Social & External
Schtonk! is a farce of the actual events of 1983, when Germany's Stern magazine published, with great fanfare, 60 volumes of the alleged diaries of Adolf Hitler – which two weeks later turned out to be entirely fake. Fritz Knobel (based on real-life forger Konrad Kujau) supports himself by faking and selling Nazi memorabilia. When Knobel writes and sells a volume of Hitler's (nonexistent) diaries, he thinks it's just another job. When sleazy journalist Hermann Willié learns of the diaries, however, he quickly realizes their potential value... and Knobel is quickly in over his head. As the pressure builds and Knobel is forced to deliver more and more volumes of the fake diaries, he finds himself acting increasingly like the man whose life he is rewriting. The film is a romping and hilarious satire, poking fun not only at the events and characters involved in the hoax (who are only thinly disguised in the film), but at the discomfort Germany has with its difficult past.
Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed. (A sequel to From Caligari to Hitler, 2015.)
In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.
As early as 1920, the journalists of the "Münchener Post" recognized the danger posed by Adolf Hitler. Consistently and boldly they wrote about National Socialism. The brave journalists and their newspaper are almost forgotten today. A single book has been published about them - in Brazil.
Starting in late May 1944, during the German retreat on the Eastern Front, Captain Stransky (Helmut Griem) orders Sergeant Steiner (Richard Burton) to blow up a railway tunnel to prevent Russian forces from using it. Steiner's platoon fails in its mission by coming up against a Russian tank. Steiner then takes a furlough to Paris just as the Allies launch their invasion of Normandy.
This documentary is showing Nazi Germany in color. The original and unique color images are portraying the war and German life of the time. You will see the Nazis at work but also in their private situations. All film images are original and fully restored color recordings.
For all its talk of racial, spiritual, and physical purity, the self-anointed “Master Race” harbored a secret…theirs was an axis of drug addicts. This two-hour special explores the origin, impact, and lasting effects of the state-sponsored drug use that helped build—and eventually burned—the Third Reich. Incredible new sources of information, including a detailed journal maintained by Hitler’s personal physician, reveal the extent of not just his, but the entire Nazi Party’s reliance on drugs to power their war effort.
The life and career of Erwin Rommel and his involvement in the plot to assassinate Hitler.
The life and career of the hailed Hollywood movie star and underappreciated genius inventor, Hedy Lamarr.
Hitler's biography told like never before. Besides brief historical localizations by a narrator, only contemporaries and Hitler himself speak: no interviews, no reenactment, no illustrative graphics and no technical gadgets. The testimonies from diaries, letters, speeches and autobiographies are assembled with new, often unpublished archive material. Hitler's life and work are thus reflected in a unique way in interaction with the image of the society in the years 1889 to 1945.
By combining actual footage with reenactments, this film offers both a documentary and fictional account of the life of Adolf Hitler, from his childhood in Vienna, through the rise of the Third Reich, to his final act of suicide in the waning days of WWII. The film also provides considerable, and often shocking, detail of the atrocities enacted by the Nazi regime under Hitler's command.
As Minister of Propaganda, Joseph Goebbels creates films and pictures used to prepare the Germans for Total War and the Holocaust. When the war is lost, he conceives his last staging, the most radical propaganda act still possible to him.
This film tells the story of World War II as experienced by the inhabitants of Baku, the capital of Azerbaijan, at the time a satellite of Moscow. The very rich oil deposits of the region aroused the covetousness of Hitler who needed the oil from Baku to carry out his program of world domination. His entire campaign of 1942-1943 was aimed at seizing them. But the Soviets and the Allies were determined to prevent him from doing so, by all means, including the most radical, even if it meant wiping the city off the map.
In this film essay, critic Peter Buchka explores the German cinema of the 1920s, ranging from the disquieting images of Fritz Lang's Metropolis to the castrating sexuality of Marlene Dietrich in Die Blaue Engel. The program provides an introduction to Weimar cinema, with Buchka's essay narrated over the images from film clips of 1920s era German films.
A double portrait of two dictators who were thousands of miles apart but were constantly fixated on each other.
Comprised of footage shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.
A structure-free, four-part examination of the rise and fall of the Third Reich. Each part explores a different topic, from Hitler's cult of personality in propaganda to how said propaganda was associated with pre-Nazi German cultural, spiritual, and national heritage to the Holocaust and the ideology behind it, particularly from Himmler's point of view.
In 1942 Bavaria, Eva is alone, when Adolf arrives with Josef, his wife Magda, and Martin to spend a couple of days without politics.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
A portrait of the comic trio "Aldo, Giovanni e Giacomo".
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
The history of cinematic sound, told by legendary sound designers and visionary filmmakers.
An unprecedented and intimate look at the life, work and enduring legacy of British actress Audrey Hepburn (1929-1993).
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans. Preserved by the Academy Film Archive in 2005.
JB Smoove and Martin Starr host a celebration of 20 years of "Spider-Man" movies, from the Sam Raimi trilogy to Marc Webb's movies and the trio from Jon Watts.
Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.
This film tells the story of three defeats: Berlusconi’s political and human defeat in his “twilight”, the one of Ciccio Mirra, Berlusconi’s unconditional supporter, deeply rooted in an ancient culture that dies hard, and the director’s artistic defeat in an Italy that recognised itself in this “Berlusconian culture” for a long time, and probably still does.
The most comprehensive retrospective of the '80s action film genre ever made.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
The life and career of one of comedy's most inimitable modern voices, Mr. Gilbert Gottfried.
Dick Proenneke retired at age 50 in 1967 and decided to build his own cabin in the wilderness at the base of the Aleutian Peninsula, in what is now Lake Clark National Park. Using color footage he shot himself, Proenneke traces how he came to this remote area, selected a homestead site and built his log cabin completely by himself. The documentary covers his first year in-country, showing his day-to-day activities and the passing of the seasons as he sought to scratch out a living alone in the wilderness.
In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.
Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."
If you ever find yourself traveling down Interstate 49 through Missouri, try not to blink—you may miss Rich Hill, population 1,396. Rich Hill is easy to overlook, but its inhabitants are as woven into the fabric of America as those living in any small town in the country. This movie intimately chronicles the turbulent lives of three boys living in said Midwestern town and the fragile family bonds that sustain them.
Capturing life on the Italian island of Lampedusa, a frontline in the European migrant crisis.
From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.
