Part of a series in which foreign filmmakers portray a region or town in France. Otar Iosselani looks at the Basque region and its inhabitants.
Social & External
An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.
At just 17 years old, Eduardo Madina and Borja Semper decided to enter politics to defend freedom of thought in the Basque Country. This made them a target of the ETA terrorist group for almost two decades.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
The film follows five people from different origins as they move anonymously around the streets of Berlin. Each of them with another life somewhere else, trying to ascertain where to go.
Through his own photographs, the Basque artist Néstor Basterretxea (1924-2014) is portrayed by the art critic and exhibition curator Peio Aguirre, a great connoisseur of his work and personal archives.
Basque Country, Spain. No one seems to know them. Some glances avoid theirs. Their social circle becomes smaller and smaller. They live under escort, watched by those who protect them and by those who threaten them: it is the experience of living in the shadow of ETA, a savage terrorist gang of unscrupulous criminals… of merely existing under the yoke of those who tomorrow could be their executioners.
The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.
Donostia-San Sebastián, Basque Country, Spain, 2011. Maider, a filmmaker, moves to the very same flat where pedadogist Elbira Zipitria Irastorza (1906-1982) clandestinely established the first ikastola, a Basque school, under the harsh regime of dictator Francisco Franco. Despite of her pioneering work, developed throughout thirty years, her story is not well known, so Maider, intrigued, begins to research…
The first film of the 'Ikuska' series, on the situation of schools in Basque language.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
A young filmmaker travels back home to Basque Country to follow three friends on a surreal nautical voyage. Riding a second-hand paddle boat, they pedal over 150km along the entire Basque coast from Hendaia (French Basque Country) to Bilbao in an attempt to rediscover their country's shoreline. However, as a paddle boat is not made for the rough Basque sea, things don't go as planned. The journey becomes a delirium with unforeseen accidents, folkloric parties, hangovers, a shaman, a funeral... Documenting the expedition of these 'sailors' on his own, the filmmaker finds himself on a parallel inner journey.
An in-depth interview with José Antonio Urrutikoetxea, known as Josu Ternera, one of the most relevant leaders of the terrorist gang ETA.
'Ama Lur' is a documentary, directed by Nestor Basterretxea and Fernando Larruquert, that premiered in San Sebastián in 1968, and it is considered the foundation of Basque cinema.
The history of the citizens' movement that for thirty years worked hard to overcome fear, fight hatred and eradicate the violence exercised by the savage terrorist gang ETA, both in the Basque Country and in the rest of Spain.
A reflection on the assassinations of social democrat politician Fernando Buesa Blanco and his bodyguard Jorge Díez Elorza, perpetrated by the terrorist gang ETA in Vitoria-Gasteiz, Basque Country, Spain, on February 22, 2000.
The Basque Country, one of the richest regions in Europe with only two million inhabitants, is considered a small paradise by those who visit it. But behind the mild climate, beautiful landscapes, and high standard of living lies a terrible reality: for thirty years, more than two hundred thousand of its citizens have had to go into exile to save their lives, escape extortion, social isolation, or nationalist impositions.
The chronicle of the process, ten long years, that led to the end of ETA (Euskadi Ta Askatasuna), a Basque terrorist gang that perpetrated robberies, kidnappings and murders in Spain and the French Basque Country for more than fifty years. Almost 1,000 people died, but others are still alive to tell the story of how the nightmare finally ended.
Draining two million cubic meters of water to protect a small animal in danger of extinction. This has been the task of those who have worked to remove the Enobieta reservoir and ensure a safe haven for the Pyrenean desman. This amazing story took place in Artikutza, the estate that San Sebastián bought in Navarre a century ago and which is now one of the best-preserved natural sites on the Cantabrian coast. In Normandy, meanwhile, the large Vezins dam has been removed. Its demolition will allow salmon to return to the Sélune River. Abandoned dams on rivers are barriers to biodiversity, and their demolition allows us to imagine a more habitable planet. That future will depend on small gestures, or large ones, such as those in Vezins and Enobia.
