Two noble women, bored of their lives, disguise themselves as country wenches and go to the market at Richmond Fair, where two young farmers fall in love with them.
Social & External
Martha
Lyonnel
Tristan Mickleford
Plumkett
Richter
Nancy
The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.
A group of late 19th century German teenagers – silenced and controlled by a censorious society – discover a new world of feeling and freedom outside the classroom, with beautiful and devastating consequences.
Plagued by a hidden childhood trauma that is destroying his life, an obsessive-compulsive MMA fighter moves to Fire Island and pretends to be gay in order to buy the house of his dreams and exorcise his demons.
Ethereal music, a fairytale plot, beguiling sets and spectacular special effects all these combined to make Rinaldo in every sense the Baroque multimedia event par excellence. In his modern staging, producer David Alden has resorted to all kinds of magic tricks. The mourning Almirena, for example, is suspended like a paralysed mermaid in a neon-blue water tank for her aria Lascia ch'io pianga. Armida constantly struggles to make her obstinate pet Hydra see reason, and no expense is spared on the stylishly artistic dance interludes. The characters move in an ironic blend of Twenties look, trendy club scene and sacro' kitsch. Unsurprisingly, opera-goers were quick to latch onto such a glittering and star studded production. Indeed, there can be no doubt that the American David Daniels is the undisputed star of this Munich production, even alongside the other famous names on the cast list.
An interpretation of Georges Bizet's opera "Carmen," which is presented in an artful form with a twist.
When this sumptuous production by Giancarlo del Monaco opened in 1995, legendary tenor Plácido Domingo gave a riveting performance as the fiery revolutionary Gabriele Adorno, a tenor part. In the 2010 revival, he made history by taking on the baritone title role, one of Verdi’s most fascinating characters, and thrilling audiences with his multifaceted and gripping portrayal. Boccanegra is beset on all sides, juggling political adversaries bent on murder with his love for his long-lost daughter Amelia (Adrianne Pieczonka). James Levine’s conducting brings out all the color and surging emotion of Verdi’s magnificent score.
Ageing misfit Sir Morosus lives alone in an old-style apartment in Charlottenburg in Berlin. He is wealthy, but also lonely and a bit grumpy. Then his nephew Henry moves in with him and his life takes a turn for the better. Director Jan Philipp Gloger homes in on two of the most pressing problems of the day: loneliness and the housing shortage. The Staatskapelle Berlin is conducted by Christian Thielemann.
A young boy named Chomatsu (Misora Hibari) lives with an old man Denbei near the grounds of Asakusa temple as bell ringers. In their house is an Echigo lion mask, a memento of Chomatsu's deceased father. After several incidents of Echigo lion masks being destroyed in the area, a local kingpin Saheiji shows up at Denbei's demanded he hand over the mask, a request Denbei rejects out of pity for Chomatsu. However, after it is accidentally revealed that the mask contains an important map, Saheiji plots to steal the mask. Chomatsu gets involved after his mother makes a sudden reappearance that sends the boy on a roundabout journey that will reveal the truth about his family.
A woman in a troubled marriage falls for a former teen heartthrob who's fallen from industry favor, while having nagging (and empowering) hallucinations about fronting an 1980s new wave band.
Modern day adaptation of the 1910 Gaston Leroux novel "Phantom of the Opera" – that the famous musical is also based on – set in the sultry nightlife scene of modern-day New Orleans, the world of jazz, R&B, neo-Soul, and funk.
“In a world that often demands certainty, Dialogues des Carmélites invites us to sit with profound questions that have no easy answers: What makes a life worthy? How can we be truly prepared for our inevitable end? What does security mean when everything familiar is threatened? What sustains us when our institutions crumble? … Rather than imposing answers, the opera creates room for reflection on how faith manifests not as abstract doctrine, but as lived experience under extraordinary pressure.” — Louisa Muller, Director’s Note. Juilliard Opera directed by Louisa Muller. Matthew Aucoin conducts the Juilliard Orchestra. Performed and recorded on April 26, 2025 at the Peter Jay Sharp Theater. Dialogues des Carmélites, an opera by Francis Poulenc. Libretto adapted by the composer.
The first words uttered by Carmen mark one of the greatest entrances in the history of opera and express all that need be said: “Love is a rebellious bird that no one can tame…” With a devilish sway of the hips and a hint of Andalusian flair, the beautiful cigar-maker sets her sights on a soldier: Don José. Fate will do the rest.
Stuffed is a short musical about a taxidermist who dreams of stuffing a human and the man she meets online, so afraid of aging he volunteers to be her specimen. An unexpected romantic spark between them complicates their plans.
French-Vietnamese actress Yvonne Nguyen dreams of a successful career in musicals, to the great displeasure of her mother, who would like her to pursue a more serious path. When Yvonne has no choice but to move back home, both women are strangers to each other. But, in the intimacy of the Vietnamese family restaurant's kitchen, they grow closer. Meanwhile, Yvonne is still after her dreams and finally gets the chance to audition for a big show.
Opera by Harry Somers portraying Metis leader Louis Riel and his Northwest Rebellion. 1969 CBC-TV production based on the original 1967 opera.
Performed at Madrid's historic Teatro Real in 2018, Ivor Bolton conducts Benjamin Britten's opera based on Lytton Strachey's 1928 Elizabeth and Essex: A Tragic History. In her repeated clashes with the Earl of Essex-a longtime favorite of the queen who was ultimately put to death for treason-Elizabeth I is depicted as flawed and vain, human and sympathetic.
The curse of the darkness where the sun does not rise has fallen on the world, and Turandot, who has a cold heart, receives proposals from many men for his beautiful beauty. She comes up with three riddles as a condition for accepting the proposal, and anyone who fails to solve them turns to stone and dies. Calaf, the prince of the Balkan Kingdom, also solves her riddle and proposes... Turandot, a woman who does not believe in true love. Calaf, the only person who can move her heart. What will be the fate of the two?