Horse carriages seen at the Copenhagen Town Square.
Social & External
Short dramatised documentary showing the ups and downs of daily life on a circus farm. “The only light comes from the flames of the funeral pyre that consumes a dead circus elephant shortly after its corpse has been unceremoniously dragged across a field by 50 carthorses.” (BFI)
A series of visual paradoxes between the names of the streets of Madrid and those of the shops located in them.
Dziga Vertov-directed Soviet newsreel covering: Starving children / Requisitioning of valuables possessed by the Russian Orthodox Church / Fundraising flights in support of the hungry / Trial of the Socialist Revolutionaries.
Lost film from 1902, directed by Louis Lumière and starring King Edward VII.
A newly discovered film showing Tamara Karsavina dancing Mikhail Fokine’s ‘La Danse du Flambeau’ (‘The Torch Dance’). This performance was filmed in 1909. Tamara Karsavina’s shoes are not reinforced at the tip like today’s pointe shoes; she may have had cotton or wool stuffed into the toes of her shoes. (https://nycdancestuff.wordpress.com/2013/08/01/tamara-karsavina-michel-fokines-la-danse-du-flambeau-1909/)
Lost film from 1888, directed by William Friese-Greene.
The film depicts one of the great hunts the South Sea Islanders. Come schools of fish in one of the bays on the island, so hurry on an alarm signal all the people out to sea to seal off the bay to drive the fish towards the coast and to impose there with spears.
Documentary focusing on the film careers F.W. Murnau, Frank Borzage and William Fox and their impact on the history of cinema.
Russian hunters on horse and a pack of borzois hunt down and kill a wolf.
Between 1950 and 1955, Henri Langlois tried to produce, on behalf of the Cinémathèque française, several films devoted to great artists, with their cooperation, by entrusting them with virgin film stock. Wrote Langlois on the unfinished project, epic in scope: "We had the idea of asking poets, painters, scholars, writers and even repressed filmmakers [...] to make films in 16mm, with the means at hand, without taking into account any commercial concern or censorship." What precious little came of the project was eight minutes of film from Matisse and twenty-some from Marc Chagall, released at a later date.
Danish travelers return from Greenland and are greeted by politicians, relatives, and various other dignitaries.
Fantastic Flowers is a compilation of short silent films produced between 1906 and 1920, displaying amazing colours that were applied to each frame using the Pathécolor process, or other similar stencilling techniques. Bonsoir – La Fée aux fleurs (1906) / [Bloemenvelden Haarlem] (1909) / Les Chrysanthèmes (1907) / Le Chrysanthème, roi de l’automne (1914) / [Les Tulipes] (1907) / Les Fleurs dans les jardins (1914) / L’Après-midi d’une japonaise (1920) / The Beauty Thief ([1920]) / La Fée printemps (1906) / [Het schoonste uit de natuur] (1912?) / La Culture du dahlia (1911) / [Hollandse Tulpen en Klompen] (1920?) / Fabrication des fleurs artificielles (1911) / [Bonsoir tableau] (1906)
Short silent film about a flower garden from 1914.
Belfast firefighters demonstrate a ladder.
The film had a skirmish to Firefighters from Havana pulling guard barracks pump, reel and carriage for help, two staircases and fire rising up to the roof, carrying hoses.
A silent short documentary highlighting winter sports - skating, skiing, bobsled, dogsledding, and features lots of folks falling down.
Short animal exploitation film with images of snakes having unsuspecting rabbits placed in their cage. The rabbits are hopping around and sniffing at them until they are grabbed and strangled.
Kathryn Osterman was a legitimate actress who worked occasionally in the movies during the first decade and a half of the 20th century. This looks like a Mutoscope cut-down of an actuality released in 1900, "The Art of "Making Up"". In it, we see her from the rear, sitting in front of a dressing mirror, putting up her hair and powdering her face.
The film Terre Magellaniche represents the fruit of multiple and risky trips that the explorer Alberto M. De Agostini made in the Patagonian mountain range and in the Tierra del Fuego archipelago. Executed with rare mastery and exquisite artistic sense, the film shows the explorer in the labyrinth of Patagonian channels, penetrating the deep fjords between large masses of floating ice of curious shapes, coming from the immense glaciers that descend from the Cordillera and bathe its frontal walls on the waters of the sea. Transported to regions of extraordinary beauty, situated in front of gigantic mountains, from which majestic waterfalls rush, the viewer experiences the illusion of finding themselves in a mysterious kingdom of dream and enchantment.
