Bosko and Honey go on a picnic that ends badly.
Social & External
Honey (voice) (uncredited)
Bosko (voice) (uncredited)
After Acme products fail him one too many times in his dogged pursuit of the Roadrunner, Wile E. Coyote decides to hire a billboard lawyer to sue the Acme Corporation.
The film opens with Bosko taking a bath while whistling "Singin' in the Bathtub". A series of gags allows him to play the shower spray like a harp, pull up his pants by tugging his hair, and give the limelight to the bathtub itself which stands on its hind feet to perform a dance.
A streetcar conductor, Foxy has adventures with a would-be passenger hippo, a cow blocking the tracks, and a runaway train while Foxy, his passengers, and some hobos sing the title song.
A bee returns home late after a night out having too much honey. His wife leaves him, but quickly ends up in the clutches of an evil large predator.
Bosko is shipwrecked on an island where he is chased by a lion and pursued by simian cannibals.
During the Great War, Bosko and a fearsome beast are in a dogfight. Bosko loses, but that's only the first battle.
The last Goopy Geer cartoon. The king returns to his castle, and asks where the queen is; she's in the parlor, and won't be seen, according to the title song. He goes to his throne and summons his jester, Goopy Geer. A black knight arrives and threatens one of the young ladies in court; Goopy Geer fights him off, first with an ax, then in armor from kitchen utensils, then butting him with a mounted animal head, which makes the knight's armor fall apart. He pulls it together again and runs away.
Bosko is the star player in a wacky game of professional football.
Bosko, Honey, and Bruno spend a day at the beach.
Bosko and his porcine friend are hobos in a runaway boxcar.
Bosko hunts in the jungle, but ends up playing music with the animals.
Bosko joins a wacky fox hunt. But if the hunt worries anyone, it isn't the fox.
Original short that introduced Bosko, never released. Producer-directors Hugh Harman and Rudolf Ising showed it to various studio executives as a pilot for the Bosko character.
A mannequin in the city dump improvises a working piano from junk, then plays and sings the title song. Various discarded items join in with song or dance.
Piggy and Fluffy, which is the ripoff of Mickey and Minnie, have adventures on a riverboat and Uncle Tom is chased by skeletons promising to take him to Hallelujah Land. One of the "Censored Eleven" banned from TV syndication by United Artists in 1968 for racist stereotyping.
Shopkeeper Bosko takes care of business.
Among the strategies that fail in Wile E. Coyote's attempts to catch the Roadrunner: glue on the road, a giant rubber band, an outboard motor in a wash tub, and dressing in drag as a female Roadrunner.
Bosko and his friends are cutting down trees in a forest. He battles a burly woodsman named Pierre who has gone off and kidnapped his beloved Honey.
Bosko is a brave little boxer who battles the champion, Gas House Harry. The enormous brute proves a bit much, even for a plucky underdog. Some of the animation is later reused in "Bosko's Parlor Pranks" by M.G.M. in 1934.
An American Indian boy and girl sing and dance in the forest along with the animals. Trouble begins when a fire threatens baby birds in their nest.
In this first Merrie Melodie short, things are hopping at a certain Mexican café. And then Foxy walks in and the customers go really wild.
‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...
"Popeye" Doyle travels to Marseilles to find Alain Charnier, the drug smuggler that eluded him in New York.
Ostwind and Mika have found a real home at the farm Kaltenbach with Mika's grandmother. In the hustle of running therapy center and due to Mika's fame as a horse-whisperer, she feels that she doesn't have enough freedom and time to ride. After a serious disagreement with her grandmother, Mika secretly sets off for the night in eastern Andalusia, Spain, where she suspects Ostwind's roots are.
Angélique is in a North African Muslim kingdom where she is now part of the Sultan's harem. She refuses to be bedded as her captors try to beat sense into her. She finally decides to escape with the help of two Christian prisoners.
A Broadway actress uses her sex appeal to ruin a marriage only to dump her lover for a richer prospect.
Sex is a background to examine intimacy and vulnerability. Looks at the complexity of modern day relationships told through eight separate couples. Through dialogue and compromising situations, the film takes us from the beginning of a relationship to the aftermath of one, and examines every stage in between seeing humor within the drama, heartache and confusion of it all.
An anonymous love letter left in Michael Ryan's locker on the last day of school wreaks havoc on his life and the lives of everyone who comes in contact with it.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
Through a haze of smoke, coke, and booze; possible futures, pasts, and presents coalesce chaos inside the mind of a man drifting directionless through life. When your future calls, what will you have to say?
Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie’s husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.
In an industrializing Italian town, a married woman, rendered mentally unstable after a traffic accident, drifts into an affair with a friend of her husband.
Krzysztof, a semantics professor and computer hobbyist, is raising his young son, Paweł, to look to science for answers, while Irena, Paweł’s aunt, lives a life rooted in faith. Over the course of one day, both adults are forced to question their belief systems.
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
In a night of killer comedy, Bill Burr hosts a showcase of his most raucous stand-up comic pals as they riff on everything from COVID to Michael Jackson.
Jacek, an angry drifter, murders a taxi driver, brutally and without motive. His case is assigned to Piotr, an idealistic young lawyer who is morally opposed to the death penalty, and their interactions take on an emotional honesty that throws into stark relief for Piotr the injustice of killing of any kind.
A stern Russian woman sent to Paris on official business finds herself attracted to a man who represents everything she is supposed to detest.
