Eye-popping digital moving image work with an equally arresting soundtrack from noise music heavies.
Social & External
Life drums the playfulness out of a boy as he grows up.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
An ambient representation of depression with a slowly fading score building towards an uncertain climax.
Centrist revelations abound among repetitions & revisitings.
Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).
I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.
La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.
This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.
Beneath towering Brutalist architecture, a man is driven to do what must be done.
Various life performances by Japanese Noise acts: Aube - Low Spin Drift / Incapacitants - Live At 20000V / Dislocation - Writing And Masturbation / Masonna - Live At Bears And La Mama / Seed Mouth - Twilight City / Violent Onsen Geisha - Night Of Unlcean Water / Solmania - Live At Living Room / Merzbow - Piss For Yves Klein / C.C.C.C. - Loud Sounds Dopa / Hijokaidan - Live At La Mama.
As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.
A short film advertising the newspaper Sztandar Młodych (The Banner of Youth), noteworthy for its abstract elements painted directly onto film stock. An attempt at showing the complexity of the world in a capsule, the film reflects the new policy of the openness to the West during the Thaw of the late 1950s in Poland.
Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.
"My last image of Jonas."—Ken Jacobs
Say Om as you reach home only to realize you never really left/stopped saying Om.
Be better and more beautiful than you were before.
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
A short movie about a guy living in his own world.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
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