indifferent landscapes, refracting light, some lonely bird and the window to the sebum-laden living room made of patterned wallpaper and trivialities. Cut. Tenacious sequences inflate moments to cliff-hangers and shatter their tremulous spectatorship. Thundering leitmotifs – in constant intoxication by German disinterest – with no backrest or lederhosen. Black-red-gold at full mast, the cinema is dead.
A tale about a strange young man, Bulcsú, and the fellow ticket inspectors on his team who work aboard the subterranean Budapest Metro. A tale about racing along the tracks, and about a mysterious serial killer. And a tale about love.
A small, seemingly innocuous plastic reel of film leads surveillance specialist Tom Welles down an increasingly dark and frightening path. With the help of the streetwise Max, he relentlessly follows a bizarre trail of evidence to determine the fate of a complete stranger. As his work turns into obsession, he drifts farther and farther away from his wife, family and simple life as a small-town PI.
The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.
Cacaso, a Brazilian poet, lived in Rio de Janeiro. Born Antonio Carlos de Brito (1944-1987) he was one of the leaders of the marginal poetry movement. Cacaso filled notebooks not only with poems but reflections, drawings and collages. He also became a lyricist and partner of celebrated songwriters such as Tom Jobim, Edu Lobo, Toninho Horta, João Donato and Sivuca.
A man is haunted by the mysterious CHICKENMAN after he chooses not to order a takeaway.
Gein Meats is a family business specializing in the production of blood sausages made with the menstruation of kidnapped women. Everything runs smoothly in the company until love arises between the kidnapper and the kidnapped. From then on, they must find a way to escape both the horrors of the meat-processing business and the macabre Gein family.
Thriller - During World War II, Helmut Dantine specialized in playing villainous Nazis in Hollywood melodramas. He offers a compelling performance in a variation of these earlier roles in this suspense filled and politically loaded tale of intrigue. The story opens in German-occupied Athens during the darkest hours of the war. Civilians are not allowed on the streets after dark. - Helmut Dantine, Marianna, Irene Champlin
Steven Ray was never quite normal. But when tragedy strikes in the form of a deadly hit-and-run incident at a city cross walk, his violent and bizarre behavior becomes uncontrollable. One night, as Steven plots his next murder, he meets Percival, whose unsuccessful attempt at suicide not only interferes with Stevens plans, but the chance encounter also introduces the two into each others sad and lonely lives. Percival believes hes cursed after miraculously surviving each suicide attempt and concludes fate brought he and Steven together. So he hires Steven to assist him in suicide. Steven does not believe in fate and thinks Percival is desperate and delusional. But he accepts the offer. Easy money. After Percival continues to miraculously survive each attempt on his life, Steven starts to believe. He tries to help Percival figure out ways to break the curse. And in the process, they form an unlikely friendship through the common bond of tragedy.
A seagull, a dog, a child, a call to prayer; Looking through a window, the corridor of a train, the wall of a medina; Everyday life is momentarily paused through the eyes of a stranger in an unknown land.