Hexenkinder

The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.

We Are Half The World

They were, at best mocked or ridiculed, at worst incarcerated, tortured, or even beheaded. But they would not be deterred. For decades ten thousands of women in Germany, Great Britain, in France, the U.S. and many other countries fought for their right to vote. Some used the institutions, others turned into media savvy politicians, and still others turned to terrorism, went on hunger strike, or died as martyrs. 100 years later we tell a multi-perspective and emotional story of the international fight, against all odds, for women’s suffrage as an important step towards equal rights.

Suffragettes, with Lucy Worsley

The story of the struggle for the women's vote is much more than just the account of the exploits of Emmeline Pankhurst or the tragic fate of Emily Davidson. Lucy Worsley puts herself at the heart of the drama, alongside a group of astonishing young working class suffragettes who decided to go against every rule and expectation that British Edwardian society (1901-1910) had about them…

Langi Ziit

Nemesis

The film explores the destruction of a unique train station in Zurich and the construction of the new prison and police centre in its place. From the perspective of the filmmaker’s window, and with testimony from prisoners awaiting deportation, the film probes how we deal with the extinction of history and its replacement with total security.

Palace Pandemonium

The campaign for women's suffrage steps up as Emmeline Pankhurst is arrested at the gates of Buckingham Palace.

Eldorado

Drawing inspiration from his personal encounter with the Italian refugee child Giovanna during World War II, Markus Imhoof tells how refugees and migrants are treated today: on the Mediterranean Sea, in Lebanon, in Italy, in Germany and in Switzerland.

The Windmill

In preparation for a feature-length film about windmills, an assistant director travels through the Vaud region to search for locations with windmills. The research leads to a serious engagement with the meaning and purpose of windmills, which has something Don Quixote-like about it in the age of nuclear power stations. The transitions between document and fiction flow constantly and result in a charming and intellectual mixture of seriousness and fun, determination and coincidence, weightlessness and the weight of meaning.

Bounty

Not Done: Women Remaking America

"Not Done: Women Remaking America" chronicles the seismic eruption of women's organizing from the 2016 election through today, and the intersectional fight for equality that has now gone mainstream. Like the movement it documents, this story is told collectively: through the firsthand experiences and narratives of frontline activists, writers, celebrities, artists, and politicians who are remaking culture, policy, and most radically, our notions about gender. Premiering against the backdrop of an unprecedented pandemic and widespread social upheaval, "Not Done" shines a light on the next generation of feminists who are unafraid to take on complex problems and are leading the way to true equality.

The River's Bed

Following disastrous floods, a vast construction project is in the process of revitalizing the Rhone by removing the concrete straitjacket, and instead enlarging the river's bed to promote river life. The filmmaker follows the development of this unusually inclusive project through its diverse protagonists, including hydrobiologists, fishermen, farmers, engineers and concerned citizens. Their divergent concerns permit a fuller and unbiased understanding of the complexity of such a project. As a result, this engaging and lyrical film is a journey that prompts a universal questioning of our past and future relationship with nature and territory.

Stealing Africa

Zambia's copper resources have not made the country rich. Virtually all Zambia's copper mines are owned by corporations. In the last ten years, they've extracted copper worth $29 billion but Zambia is still ranked one of the twenty poorest countries in the world. So why hasn't copper wealth reduced poverty in Zambia? Once again it comes down to the issue of tax, or in Zambia's case, tax avoidance and the use of tax havens. Tax avoidance by corporations costs poor countries and estimated $160 billion a year, almost double what they receive in international aid. That's enough to save the lives of 350,000 children aged five or under every year. For every $1 given in aid to a poor country, $10 drains out. Vital money that could help a poor country pay for healthcare, schools, pensions and infrastructure. Money that would make them less reliant on aid.

BORN SEXY YESTERDAY: Decoding the Enigma of Beauty

The phrase "Born Sexy Yesterday" is derived from the 1950 film "Born Yesterday." However beneath this superficial portrayal of some women lies a more complex understanding , revealing deeper narratives that resonate with many. October 1, 1985. The chilling emptiness in Michele Avila's eyes. Her murder, a savage ballet of teenage fury, ripped through the town, festering wounds exposing the venomous underbelly of a seemingly innocent friendship. Jealousy, a serpent coiled in the heart of adolescence, struck with the force of a viper, revealing the terrifying depths of envy's reach. These weren't just girls; they were predators. Women are born with many layers, a mix between good and evil. Ironically of all the positive tropes that can validate the existence of women, why is it that "Born Sexy Yesterday" is a trope that resonates with our male counterparts the most?

Matt Shepard Is a Friend of Mine

An intimate portrait of Matthew Shepard, the gay young man murdered in one of the most notorious hate crimes in U.S. history. Framed through a personal lens, it's the story of loss, love, and courage in the face of unspeakable tragedy.

Alpine Hotel at Christmas

Lap up the luxury and opulence of the festive season at Switzerland's Gstaad Palace hotel, as we discover one of the most exclusive hotels in the world, where staff and management work hard to ensure their guests enjoy the ultimate 5-star festive experience. Run by third generation hotelier Andrea Scherz, whose family have owned the hotel since 1938, the hotel is one of the last in Switzerland to close between the summer season and winter. When it reopens in mid-December, with rooms costing up to £18,000 per night, the pressure is on to provide a truly first class Christmas.

Albert Anker. Malstunden bei Raffael

With his vivid oil paintings, Albert Anker captured Swiss folk life like no other. Together with musician Endo Anaconda we discover the "Anker-House", Anker's old studio.

The Great Ecstasy of Woodcarver Steiner

A study of the psychology of a champion ski-flyer, whose full-time occupation is carpentry.

She's Beautiful When She's Angry

A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.

Naître Svetlana Staline

In 1967, in the middle of the Cold War, Joseph Stalin's only daughter goes to the American embassy in New Delhi and asks for asylum. Svetlana leaves behind her country and her two children. Hunted by the press, the KGB, and many admirers, the woman, nicknamed the Kremlin princess, will never cease to flee. From the summit of the Soviet empire to the solitude and poverty of her last years in a Wisconsin home, Gabriel Tejedor traces the destiny of a resolutely free woman, at the very heart of the century and its geopolitical challenges.

Penthesilea: Queen of the Amazons

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.