Social & External
Lidia
Ricardo
Tatita
What is the purpose of our existence ? What is the soul ? Which are the power of mind, of conscience ? What is our link to nature ? Pondering these existential questions, this movie invites us to find out an universal wisdom, meeting shamans, healers, yogis, but also philosophers and doctors. From Mongolia plains to the Amazonian forest, it leads us far than we expected at first.
A police detective falls in love with the woman whose murder he's investigating.
A British army officer becomes fascinated by the portrait of a young woman. He travels to Germany to find her, only to discover that she is suffering from amnesia.
A twisted tale of crime, trust and desire, Framed! shows three perspectives of an unconventional robbery: The Curator’s, The Ambassador’s and The Professional Thief. However, there is more to this peculiar crime than it seems...
Portrait of a French mercenary working in Libya, hired by the Phalange to train the militias. War leaves its traces; and for some, who see death as part of the job, it’s a vocation.
When Fátima's husband leaves for a work trip, she begins to feel a strange presence in her house and discovers various strange objects related to witchcraft. Although she doesn't believe in that kind of thing, something will change her mind.
Juju Stories tackles juju in contemporary Lagos through three stories. In Love Potion, by Omonua, an unmarried woman agrees to use juju to find herself an ideal mate. In Yam, by Makama, consequences arise when a street urchin picks up seemingly random money from the roadside. In Suffer the Witch, by Obasi, love and friendship turns into obsession, when a young college woman attracts her crush's interest.
An anthology of strange people in strange places.
A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.
A portrait of the Director’s maternal grandmother, Eliane, a French woman who lived her entire life in Tunisia. The film shows her last moments at home with her family before her passing due to Alzheimer's disease.
In this short documentary, five black women talk about their lives in rural and urban Canada between the 1920s and 1950s. What emerges is a unique history of Canada’s black people and the legacy of their community elders. Produced by the NFB’s iconic Studio D.
'if you only had one year left of your life, what would you do?' This question asks Swiss author Franz Hohler. His answer: 'Make death your adviser to live life to the fullest.' He is one of several carefully chosen Swiss citizens who give us an insight into their personal views on life and death. Besides these colorful, oftentimes funny quotes we meet Tom, a 50-year old male that has been diagnosed with incurable brain tumor. Contrary to what one would expect, Tom takes his sickness not as a burden but as a chance and lives his life happier than ever before. This to the surprise of his family and friends and above all - himself. The film encourages people to live life more consciously.
This cinematic portrait shows the Austrian filmmaker Ulrich Seidl at work. The much-discussed ‘Seidl method’ is conveyed here vividly and directly: The camera watches over Seidl’s shoulder during the filming of his new production IM KELLER, and observes him at the rehearsals for his latest theatre production ‘Böse Buben / Fiese Männer’. The film paints the picture of a fascinating and exceptional artist using a combination of extensive interviews and excerpts from earlier works.
A movie by the independent artist Lalo Cura, born in Parnaíba, Piauí, Brasil. ( ... ) is part of his movement entitled "novo novo cinema novo". ( ... ) aims to be a faithful portrait of a small, ephemeral point in the fabric of temporality. An essay on silence, a love letter, a tribute to the city where the poet lives.
When the world was on fire, they called Hans Blix. This is how the Swedish diplomat is introduced in ‘Blix Not Bombs’. And if there is one fire he is particularly associated with, it is the 2003 invasion of Iraq. Prior to the invasion, Blix led the delegation of UN officials to find out whether weapons of mass destruction were present in Iraq. And it is the invasion and its consequences that we get Blix’s formidably insightful analysis of in a thorough and honest conversation with director Greta Stocklassa. Few others understand the complexities of international politics on the world stage like Blix, and none can explain it with his intellectual elegance. But Stocklassa’s film is also a portrait of the man himself, now an elderly gentleman, writing his memoirs, walking with a cane and watching birds through the window of his apartment. His outlook and commitment is as urgent as ever, as Blix takes stock of the invasion of Iraq and the state of the world today.
His signature roles were the edgy North German characters: Jan Fedder was one of the most popular actors in the North. He was one of the most popular actors, a real guy with rough edges and a lot of heart: Jan Fedder. He was already on stage as a child and had his first acting lessons at the age of 13. He knew early on what he wanted: to become an actor. Antje Althoff's film traces his life and career, showing his incorrigible nature, an endearing symbiosis of a big mouth and a similarly big heart.
Astor Piazzolla revolutionized the tango. By breaking with the codes of traditional tango, he brought this popular Argentine music from dance floors to concert halls around the world and is now recognized as a major composer of the 20th century. From numerous unpublished private archives, the voices of Astor and his children paint a unique portrait of this complex man.
