2012/HD/Color/19min/
Social & External
A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.
A documentary by Olivier Gonard, shot partly in Paris’s Musée d’Orsay, that examines Olivier Assayas' film Summer Hours, and its approach to art.
A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.
Short documentary about artist Keith Haring, detailing his involvement in the New York City graffiti subculture, his opening of the Pop Shop, and the social commentary present in his paintings and drawings.
A film documenting the soulful art, environments, and voices of self-taught artists on the back roads of the American South.
For the 'Are'are people of the Solomon Islands, the most valued music is that of the four types of panpipe ensembles. With the exception of slit drums, all musical instruments are made of bamboo; therefore the general word for instruments and the music performed with them is "bamboo" ('au). This film shows the making of panpipes, from the cutting the bamboo in the forest to the making of the final bindings. The most important part of the work consists in shaping each tube to its necessary length. Most 'Are'are panpipe makers measure the length of old instruments before they shape new tubes. Master musician 'Irisipau, surprisingly, takes the measure using his body, and adjusts the final tuning by ear. For the first time we can see here how the instruments and their artificial equiheptatonic scale-seven equidistant degrees in an octave-are practically tuned.
Actor Mark Bonnar is on a mission to understand more about the Scottish new towns in which he grew up, exploring the street sculpture made by artists such as his dad in the 60s, 70s and 80s. He discovers why the new towns are there and how they enticed people out of the bigger cities, and uncovers the surprising ways in which public art changed the new towns and the new towns changed public art. Mark's father, Stan, made sculptures that stand to this day on the streets of Glenrothes, East Kilbride and the Scottish new town that never was, Stonehouse. These new towns employed town artists to make artworks in the very housing precincts the new residents were moving into.
In 2003, eight Rhode Islanders created a secret apartment inside a busy mall and lived there for four years, filming everything along the way. Far more than a prank, the secret apartment became a deeply meaningful place for all involved.
“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)
How did the Impressionists view the world? What relationship did they have with technique, with color, with light and with the universe of shapes that made up reality before their eyes? How were their works received? How did they go from being rejected by critics and the public to becoming among the most loved in the world in a few years? Secret Impressionists is an immersive journey into the intimacy of the Impressionists and their paintings which aims to offer a "privileged" visit that stimulates the spectators' curiosity and gives them a perspective on the works complementary to the live experience, allowing spectators in the hall to immerse themselves in the work of painters and grasp unpublished details.
In 2020, just as the pandemic was beginning, Gazala purchased land in western Ohio, on which sits a disused school building. This site allowed her to explore her complex relationship with “the land.” As the daughter of displaced indigenous Palestinians, she attempts to form a proxy bond with the earth, on ground that was stolen from the displaced indigenous Shawnee people. Closeness to the Land is video footage of hand-painted text signs that translate the word الأرض (ard) into six English words, displayed performatively in multiple locations to capture the now-invisible nature of indigenous culture in Ohio. These signs were installed on the old schoolhouse in early 2021.
A portrait of artist, actress, poet and occultist Marjorie Cameron, it shows images of her paintings and recitations of her poems. Preserved by the Academy Film Archive in 2006.
Ningwasum follows two time travellers Miksam and Mingsoma, played by Subin Limbu and Shanta Nepali respectively, in the Himalayas weaving indigenous folk stories, culture, climate change and science fiction.
An examination of the relationship between the life and art of Maria Martins, now recognized as one of the greatest Brazilian sculptors, in addition to her engravings and texts. The film reveals the greatness of her work and her boldness when dealing directly with the feminine perspective of sexuality, a transgression that led to attacks by Brazilian critics. In parallel, her life as the wife of an important diplomat and her connection to Marcel Duchamp, in a relationship of mutual collaboration between the two artists.
In this revealing documentary, Ken McMullen creates an elegant portrait of artist and filmmaker Derek Jarman, based on an interview conducted by John Cartwright. The questions are unobtrusive, allowing Jarman to reflect on his major films. Despite the debilitating effects of serious illness, we see an artist with his inner vision unimpaired; still humorous, self effacing and disarmingly charming.
Documentary celebrating the LGBTQ contribution to the arts in Britain in the 50 years since decriminalisation. It features interviews with leading figures from right across the arts in Britain, including Stephen Fry, David Hockney, Sir Antony Sher, Alan Cumming, Sandi Toksvig, Jeanette Winterson, Will Young and Alan Hollinghurst, and it explores the distinctive perspectives and voices that LGBT artists have brought to British cultural life.
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