A wannabe film star journeys to Hollywood, but soon finds his dreams do not pan out. This film is lost.
Social & External
Merton Gill
Sally 'Flips' Montague
Jeff Baird
Harold Parmalee
Pete Gashwiler
Mrs. Gashwiler
Tessie Kearns
Mr. Montague
Mrs. Montague
Lowell Hardy
Henshaw
Mrs. Patterson
On a visit to New York with his wife, Jim Scott steals out one evening for a little adventure and meets a young lady who is weeping. His efforts to assist her result in the arrest of both, and a number of embarrassing complications that threaten Jim's marital happiness. It turns out that the whole experience was a "frame-up"--an effort on the part of Jim's son to force Jim to consent to his marrying a chorus girl.
A bumbling tramp desires to build a home with a young woman, yet is thwarted time and time again by his lack of experience and habit of being in the wrong place at the wrong time..
Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.
Minnie, the homeliest girl in town, is devoted to her father, a discouraged inventor who has been working on a wireless device. Subject to the sneers of her neighbors, Minnie "invents" a lover and sends herself letters and flowers. Her stepsister suspects the truth and threatens to expose her. Desperate, she claims an unidentified body at the morgue and tells a reporter that this is her lover, unaware that the body is that of a Chinese man. The absent-minded reporter sees her heart and forgets about the big story. After further disappointments in the invention, Minnie's stepmother decides to leave her father. Her father then has a success and becomes rich. At a celebration, the stepsister and townspeople are surprised when a new couple appear, which turn out to be the former reporter and his lovely wife Minnie.
Mr. and Mrs. Hilton throw a New Year's Eve party. They agree not to drink the punch themselves, but as guests begin to arrive their resolve weakens, and soon they are both cavorting drunkenly. Next morning Mr. Hilton, feeling very sick, is conscience-stricken over his drunkenness and his behavior with another woman. He fears to face his wife until he discovers that she feels just as guilty herself.
Anna works at a bookstore. Lucas is suddenly very interested in books. A romantic comedy in which Chaplin meets the Nouvelle Vague.
A quarrelling couple are forced to quarantine together after the household maid becomes ill of an infectious disease.
Directed by Max Urban.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
Chili Palmer is a Miami mobster who gets sent to L.A. to collect a bad debt from Harry Zimm, a Hollywood producer who specializes in cheesy horror films. When Chili meets Harry's leading lady, the romantic sparks fly. After pitching his own life story as a movie idea, Chili learns that being a mobster and being a Hollywood producer really aren't all that different.
In 1927 Hollywood, a silent film star falls for a chorus girl just as he and his paranoid screen partner struggle to make the difficult transition to talking pictures.
In Martha's Vineyard, Mass., conjoined twins Walt and Bob Tenor make the best of their handicap by being the fastest grill cooks in town. While outgoing Walt hopes to one day become a famous actor, shy Bob prefers to stay out of the spotlight. When a fading Hollywood actress, Cher, decides to get her show "Honey and the Beaze" cancelled, she hires Walt -- and his brotherly appendage -- as her costars. But their addition surprisingly achieves the opposite.
An erotic horror film about a boy who sleeps naked on a hot summer night and suddenly discovers that he's not alone.
At Thanksgiving, a tramp arrives in a homeless-hostile town.
An opportunistic umbrella salesman attempts to save a musician and his daughter from blackmail.
Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.
The Muppets gather to watch their newly-finished big-budget rich-and-famous feature film: a talent agent persuades Kermit the Frog to leave the swamp to pursue a career in Hollywood. On his way there, he meets a bear, a pig, a whatever (his future muppet crew), and some special celebrity guest stars, while being chased by the desperate owner of a frog-leg restaurant!
All the major DC superheroes are starring in their own films, all but the Teen Titans, so Robin is determined to remedy this situation by getting over his role as a sidekick and becoming a movie star. Thus, with a few madcap ideas and an inspirational song in their hearts, the Teen Titans head to Hollywood to fulfill their dreams.
A series of family entanglements develop around the changing will of Roger Bernhuses de Sars (Karl Mantzius), who wants his heritage to go to his illegitimate daughter Blenda (Greta Almroth). But love and fate also plays their cards. One of the most surprising films of Sjöström, close to Stroheim and some of the silent comedies of Lubitsch. Belonging to the golden age of Swedish film, this comedy offers one of the earliest explorations of the relationship between masters and servants on the screen, later developed by French masters like Renoir and Guitry. After acting in the diptych of Thomas Graal, Sjöström shows that he also dominates the “light genre” as director.
A unique hybrid of documentary, silent film, drama and dance, 'Breaking Plates' puts revolutionary women of the past on the screen with present day filmmakers. Contemporary women talk to characters from 100 years ago, reanimate their antics and emulate their mayhem moves. As early 21st century performers step into the clothes of their early 20th century counterparts, battling their haywire machines, exploding gags, and eruptive bodies, they learn to wield humour as a weapon against the structures that contain them today.