Social & External
Mia is thirty and getting divorced. She moves into a studio apartment in a low-income housing project. As a former swimming champion, she now finds herself giving swimming lessons to the other inhabitants... Without a pool...
A lonely young suburban housewife participates in a radio interview survey while simultaneously engaging in an extramarital affair.
Fabrizio, Dante and Roberto have 14 years old and they live in Palermo in the ZEN. How is their life, their universe?
A stranger in the city asks questions no one has asked before. Known only by his initials, the man's innocent questions and childlike curiosity take him on a journey of love, laughter and letting go.
Young sociologist Stanislas Previne is writing a thesis on criminal women, so he visits Camille Bliss in prison for an interview. Accused of murdering her husband and her lover, Camille recounts her life and love affairs.
"Bias" challenges us to confront our hidden biases and understand what we risk when we follow our gut. Through exposing her own biases, award-winning documentary filmmaker Robin Hauser highlights the nature of implicit bias, the grip it holds on our social and professional lives, and what it will take to induce change.
Chileans are asked about their definition of the word (and the concept of) "power", as they answer images flash on the screen of powerful and powerless figures in Chilean history.
Sacrifice is a supernatural thriller that follows João and Humberto, two university students who, after the mysterious death of their friend Alberto, begin to receive enigmatic clues and discover that Alberto may still be alive.
Universam Grochów was a now-defunct shopping and service mall that emerged in the 1970s in Warsaw's Praga-Południe district. This department store functioned as a shopping center and a hub for the social life of right-bank Warsaw. At the end of 2016, the iconic building was demolished. The film captures the final moments of the enterprise, with long-term and dedicated employees guiding us through its corridors. Their approach to work and economic model make Universam a living museum and a phenomenon at the intersection of urban planning and sociology. We also see the significant void left in the local community by the building's demolition.
As we wait to see whether Rupert Murdoch will fall from power and lose control of News International, Every Day is Like Sunday tells the forgotten story of the dramatic downfall of Cecil King—the newspaper mogul who used to dominate British media in the 1960s, before Rupert Murdoch arrived.
During a nighttime ride, a taxi driver tells a passenger strange stories that occurred in different neighborhoods and decades of the city, transforming the young woman's perspectives and beliefs about the region.
"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks." (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness." Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.
The film dialectically explores the phenomena of family alliances in urban and rural areas, technocracy, and the Algerian landed bourgeoisie. The film was completed but apparently never distributed by the ONCIC.
Why is social trust breaking down, and how do we find it again? This is the question at the heart of Leviathan. Directed and produced by Alexander Beiner, it draws on sociology, myth, psychology, economics and systems theory to delve into the deep code of culture and make sense of the times we live in. It’s a journey that invites the viewer to confront the shadows lurking at the heart of our systems, and points the way toward hope, healing and action.
Steve, a 25-year-old Black man from the Paris suburbs, seeks to escape the violence of his immediate surroundings by training to become an actor at one of France’s most prestigious drama schools. But soon he discovers that the theater world is only interested in having him inhabit “Black” roles.
A director feels he is about to lose himself to the market forces and thinks that the only way he can protest is by making a political film. He contacts Thomas Hylland Eriksen, who will become his mouthpiece and articulate what is wrong. But along the way the director becomes distracted by another person, a young, fumbling girl reminiscent of himself.
Fred, George, Doug and Howie are quickly reaching middle-age. Three of them are married, only Fred is still a bachelor. They want something different than their ordinary marriages, children and TV-dinners. In secret, they get themselves an apartment with a beautiful young woman, Kathy, for romantic rendezvous. But Kathy does not tell them that she is a sociology student researching the sexual life of the white middle-class male.
Anna, a sociology student from a prosperous family, must pass her internship and goes outside to conduct a study, during which it is necessary to find out how modern Russians see their future.
CodeSwitching is a mash-up of personal stories from three generations of African American students who participated in a landmark voluntary desegregation program. Shuttling between their inner-city Boston neighborhoods and predominantly white suburban schools in pursuit of a better education, they find themselves swapping elements of culture, language, and behavior to fit in with their suburban counterparts – Often acting or speaking differently based on their surroundings, called code-switching.
