A documentary that sheds light on the real lives of people in Belarus. They live in Europe's last dictatorship.
Social & External
Narrator
Victor Asliuk's contrast of rural and urban life in Belarus examines the tangible differences between the young in the city and the elderly in the village and between modernity and tradition, interspersing modern images with archive material depicting the countryside as it used to be.
It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…
Between 1930 and 1945, Eastern Europe experienced mass violence on an unprecedented scale. Hitler and Stalin exploited the vast region for their respective expansionist plans. It is estimated that around 14 million civilians were murdered—primarily Jews, Poles, Balts, Belarusians, and Ukrainians.
The film tells the story of a small family, consisting of a grandfather retired from the army, and his stripper grandson. It is not just a story of a relationship, but rather a reflection of entire Belarus and the post-Soviet, pro-Russian world. Moreover, it's a universally-recognized reflection of a generation gap.
2021 was a turning point for Belarus and 6 Belarusian students - as well as for the city of Łódź, Poland, in which they found themselves. Across the rails of change and transformation, documenting a time that has not been before and will not repeat again. Heroes of the film have very different fates and experiences, but they are all connected by the place they found themselves in - the post-industrial and post-apocalyptic city, which becomes a part of their story and a hero of its own. Students, transport, quaters, youth, revolution, local apocalypse, changes and turns - they all mix in a documentary kaleidoscope 'Across the Rails'.
The plot of the movie brings two people together - an immigrant filmmaker from Belarus and a 10 years old girl from the village in the south of Kyrgyzstan.
Mothers and fathers of gay, lesbian, and trans children from Georgia, Moldova, Russia, and Ukraine travel to Berlin to walk together in the Pride parade. Living under one roof, they prepare for the march — painting signs, cooking borscht, and reflecting on how their relationships with their queer children have evolved over the years.
A propaganda documentary on the post war reconstruction of Miensk, capital of Belarus.
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Yanka Kupala, Belarusian poet and writer, is one of the spiritual symbols of Belarus. He did everything to make Belarusians feel like a full-fledged people. This is a figure that cannot be reduced by anything from the height of modernity. But the weight of recognition, inclusion in the ranks of the classics leads to petrification of the face. The authors of the film remove this petrification - verses sound throughout the film. Patriotic songs that sing the praises of Belarus and our people, awaken them from historical apathy and eternal longing. Mystics who whisper about the revival of the past that sleeps in the mound. And intimate and lyrical, filled with intimate beauty, eternal sensuality and lust for life.
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Follow the evolution of the 'Halloween' movies over the past twenty-five years. It examines why the films are so popular and revisits many of the original locations used in the films - seeing the effects on the local community. For the first time, cast, crew, critics and fans join together in the ultimate 'Halloween' retrospective.
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This searing investigative work shadows a group of activists risking unimaginable peril to confront the ongoing anti-LGBTQ program raging in the repressive and closed Russian republic. Unfettered access and a remarkable approach to protecting anonymity exposes this under-reported atrocity–and an extraordinary group of people confronting evil.
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