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As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.
A young girl’s fiery dance, accidentally caught on 16 mm film in the street. The viewer is confronted by the sacrificial and the passionate, the strong and the fragile, the fleeting and the eternal. These are the faces of femininity.
A surreal post-apocalyptic drama by Patrick Kennelly inspired by the clipping. album “Splendor & Misery”
'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.
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James Sumner directs and animates the entire Dirty Projectors’ The Getty Address.
A film in five different sections, each containing a different soundscape by Ostrowski. Hand painted film, intense exposure, morphing textures and shapes into a seamless whole; geometrical games sabotaging themselves; and the incessant lure of the abstract paint drift. The soundscapes, of course, build up like fountains of picture, oscillating between contemplative sculptures with electronically manipulated strings and harsh noise attacks on our senses. Despite the use of sound as a central filmic element, Cyanonide stands as a proof of the enduring influence of Brakhage on american avant-film.
Sourced entirely from YouTube, converted and edited using Windows Media Maker. A comprehensive list of video credits is available at pointnever.com Root Strata, 2009 Pro-duplicated DVD-R in a slimline DVD case with translucent colour cover and transparent insert. Limited to 250 copies.
Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamations.
Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.
Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Shortly before his death, Romitelli together with his friend Paolo Pachini and the poetess Kenka Lèkovich, resurrected the dream of a total scenic art (a furnace of sensations, they called it, an_ initiation rite_) in the manner of the Futurists: rhythms and gleams of light striking metals (for the video part), poems in iron and chrome singing of fusion with matter (Kenka Lekovich), acoustic/electric music highly amplified, filtered, spatialised, in as artificial a manner as possible. An Index of Metals bears vigorous witness to this determination to go beyond: sizzling orchestration, electric and psychedelic; a voice which plays on effects, murmurs with reverb, cackles into a megaphone, screams like a pop star; and an electric guitar score of a kind that no ‘serious’ composer has ever written, sliding across an infinite range of tones with a lightness of touch and blurring of contours.
WHAT YOU MEAN WE is a surreal short film by experimental artist Laurie Anderson.
3 minute experimental film.
10 minute experimental film. Warning: this video involves frequent strobing.
Beyond all human restraint lies one's lugubrious layers of paint.
There is nothing left to do but complain.
A coming-of-age story about a high-school girl who wants to use magic, featuring the 11-member experimental band Vampillia
A con man heading west to search for gold teams up with a pair of scheming brothers along the way. The trio soon find themselves in the middle of a feud between two rival families and two underhanded land developers.
Karl Westover, an inexperienced farm boy, runs away after unintentionally killing a neighbor, whose family pursues him for vengeance. He meets Barbarosa, a gunman of near-mythical proportions, who is himself in danger from his father-in-law Don Braulio, a wealthy Mexican rancher. Don Braulio wants Barbarosa dead for marrying his daughter against the father's will. Barbarosa reluctantly takes the clumsy Karl on as a partner, as both of them look to survive the forces lining up against them.
When an evil contractor goes to extreme measures to evict a testy tenant who is standing in the way of his new project, he fails to take into account that this seemingly harmless old woman is a trained killer and will do anything to protect her beloved home.
At a Mexican ranch, fugitive O'Malley and pursuing Sheriff Stribling agree to help rancher Breckenridge drive his herd into Texas where Stribling could legally arrest O'Malley, but Breckenridge's wife complicates things.
A scorned woman enlists the help of five strangers to execute a bank robbery. Tensions rise as the men anxiously await her arrival with the money, leaving the crew to wonder if they have been betrayed.
A pioneering family fights back against a gang of vicious outlaws that is terrorizing them on their newly-built farm on the plains of Montana.
When the most wanted man in America surfaces in a small Kentucky town, his violent history -- and a blood-thirsty mob seeking vengeance and a king’s ransom -- soon follow. As brothers face off against one another and bullets tear the town to shreds, this lightning-fast gunslinger makes his enemies pay the ultimate price for their greed.
A bronc rider in denial about his fading rodeo career battles against brain injury and a sudden blizzard while reflecting on how it became so difficult to achieve his dreams.
A man in search of revenge infiltrates a ranch, hidden in an inhospitable region, where its owner, Altar Keane, gives shelter to outlaws fleeing from the law in exchange for a price.
In a modern cow town, the powerful ranch owner’s henchmen kill a ranch hand, prompting the sheriff to investigate despite facing strong opposition. He finds an unlikely ally in the rancher's overprotected daughter, but their quest for justice puts them both in danger.
Dusty Chandler is a super star in the country music world, but his shows have the style of a '70s rock concert. One day he takes a walk - out of his overdone concerts to find his real country roots. He's helped and hindered by friends and staff, but pushes on in his search for a real music style as well as a real romance.
Put-upon lawman John Dorsey is on the verge of losing his wife and his job as sheriff, so he posses up with bullish U.S. Marshall Butch Hayden to hold outlaw Emily Rusk hostage. A battle of wills ensues as Emily turns the posse on themselves, but as her marauding husband and his gang approach, Emily and John realize they will need each other to survive.
A rancher, his shady bride and his one-armed brother fight amid carpetbaggers in Texas.
Jim Douglass arrives in the small town of Rio Arriba in order to witness the hanging of the four men he believes murdered his wife. When the convicts escape, Jim tracks them into Mexico, determined to see that justice is done. But the farther Jim goes in his quest for vengeance, the more merciless he becomes, losing himself in an unrelenting spiral of hatred and violence.
Jake Remy leads a gang of outlaw cutthroats making their escape toward Mexico from a successful robbery. Barring their way is a river--crossable only by means of a ferry barge. The barge operator, Travis, refuses to be bullied into providing transport for the gang and escapes across river with most of the local populace--leaving Remy and his gang behind, desperately seeking a way across. A river-wide stand-off begins between the gang and the townspeople, both groups of which have left people on the wrong side of the river.
After crossing the border illegally for work, Miguel, a hard-working father and devoted husband, finds himself wrongfully accused of murdering a former sheriff’s wife. After learning of his imprisonment, Miguel’s pregnant wife tries to come to his aid and lands in the hands of corrupt coyotes who hold her for ransom. Dissatisfied with the police department’s investigation, the former sheriff tries to uncover the truth about his wife’s death and discovers disturbing evidence that will destroy one family’s future, or tear another’s apart.
Pacer Burton, a young man of mixed Kiowa and white heritage, is caught between two worlds as conflict erupts between Native Americans and white settlers in Texas.
Graced with a velvet voice, 21-year-old Violet Sanford heads to New York to pursue her dream of becoming a songwriter only to find her aspirations sidelined by the accolades and notoriety she receives at her "day" job as a barmaid at Coyote Ugly. The "Coyotes" as they are affectionately called tantalize customers and the media alike with their outrageous antics, making Coyote Ugly the watering hole for guys on the prowl.
A Shrek parody of Michael Jackson's Thriller song and music video, with Donkey singing.
The murder of her father sends a teenage tomboy on a mission of 'justice', which involves avenging her father's death. She recruits a tough old marshal, 'Rooster' Cogburn because he has 'true grit', and a reputation of getting the job done.