The Adventures of Eddie Turley

Poetic sci-fi film as an homage to Cinema, Cocteau, Goodis and to American B-series of the 1940s. Constructed exclusively on photograms in black and white and freely inspired on Jean-Luc Godard's Alphaville.

The History of the Hands

The film is a study of nature and significance of the hands in cinema. Besides review of movements and actions, which creates an independent story, it reveals interactions and interdependence of cinematic traditions of various authors, countries and periods

Untitled (Generali Foundation Vienna)

Philipp Fleischmann develops special cameras designed to formulate specific relations between the material of the footage (16 or 35 mm film) and the object of the recording. For instance, in his 2013 project “Main Hall,” he deconstructs the main exhibition hall of the Viennese Secession, filming the exhibition architecture with 19 individual cameras and thus creating images that show the view of the exhibition space onto itself. Fleischmann’s recent work, “Untitled (Generali Foundation Vienna)" identifies the film camera as a spacial object-form by itself. Correlating with the history of artistic interventions on site, the object is placed in the former exhibition space of the Generali Foundation at Wiedner Hauptstrasse 15, Vienna, and provided with a cinematographic view.

Declarative Mode

The film consists of two identical prints shown simultaneously, one projected inside the image of the other. The inner image is out of sync one second in advance of the larger image creating a dynamic inter-play between the overlapping frames.

38/79: Sentimental Punk

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'

Rytmus

An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.

OLO, the Boy from Tibet

A 6-year-old Tibetan boy leaves his family and flees to a refugee camp in northern India.

Trypps #5 (Dubai)

A short treatise on the semiotics of capital, happiness, and phenomenology under the flickering neon of global capitalism.

The Afterlife

A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.

Oxygen

In this story set in near future, a group of young rebels, hippies and 1968 protesters want to cede and make an independent Island from the Mainland. A journalist who came to the Island to make a report about political summit that takes place there gets involved in the clash between young rebels and establishment.

Complainant

There is nothing left to do but complain.

Out of the Law

Beyond all human restraint lies one's lugubrious layers of paint.

HoLy Cycles

Steadily reading while/becomes treading into murky waters.

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Cloudscape

Combining home movies, 16mm footage, audiotape, and an original score, Gallisá Muriente’s poetic excavation oscillates between chronicle, dream, and document. Where people and nature meet, she uncovers environmental and colonial memories from her grandmother’s past and in the landscape of Puerto Rico.

Anônimo e incomum

Time Laughs Back at You Like a Sunken Ship

Super 8 film transferred to HD video

Alaska

Alaska is a wordless experimental film with a simple, droning soundtrack that sounds as if it is a piece for violin and refrigerator hum.

1/57: Experiment with Synthetic Sound (Test)

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

Finds Itself in Corners

Lines align during acclimated apexes, shadowy vertices, and bright burrows.