Street Trading. Fishermen's wives from Skovshoved sell their fish from the stalls at Gammel Strand. Anker Kirkeby is in the picture.
Social & External
A silent demo of "Sky, Forest, Village City", completed on July 31, 2019.
"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press.
A troupe of gypsies takes a traveler along with them on their day trip.
Also known as The Operation of Dr. Alejandro Posadas. Filmed with early orthochromatic film in the Hospital de Clínicas de la Ciudad in Buenos Aires.
One of Joseph Cornell’s funniest films, Thimble Theater is structured like a vaudeville variety show about nature.
A fascinating pictorial document: On an old, cluttered work ship, a man is helped on with a bulky, old fashioned diving suit. It's a complicated process, many layers and sections are carefully applied. He goes over the side. Some men row out to what looks like a wrecked barge and set dynamite. Then the diver returns and now laughs and acknowledges the camera. The other men, now safely away, blow up the barge.
This documentary shows how the Berliner workers lived in 1930. The director Slatan Dudow shows through images: a) the workers leaving the factory; b) the raise of the rents; c) the "unpleasant" guest, meaning the justice officer that brings the eviction notice; d) the fight of classes of the houses of capitalists and working classes; e) the parks of the working class; f) the houses of the working class, origin of the tuberculosis and the victims; g) the playground of the working class; h) the swimming pool for the working class, ironically called the "Baltic Sea" of the working class; i) the effects of humidity of basement where a family lives, with one member deaf; j) one working class family having dinner while the capitalist baths his dog; k) the eviction notice received from an unemployed family and their eviction.
A short documentary detailing the forging of a katana.
A poetic journey through the paths and places of old Castile that were traveled and visited by the melancholic knight Don Quixote of La Mancha and his judicious squire Sancho Panza, the immortal characters of Miguel de Cervantes, which offers a candid depiction of rural life in Spain in the early 1930s and illustrates the first sentence of the first article of the Spanish Constitution of 1931, which proclaims that Spain is a democratic republic of workers of all kind.
Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.
In 1926, Buster Keaton was at the peak of his glory and wealth. By 1933, he had reached rock bottom. How, in the space of a few years, did this uncontested genius of silent films, go from the status of being a widely-worshipped star to an alcoholic and solitary fallen idol? With a spotlight on the 7 years during which his life changed, using extracts of Keaton’s films as magnifying mirrors, the documentary recounts the dramatic life of this creative genius and the Hollywood studios.
The Dangers of the Fly is an educational film made by Ernesto Gunche and Eduardo Martínez de la Pera, also responsible for Gaucho Nobility (1915), the biggest blockbuster of Argentinean silent cinema. De la Pera was a talented photographer, always willing to try new gadgets and techniques. This film experiments with microphotography in the style of Jean Comandon's films for Pathé and it is part of a series which included a film about mosquitoes and paludism and another one about cancer, which are considered lost. Flies were a popular subject of silent films and there are more than a dozen titles featuring them in the teens and early twenties.
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
The subject is a group of women bathing in a public swimming pool. The camera was placed on the edge of the pool and the full extent of the film shows the women in the pool. Only the heads and shoulders of most of the women are visible but it is possible to see they are wearing rented bathing attire.
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