Social & External
Commentary (voice)
The pride of Napoleon's victories, the Arc de Triomphe, whose first stone was laid in 1806 at the top of the Champs-Élysées, is, along with the Eiffel Tower, one of the most visited monuments in the French capital. Wanted by an emperor, inaugurated under the reign of a king (Louis-Philippe) and sanctuarized by the Republic, this patriotic temple polarizes the passions of a whole nation. A historical portrait before "packaging", which teems with anecdotes and unsuspected details.
Soviet Documentary film of the 1945 victory parade in Moscows Red Square.
This intriguing and beautifully-shot newsreel features sea-faring heroes, feisty females and a generous lick of paint for a Mississippi steamship.
The parade of Serbian army in Macedonian town.
Recruits of Lord Kitchener's 'New Army' parade on Christmas morning.
The Governor of Bengal and family - on and off duty.
The Yugoslavian Royal Army's review at the Banjica neighborhood of Belgrade in 1940.
An exploration of how the U.S. military employs video game technology to train troops for war. Filmed at the United States Marine Corps Air Ground Combat Center, Watson is Down pairs footage of soldiers at computers engaging in combat-simulation training with scenes from the video games.
Rolf and Susanne visit an indoor swimming pool. They learn how to buy tickets at the ticket office, how to find and use the changing rooms and showers and how to behave correctly in the pools for swimmers and non-swimmers.
TV-Documentary about the German painter Anselm Feuerbach
How can children communicate with other road users as pedestrians and cyclists? A pantomime also explains sign language.
An exploration of how the U.S. military employs video game technology to train troops for war. Three Dead depicts a military exercise within a mock Iraqi town built on the outskirts of Twentynine Palms, California, blurring the line between computer simulation and reality.
An exploration of how the U.S. military employs video game technology to train troops for war. In Immersion, Farocki presents footage of a role-playing exercise in which military psychologists demonstrate how to use the PTSD program on their colleagues, who describe traumatic wartime experiences. On a second channel, their descriptions play out as virtual renderings.
An exploration of how the U.S. military employs video game technology to train troops for war. In A Sun With No Shadow, Farocki calls attention to the subtle differences between the simulations for combat training and PTSD. With the former, the sun can be programmed to cast shadows in the virtual combat zones, while the latter, less expensive technology does not offer this feature.