An ambient representation of depression with a slowly fading score building towards an uncertain climax.
Social & External
Adele has recieved iconic status from fans and industry proffesionals alike. With sold out concerts around the world and multiple awards to her name Adele came from humble beginnings and has gone on to be one of the biggest Artists in the world.
Over the last two decades, Medellin has gone from being globally known as a drug traffic and extreme violence destination to becoming a thriving cosmopolitan city. Progress and peace have resulted in an exponential increase of tourism, but have also caused unexpected collateral damage: the rise in sex tourism in this Colombian city. Many of the illegal networks run by foreigners in the United States and Europe, offer Medellin guided tours that include underage prostitutes in their packages available for online purchase.
Documentary about the Fifth Festival of Sorbian Culture 1980 in Bautzen.
The documentary tells the story of Anke, Birgit and Katrin, who are training to become cattle breeders and graduate from high school. During this time, they live in a boarding school. The three girls talk about their everyday lives and reflect on their future.
Jerrod Carmichael talks with Tyler, The Creator on the making of his album, Flower Boy.
A film crew trails Philbert Powell through his morning, from the supermarket to his job at a video store. Along the way, he crosses paths with several individuals all named “Slater.” His interactions with them raise the central question: who, among those Slaters, is his friend? The narrative unfolds across a single morning, blending encounters and identity as Philbert’s journey reveals the shifting dynamics of connection.
Live show filmed during the Death Metal Massacre tour on February 16, 2000 at the Rave in Milwaukee, WI. One of the most extreme heavy metal bands ever, Cannibal Corpse acknowledge no boundaries of speed, power, or "good taste" in this full-on concert video. Cannibal Corpse: Live Cannibalism features interviews with the members of the band and their loyal fans in between numbers, in which they tear through a range of classic tunes.
An overview of the early years--late 1970s, early 1980s--of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.
A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.
Arguably second only to Muddy Waters among the Mississippi Delta singers who traveled north and pioneered urban electric blues (their supposed rivalry is the subject of one of this DVD's bonus features), Wolf was a big, imposing man with an inimitable, booming voice and a lasting influence on generations of rock & rollers--all of which comes across in the 90-minute film.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
LIVE~LEGEND 1999&1997 APOCALYPSE is the second live video release by the Japanese heavy metal band Babymetal. The album contains live footage of two shows, entitled Legend "1999" and Legend "1997" (named after birth years of the members of Babymetal), performed in Japan in 2013
In a small and conservative city in Jalisco, Alex builds his identity and defends his dreams: fatherhood, music, being a man.
In a tiny after-hours club, Nina Simone finds a way, for one moment, to be free.
Still healing from her grandmother’s death, Addison Moore finds herself checking into The Copper Queen Hotel in Bisbee, Arizona. Aware of the ghost stories and hauntings, Addison fearlessly elects to stay in Room 315, the location of the heartbroken Julia Lowell’s death a century ago.
Concert film of The Police during the 2007-08 reunion tour. Recorded in concert in Buenos Aires at the beginning of December 2007, it’s released on the band’s original label, A&M, via Universal. Recording the Argentinian leg of the band’s momentous reunion tour, the album captures the three piece in concert, crammed with every hit from ‘Message in a Bottle’, ‘Walking on the Moon’, ‘Don't Stand So Close to Me’, ‘Every Little Thing She Does Is Magic’, ‘Wrapped Around Your Finger’, ‘Can't Stand Losing You’, ‘Roxanne’ and ‘Every Breath You Take’, closing with the punk urgency of the first track from their 1978 debut, ‘Next to You’.
Elmer Fudd introduces two pieces of classical music: "Tales of the Vienna Woods" and "The Blue Danube", and acted out by Bugs Bunny, Porky Pig, Laramore the Hound Dog, a family of swans, and a juvenile Daffy Duck.
The two pigs building houses of hay and sticks scoff at their brother, building the brick house. But when the wolf comes around and blows their houses down (after trickery like dressing as a foundling sheep fails), they run to their brother's house. And throughout, they sing the classic song, "Who's Afraid of the Big Bad Wolf?".
The urge to relieve a winter valley of permanent shadow and find gold in alluvial gravel is part of a long history of desire and extraction in the far Canadian north. Cancan dancers, curlers, smelters, former city officials, and a curious cliff-side mirrored disc congregate to form a town portrait. Shot on location in Dawson City, Yukon Territory.
Two men take a journey through crowded Parisian streets, interacting and disrupting everyday life.