Social & External
The people behind it
Ida is cleaning out the house that her grandfather, an artist, used to live in. She wades through a studio overflowing with artefacts, oddities and lost history. Similarly to S P A C E S, Štrbová treats the theme of memory and loss, combining fiction and documentary, letting the images of nostalgic childhood and the suffocating past flow associatively. To the sound of Francesco Geminiani's Concerto grosso no. 12, subtitled Madness, the fragile physicality of both dead and living relics stands out. The head of a dead parrot, a cast of her grandmother's breasts or a moss-covered real estate agent represent the discoveries of a personal archaeological site and exhibits of an introspective museum of family history.
Rosa is from Croatia and lives in Switzerland, with her husband who depends on her care. She takes care of everything. Her children have grown up and want to leave home. Rosa stays behind alone.
Kekaiulu Hula Studio follows the Proclaimed Hula Halau of the same name, showcasing their twist on what the real reason for hula is and what life as a dancer in the halau is really like. Something previously unseen in the public eye.
What is tradition? This is the question posed by yodeller and food researcher Meinrad Koch from Canton Appenzell. In search of an answer, he embarks on a journey.
A poetic journey through the paths and places of old Castile that were traveled and visited by the melancholic knight Don Quixote of La Mancha and his judicious squire Sancho Panza, the immortal characters of Miguel de Cervantes, which offers a candid depiction of rural life in Spain in the early 1930s and illustrates the first sentence of the first article of the Spanish Constitution of 1931, which proclaims that Spain is a democratic republic of workers of all kind.
The artist Johanna Faust is about to leave her children to finally devote herself to her art again. A vague memory comes to her mind: Didn't her grandmother do the same thing, with terrible consequences? The intimate road movie tells of lost mothers and abandoned children, of the temptations and the price of self-fulfilment, of the abysses of motherhood and of the deep longing for another life.
For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.
In this autobiographical documentary, Rosa explores her anxiety, derealisation, and a mother-daughter bond shaped by shared trauma.
Survivor Abduweli flees a Chinese Uyghur internment camp to Norway. Now, heading to Germany to confront a past torturer, his daughter’s panic attack forces a choice: exposing Uyghur genocide for the world, or shielding his family from painful memories.
A meeting between the daughter and the grandmother of the director, Iván Mora Manzano, at a time when the memories of one, the girl’s, were taking shape, and the other’s the grandmother’s, were vanishing. This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.
A discussion with her family brings a daughter an occasion to ponder the past. Presence and absence lead to an immersion into memories, and ultimately, to the future.
Farmers in the Île-de-France region, they filmed life on the farm, working in the fields, and family and village celebrations on 8 mm or Super 8 film. From the 1950s to the 1980s, these testimonies unfold a history of rural life: we move away from a peasant and family model to industrial agriculture for export. Through these family images, I attempt to answer my own questions about our agricultural future. In the 1950s, the land of Île-de-France fed us.
Idak-Idak-Idak is a hybrid-documentary relating the stolen Lombok Treasures with the Sasak diaspora through three generations of women: a daughter, her mother, and her grandmother. Blending full-spectrum cinematography with personal footage, this film moves between Indonesia and the Netherlands to examine colonial legacies, displacement and healing the heart of home. In Sasak, "Idak" can be interpreted as both “heart” and “absence”, becoming a container for memory, loss, and the unseen layers of the self between generations.
Jöran has a bipolar disorder, which makes him vulnerable to depression, mania and psychosis. He can sympathize well at the moment, but that has been different in the past. Jöran delves into his dark past and talks to the people who experienced his illness up close. How do you deal with this disorder and the misunderstood behavior that comes with it? And how do you break the taboo that still exists on disease pressure?
Jasmin is joy, living in the moment. A 15-year-old boy described as "non-verbal autistic." He communicates through his eyes. He makes sounds, says a word. He constantly sings the rhythm of a song whose lyrics only he knows. A bubble of sweetness and love.
A documentary recording the lives of Khon students in their last years of study. They spent six years under the rules of the military regime after the 2014 coup d’etat. The coup granted the regime power to change many things, especially education which became more focused on the monarchy and royal glorification instead of basic human values. While the world is becoming awakened to human rights, the military regime deems them against their own values. The shooting of the film began at the time of the king’s succession, shortly after which there was a great social awakening in Thailand. Meanwhile, the authorities used state violence and oppression in an effort to eliminate dissidents, even when they were just high school and university students.
Until now, they have stood on the sidelines. They have not appeared before the cameras. They have not taken part in public discussion. It is mainly to them that the documentary film by the well-known journalist Ewa Ewart was devoted. It shows the face of the Smolensk catastrophe through the eyes of the victims' families. April 10, 2010 went down in the memory of Poles as a day of national drama. But for the characters in the film, it was the day of their greatest personal drama. Along with the presidential couple, their loved ones passed away in shocking circumstances. For most, the time passing since the Smolensk catastrophe does not bring relief. Ewa Ewart and her film crew accompany the families at various stages of their struggle with difficult emotions. The film is in the process of being made and will include sequences and stills that have not been used anywhere before.
Batbileg lives in a ger district of Ulaanbaatar with his wife and two children, making a living by training falcons for hunting and showing them to tourists. Every year, at the beginning of summer, he captures and trains the hawks, and at the start of winter, he releases them back into the wild. One of his recurring endeavors begins with training a hawk named “Andgai.”(Oath). However, laws and regulations on bird training are lacking, and the densely populated urban environment, crowded with people and buildings, is far from suitable. Batbileg aims to revive Mongolia’s ancient falconry culture, raise public awareness of the value of falcons, and pass on conservation ideals to the younger generation. Yet, in the face of the many challenges before him, he is forced to confront a dilemma: should he comply with the law, or remain faithful to his ancestral tradition?
In a crime-plagued neighborhood near Miami, brutal, bare-knuckled backyard fights give young men a chance to earn money -- and self-respect.
An inside look at the years of effort and craft that went into the final installment of the Duffer Brothers' generation-defining series.
An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.
A collection of stories about and images of our world, offering an immersion to the core of what it means to be human. Through these stories full of love and happiness, as well as hatred and violence, it brings us face to face with the Other, making us reflect on our lives. From stories of everyday experiences to accounts of the most unbelievable lives, these poignant encounters share a rare sincerity and underline who we are – our darker side, but also what is most noble in us, and what is universal. Our Earth is shown at its most sublime through never-before-seen aerial images accompanied by soaring music, resulting in an ode to the beauty of the world, providing a moment to draw breath and for introspection. This film is a politically engaged work which allows us to embrace the human condition and to reflect on the meaning of our existence.
Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.
A comedic, brutally honest documentary following self-destructive TV writer Dan Harmon as he takes his live podcast on a national tour.
The Official Golden Harvest tribute to the Master of the Martial Arts Film, Bruce Lee.
A tribute to Chadwick Boseman, celebrating his life and legacy.
The life of Bambi, a male roe deer, from his birth through childhood, the loss of his mother, the finding of a mate, the lessons he learns from his father, and the experience he gains about the dangers posed by human hunters in the forest.
The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished by placing the camera on a moving transport, such as a boat or train.
A teen slams her car into a building, killing her boyfriend and his friend. What seems like a tragic accident becomes a murder case.
With unprecedented access to the official archives and intimate recollections from the band, both current and past, Iron Maiden: Burning Ambition invites fans to experience one of the most iconic journeys in music history. Spanning five decades, this electrifying documentary charts the band’s rise from the pubs of East London to the world’s biggest stadiums. Featuring exclusive interviews with band members and contributors such as Javier Bardem, Lars Ulrich and Chuck D, as well as all-new animated sequences of the band's legendary mascot, Eddie, the film offers a rare and intimate look at Iron Maiden’s uncompromising vision and unwavering connection with their truly global army of fans.
A glimpse into the raw and simple power of nature through encounters with farm animals: the eponymous Gunda, a mother pig; two cows, and a one-legged chicken.
In the heart of the tranquil Vosges forests, where lynxes, bears and deer roam freely, Vincent Munier accompanies his father on his expeditions. He not only seeks to capture the visual wonders of this forest kingdom, but also aims to make its sounds audible. Every whisper of the forest is a reminder of the knowledge of nature that his father once imbued in him – knowledge that Vincent now passes on to his own son. Vincent Munier combines breathtaking footage of nature and its sounds to create a fairytale-like cinematic experience that slows time down.
The life and career of an actor, artist, and icon. His own journey through his own camera.
The inside story of six fighters – six of the fastest motorcycle racers of all time – and of the fates that awaited them at the peak of the sport. It's the story of what is at stake for all of them: all that can be won, and all that can be lost, when you go chasing glory at over two hundred miles an hour – on a motorcycle. But this documentary is also an opportunity to understand the passionate relationship that links the pilots, the technical teams and the legions of fans to the spirit of GP Moto.
A documentary about the life and films of director John Ford.
The documentary's title translates as "to be and to have", the two auxiliary verbs in the French language. It is about a primary school in the commune of Saint-Étienne-sur-Usson, Puy-de-Dôme, France, the population of which is just over 200. The school has one small class of mixed ages (from four to twelve years), with a dedicated teacher, Georges Lopez, who shows patience and respect for the children as we follow their story through a single school year.
