Les yeux dans les Bleus

This documentary follows the French soccer team on their way to victory in the 1998 World Cup in France. Stéphane Meunier spent the whole time filming the players, the coach and some other important characters of this victory, giving us a very intimate and nice view of them, as if we were with them.

I Am Alfred Hitchcock

Interviews and archival footage weave together to tell the story of the Master of Suspense, one of the most influential and studied filmmakers in the history of cinema.

Alpine Hotel at Christmas

Lap up the luxury and opulence of the festive season at Switzerland's Gstaad Palace hotel, as we discover one of the most exclusive hotels in the world, where staff and management work hard to ensure their guests enjoy the ultimate 5-star festive experience. Run by third generation hotelier Andrea Scherz, whose family have owned the hotel since 1938, the hotel is one of the last in Switzerland to close between the summer season and winter. When it reopens in mid-December, with rooms costing up to £18,000 per night, the pressure is on to provide a truly first class Christmas.

Les Trésors cachés des gorges

Mein Leben und der Notenschnitt

Sixth-graders have many things on their minds. But they are confronted with an important decision: do they continue their education in secondary school A, B, or C, or do they go to grammar school after all? And what even are those things? How do children deal with the hopes and fears associated with this step?

Maison du Bonheur

When asked to make a documentary about her friend’s mother—a Parisian astrologer named Juliane—the filmmaker sets off for Montmartre with a Bolex to craft a portrait of an infectiously exuberant personality and the pre-war apartment she’s called home for 50 years.

L’épopée des vignerons

Albert Anker. Malstunden bei Raffael

With his vivid oil paintings, Albert Anker captured Swiss folk life like no other. Together with musician Endo Anaconda we discover the "Anker-House", Anker's old studio.

François Hollande, le mal-aimé

Danielle Mitterrand, une certaine idée de la France

The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

La Ve, une constitution sur mesure ?

Les bouillons parisiens, une histoire de goût

The Last Book

The film focuses on the exciting life journey of Swiss writer Katharina Zimmermann. She follows her husband on a mission to the jungle in Indonesia where she raises their four children and five foster children and lives through the military coup. Back in Switzerland Katharina discovers her voice and finds her path. Now, at eighty, she is writing her life story. Yet suddenly she faces another battle because her publisher is threatening to let her go.

The Superstores Wars or the Survival of the Strongest

This film tells the story of the economic war between the four main companies of the large retailers. This war symbolizes the transformation of the economy of the consumption over the last 50 years. It also questions the present and future stakes: how to imagine the 21th century's consumption style.

Vivante(s)

War in Telecom: The Four Colours of Capitalism

This film tells the competition in the telecommunication sector over the last years, in order to make us understand its stakes and the industrial and commercial logics. The story is told by its four main characters : Martin Bouygues, Stéphane Richard, Xavier Niel and Patrick Drahi.

Police à bout de souffle

La Caissière fait son cinéma

Paris, Latin Quarter. A small cinema that is both famous and marginal, Action Christine. The cashier has taken her camcorder and takes us to this public place, her workplace. Place of life, of passage, of meeting, a window open on the street, behind the hygienic phone, it is the daily life of the cashiers and the openers punctuated by the alternation of surging entrances and idle intersession.

The Gleaners and I

Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads from forgotten corners of the French countryside to off-hours at the green markets of Paris, following those who insist on finding a use for that which society has cast off, whether out of necessity or activism.