Commissioned by Harald Inhülsen for MasterclassFilm. A companion piece to Leandro Varela's Self Portrait, also part of the same commission.
Social & External
Return to 'burn' only to find out you're already in that urn.
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
An animated short consisting of 4 segments: bowl, garden, theatre, marble game. Preserved by the Academy Film Archive in partnership with Harvard Film Archive in 2015.
A showcase for the MCAD Animation Workshop 1972 where each student was given one of a series of cells to animate whatever they pleased.
Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
In Vigo, Spain, during Christmas, Ángel, a Spanish filmmaker, walks through the crowded streets while thinking about a possible movie made of…
Setting, settling; still seething as I barely breathe.
It's time the times met each other over & over.
Don't ask me why, but I feel we're about to cry trying.
Say Om as you reach home only to realize you never really left/stopped saying Om.
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
Tales of old springing forth underlying dissatisfaction with current states of being.
Rather pointless, rather stilted, fetid; not what we want us going after.
The Greek island of Syros is visited by a series of unexpected guests. Immutable forms, outside of time, aloof observants to human conditions.
Flitter like tittertatter trying to breathe while working, like a mad hatter; the outofbreath feeling rising from recursive reforgettings (or their resemblances).
Short film produced by the BBC about JG Ballard's Crash. “The film was a product of the most experimental, darkest phase of Ballard’s career. It was an era of psychological blowback from the sudden, shocking death of his wife in 1964, an era that had produced the cut-up ‘condensed novels’ of Atrocity plus a series of strange collages and ‘advertisers’ announcements. After Freud’s exploration within the psyche it is now the outer world of reality which must be quantified and eroticised. Later there were further literary experiments, concrete poems and ‘impressionistic’ film reviews, and an aborted multimedia theatrical play based around car crashes. After that came an actual gallery exhibition of crashed cars, replete with strippers and the drunken destruction of the ‘exhibits’ by an enraged audience.” (from: http://aaaaaaaaaaaaaaaaaaaargh.blogspot.de/2013/01/short-film-adaptation-of-jg-ballards.html)
An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities
An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.
A sexual reverie unfolds over the course of one ethereal night. Characters wander through an erotic maze of love and lust, blurring the lines between wet dream and lucid nightmare as a macabre, erotic stage performance sends a ripple of lustful desires through its audience and performers.
Within a single space, the director treats the sorrows of two people married to each other.
Claire is composed of digital scans and blow-ups of a series of three ink-on-paper artworks created in 2012 by French-Spanish researcher, publisher and artist Claire Latxague. While collecting drawings, written documents and other printed materials for a (yet unreleased) project called Un film de papier, I’ve stumbled upon Latxague’s artwork, entitled À la renverse. The blow-ups were made in an attempt of unearthing cartographic imagery in abstract compositions.
Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.
Mux spent many years in a coma in a clinic with a constant stream of television. But at least he survived a serious car accident! Now he has woken up, and he has a plan: during his time in hospital, he came up with the idea of a fairer society. From now on, Mux sees it as his task to save the world from neoliberalism and goes to France, the motherland of revolutions, with his long-term nurse Karsten and a self-written manifesto.
Sister Rosetta Tharpe when she was band vocalist with Lucky Millinder and his Orchestra singing the song "Four or Five Times".
Amaya has filmed the four love relationships that marked her life. She covers the last 20 years, from her first fall in love when she was 18, to her current age of 38. Faced with the desire to be a mother, she writes an audiovisual letter to her future children. She thus takes us on a journey into her past that reveals the phases of love, the challenge of long-distance relationships and the clash between illusions and frustrations or guilt. The film combines documentary and animation, the real and intimate, with the expressive. An apparently personal and intimate film, where the turn and evolution of the protagonist can also be read from an anthropological or political prism, reflecting the change in the role of women in intimate relationships.
Documentary on the Japanese saga Meatball Machine. Interviews, Archive Images, Retrospective and Analyzes tell the formidable story of a saga that is as gory as it is inventive.
When police interfere with a reckless scientist's experiment, it creates a deadly meteor shower only Superman can stop.
The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.
During WW2, a group of assembled allied forces are sent to a secret nuclear bunker occupied by Nazi Germany to uncover the operations of what's been occurring there. But when they discover the bunker is infested with rabid, zombie, super-humans in a nuclear testing operation gone wrong, they must destroy every last one in hopes of survival.
Patriotic university student Youngwoo and his friends, led by their teacher Lee Sung, along with a British friend bid farewell to their families and become freedom fighters in Manchuria fighting against the Japanese occupation around the Tumen River.
A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.
A film by Antonio Maenza Blasco.
The documentary Merikotkan paluu (Return of the white-tailed eagle), tells the tale of the past and the present of the white-tailed eagle. The second protagonist of the film is the human - the animal that can be blamed for the eagles’ distress but also credited for its rescue.
An internal battle is simmering among US Christians over whether climate change is a call to protect the Earth, the work of God to be welcomed, or does not exist at all.
Explores Anand Dighe's life, tracing his political journey and capturing the essence of his impactful legacy as a prominent figure.
Gas station owner Donald thinks he's just missed the winning number for a new Zoom V8 car but his nephews hear a correction, and find he really does have the winner. They plan to pick it up and surprise him, but the car they take runs out of gas, and they're broke. They cut out the picture of a Zoom V8 from a billboard, dress one of the boys in drag, and trick Donald into filling their tank. As they drive off, Donald plots his revenge and executes it, when the boys return in Donald's new car.
Monica is a rich swiss girl who is kidnapped with a university teacher. Together they discuss their future and their ideas about life.