This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.
Social & External
Rummaging for Pasts is an experimental juxtaposition of two cinematic documents: the video diary of an international archaeological excavation and a collection of assorted eight millimeter found footage of Indian weddings.
An intimate, affecting portrait of the life and work of ground-breaking performance artist and music pioneer Genesis Breyer P-Orridge (Throbbing Gristle, Psychic TV +) and their wife and collaborator, Lady Jaye, centered around the daring sexual transformations the pair underwent for their 'Pandrogyne' project.
The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.
an experimental short shot completely in black and white and attempts a new technique.
Two instants separated by 99 days conflict with each other.
Deranged projectionist Mad Ron shows a movie theater full of rowdy zombies a diverse assortment of horror and exploitation film trailers from his private collection while ventriloquist Nick Pawlow and his foul-mouthed zombie dummy Happy Goldsplatt provide lowbrow comic relief.
A group of authentic voicemail messages to Alex over the past 5 years from various friends and family members. It is a poetic lattice weaved with mesmeric audiovisuals, presenting the isolating effects of an ever growing digital world.
“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”
Short experimental film.
Documentary tribute to what VH1 called “the single greatest rock omnibus program ever aired” and Brooklyn Vegan named “the most consistently weird and awesome thing on cable television in the ’80s.” This ‘Best Of’ episode features some of the most memorable moments of Night Flight's near-decade long run including restored interviews and segments from Kate Bush, New Wave Theatre, David Lynch, Prince, Wendy O Williams, Divine, Billy Idol, Johnny Rotten, and much more Night Flight treasures from the archive.
The Eye explores silent landscapes where nature and absence coexist. Between the memory of places and resilience in the face of time, the film oscillates between beauty and existential vertigo, capturing what persists and what fades.
In a dreamlike journey through the memories that formed him, Sergio's past comes to life before his eyes. With his grandparents' house in ruins as a vehicle of memory, he will question his first 10 years of life and why he considers them his Prelude, the foretaste of what his life and work would become. Among ghosts, he will have to make peace with his memory, his reflection and his name to find the color among the ashes and stop fearing the future.
A series of indie filmmakers are documented over the course of a few months throughout the production of their passion projects, as they change professionally and personally; moving closer to the lives they wish to live.
A videographic fantasia on the films of Alfred Hitchcock that quickly veers into controlled insanity. Through fervor and mania, this unconventional cinematic homage re-imagines the influence of the master of suspense. A "murdergame" means to will a dream into existence, and fall victim to obsession.
A compelling portrait of New Yorkers living on the streets as they struggle with mental health, addiction, and the onset of a global pandemic. This powerful documentary offers an unfiltered, at times mesmerizing glimpse into life on the margins, drawing viewers into the raw, human stories behind a deepening crisis.
The Lacosse family goes on a roadtrip to Rockglen, SK.
An enigmatic glimpse of life through precarious vignettes, propelling a narrative through a nebulous and opaque structure that sutures the filmmaker's home movie footage to archival material—from Hollywood narrative films to political selfie videos. A handmade impression of a time suspended between past and present and the ghosts and places occupying it, contemplating the nature and meaning of vision, memory and image making.
Documentary with fragments and records about the boundaries between art and counterculture, based on a debate held at the Museum of Modern Art, Rio de Janeiro, in October 1968.
Soul Cage is a non-verbal documentary, which shows the process of creation. The specially composed music builds the dramaturgy of the film on equal rights with the image. This “cinematographic sonata” explores the boundaries of documentary and operates with details, shadows and mystery. The film gets inside the art process of Johanna Forsberg, who lives in the north of Sweden. From the raw metal mesh, cold and resistant, through the fragile moment of creation, to the darkness of the workshop – where everything is possible and the creations have their own life and souls.
Naturalist Bill Mason on his journey by canoe into the Ontario wilderness. The filmmaker and artist begins on Lake Superior, then explores winding and sometimes tortuous river waters to the meadowlands of the river's source. Along the way, Mason paints scenes that capture his attention and muses about his love of the canoe, his artwork and his own sense of the land. Mason also uses the film as a commentary on the link between God and nature and the vast array of beautiful canvases God created for him to paint. Features breathtaking visuals and exciting whitewater footage, with a musical score by Bruce Cockburn.
