The Yugoslavian Royal Army's review at the Banjica neighborhood of Belgrade in 1940.
Social & External
This is the first feature, as well as the first sound film made in Yugoslavia. It is a collection of vignettes made for tourism purposes showing the most beautiful parts of the country.
An archival road trip with Stevan Labudović, cameraman to Yugoslav President Tito and cinematic eye of the Algerian revolution, investigating the role of cinema in the liberation struggles of the Third World and reconstructing the birth of the Non-Aligned Movement.
This first-person documentary provides an inside look into the terrifying and bloody events that shook Central Europe in the 1990s, as the filmmaker takes a trip along the road that once united the disparate states of Yugoslavia, from Slovenia to Macedonia. A film about memory, hatred, love and hope.
A new, modern train station in the province of Croatia, where the only problem seems to be the numerous, unemployed people or as the station master complains: Why do films always have to show the bad side?
The elderly inhabitants of a village in Vojvodina look back on the war and the partisan battles. The film also examines how collective memories and myths enter the individual consciousness.
A half-hour fictional documentary film that, through the fates of different people, tries to illuminate the phenomenon of the YUGO car, a cute outsider of small capacities but big ambitions, in the period between 1980 and 2008, when it was manufactured. The film combines statements from authentic workers that were involved in the production of Yugo, archives, along with the reconstruction of different fragments from the Yugo's history which portray him both as a family and a thug's car, as a part of the great American Dream, or as a symbol of betrayed expectations. This film is a small 'commemorative' review of the history of an automobile that for a long time symbolized, in a jocular and veritable way, sometimes even by accident, the times in which he was manufactured.
Story about the last Yugoslavian national soccer cup final, held on May 8, 1991. The match proudly remembered by fans of Croatian side NK Hajduk who defeated Serbian FC Red Star on the eve of subsequent civil war.
Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.
This documentary was inspired by the artistic life of Serbian actress Sonja Savić. Being a wonder child, a star of Yugoslavian cinematography, a sex symbol, and urban legend of the eighties generation, a fighter against establishment, Sonja Savić had always attracted attention. Simply put, she always looked, spoke and thought differently from others, she was entirely autonomous, an authentic phenomenon of Serbian culture. In the documentary SONJA, friends and colleagues of Sonja Savić testify on many aspects of her life and work, and a special emphasis is put on Sonja’s libertarian, rebellious, Don Quixote type of nature.
Documentary about the "Bundeswehr"
A documentary about army cooks and how the everyday needs of thousands of armed stomachs affect the victories and defeats of statesmen. The film is based on eleven meals based on recipes from the Second World War till the war in Chechnya; from France through the Balkans to Russia.
A documentary-narrative film which looks at real events and personal phenomena of artist Zarko Lausevic. "Laush" above all tells a story of an evil time we've all been through, represents both sides and is made with empathy and respect towards everyone involved in the tragic incident. Through recreations, narration, memories of colleagues and quotes from the book "A Year Passes, a Day Will Never Pass" which the artist wrote during the hardest stage of his life, the weight of his fate is presented. The aim of this project is to portray the life of brilliant actor, who in the midst of great fame, disappeared from the scene through the cruelty of dubious times.
Early Balkan footage.
In 1992, the Yugoslav army and Serbian paramilitary forces captured one-third of Croatia as the country was engulfed in a state of war. A squad of fighters is defending their position in the small but strategically significant village of Sunja, where the invaders have surrounded them on three sides. Ivan Salaj, a young and gifted director who was still enrolled in film school at the time, chooses to use their story as the subject of his student film. Considered one of the most important films from a period when Croatian independence was still at stake, it provides an accurate portrayal of life on the front lines. What makes Hotel Sunja even more special is that it was made by a group of students who risked their lives to make the movie.
Svetlana has lost her son who was found dead while he was in the army. As she tries to shed light on the culture of violence and abuse in the Belarusian military, a group of young friends from the techno underground soon face being drafted themselves. They go to rave parties in undershirts and round sunglasses, but in a moment the party could be over – at least until huge protests break out in the streets following the recent ‘re-election’ of dictator-president and Putin sympathiser, Aleksandr Lukashenko. A glimmer of hope and a promise of change, which only causes the brutality of the authoritarian society to erupt in full force.
On October 7, 2023, Hamas inflicts its biggest military defeat on Israel since 1948. The myth of the invincibility of the Israeli Defense Forces is cracking. What happens in this army that thought it was prepared for anything? Senior commanders and soldiers emerge from the shadows and tell the story of Zahal– and their own at the same time.
Emir Kusturica views himself as a rock musician and believes that he became a world-famous filmmaker by pure chance, as he shoots his movies only in between concert tours with the “No Smoking Orchestra” band. At these little pinpoints of time he gets “Palms d’Or” at Cannes, “Golden Lions” in Venice, builds his own villages, a power plant and a piste and regrets not becoming a professional football player. Kusturica’s own living is very much similar to his movies, where shoes are polished with cats, death is treated like a story from tabloid press, and life is a miracle...
Can a language save your life? Yes it can, even an ancient one from the 15th century. Saved by Language tells the story of Moris Albahari, a Sephardic Jew from Sarajevo (born 1930), who spoke Ladino/Judeo-Spanish, his mother tongue, to survive the Holocaust. Moris used Ladino to communicate with an Italian Colonel who helped him escape to a Partizan refuge after he ran away from the train taking Yugoslavian Jews to Nazi death camps. By speaking in Ladino to a Spanish-speaking US pilot in 1944 he was able to survive and lead the pilot, along with his American and British colleagues, to a safe Partizan airport.
Yugoslav Partisan propaganda film about the liberation of Istria at the end of the World War II.
