Hartt’s film Et in Arcadia Ego, commissioned by The Glass House, responds to Philip Johnson’s mid-century modern residence and the surrounding landscape.
Social & External
Olimpia
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
Short experimental film based on the theme of waiting, and how with time good things will come.
An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
"Dancing is sculpting in time." Shot around Indy Simin's "Echt in Vorm."
In February 2013, the New World Symphony presented Making the Right Choices: A John Cage Centennial Celebration, a spectacular three-day festival dedicated to the music and ideas of John Cage. As part of the festival, NWS hosted a new video installation entitled NWS: 4’33″, created by New York-based composer, director, performer and recording artist Mikel Rouse; which consisted of video performances contributed by Cage fans via a special YouTube site set up by Rouse. The public was invited to record and submit their own video, and visit the installation during the festival to see their work in the SunTrust Pavilion at the New World Center. These videos will be included in an online Archive of the event, a lasting tribute to this defining and seminal artist.
In the first stages of prototype, Storm is an interactive VR installation that places audiences in the path of a phenomenal, awe-inspiring storm. Take a moment to be swept into an exhilarating multi-sensory vortex.
JORDAN is a lonely Manhattan painter. When GINGER, a suicidal 19 year old squatter calls Jordan by accident, she threatens to kill herself if he doesn't meet her for lunch. This dark dramedy is 'Breakfast at Tiffany's' on lithium. 16mm film
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
Artist and filmmaker Julian Rosefeldt creates elaborately staged films that investigate the power of language and the conventions of cinema as an allegory for societal and individual behaviors. With the multi-channel film installation Euphoria he continues this examination by exploring capitalism, colonialism, and the influential effects of unlimited economic growth in society.
In London's contemporary art world, everyone has a hustle. Art Spindle runs a high-end gallery: he hopes to flip a Mondrian for millions. One of his assistants, Beth, is sleeping with Art's most acquisitive client, Bob Macclestone. Beth wants Bob to set her up in her own gallery, so she helps him go behind Art's back for the Mondrian. Bob's wife, Jean, sets her eye on a young conceptual artist, Jo, who lusts after Art's newest assistant, Paige. Meanwhile, self-absorbed videographer Elaine is chewing her way through friends and lovers looking to make it: if she'll throw Dewey, her agent, under the bus, Beth may give her a show. And the Mondrian? No honor among thieves.
Giovanni Segantini rose from humble origins to become the most important of Italian pointillists, and one of the most important symbolist painters in the 19th century. This film focuses on his way of feeling nature as a source of artistic and spiritual inspiration.
Arrancar los ojos is a project that proposes a constellation of works around the gaze and its political dimension. A reflection on the concepts of institutional violence, repression and collective trauma, focusing on the pattern of eye attacks by state security forces.
During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."
Short film in competition at the 48Hours Film Project. Sci-Fi/Mystery genre. Directed by Simone Marsella, starring Ludovica Castrichella, Dario Grasso and Federico Imola.
A movie about James Tissot (1836-1902), a French painter and portraitist
The odyssey of a young Cape Breton woman as she moves to the big city (Halifax) and supports herself after the birth of her illegitimate child by posing for college art classes, on her way to becoming an artist in her own right.
A film as part of the Spellbound installation at the Hayward Gallery in 1996 by Peter Greenaway.
These 131 video monitors stacked in a grid present simultaneous, continuous footage of the German artist during the last year of his life. In this filmed diary-project that Dieter Roth executed while convalescing in Reykjavik and Basel, we see him not only working in his studio but also while he sleeps, bathes, and uses the bathroom. It is nearly impossible to pay attention to only one video without becoming distracted by an unexpected sound or movement coming from one of the many other screens. Each monitor broadcasts a different point in the artist's daily routine, while the gridlike arrangement of monitors reinforces a sense of order and chronology.
Short experimental film by Nan Wang
Michael Palin heads for rural Pennsylvania and Maine to explore the extraordinary life and work of one of America's most popular and controversial painters, Andrew Wyeth. Fascinated by his iconic painting Christina's World, Palin goes in search of the real life stories that inspired this and Wyeth's other depictions of the American landscape and its hard grafting inhabitants. Tracking down the farmers, friends and family featured in Wyeth's magically real work, Palin builds a picture of an eccentric, enigmatic and driven painter. He also gets a rare interview with Helga, the woman who put Wyeth back in the headlines when the press discovered he had been painting her nude, compulsively but secretly for 15 years.