Seeing's Believing

Because of a storm wealthy Diana Webster and Jimmy Harrison, her Aunt Sue's fiancé, must stay all night at a country hotel. Getting a single room, they pretend they are married to satisfy the concerns of the hotel manager though Jimmy sleeps on a cot in the hall. Another hotel guest, Bruce Terring misconstrues the situation and later when he meets Diana his scandalous interpretation of her escapade infuriates the young woman. She decides to teach him a lesson and show him that "seeing is not always believing" by placing him in a similar unusual position. She hires an acting couple to frame a badger game on Bruce, but they double-cross her, forcing Diana into an extorting scheme from which Bruce must rescue her, resulting in a snappy but happy ending for Bruce and Diana.

Naughty Nanette

The Jazz Age rages in this comedy film starring Viola Dana as the madcap title character madly dashing through a series of adventures.

The Chorus Girl's Romance

When, on a prank, shimmy dancer Marcia Meadows visits bookworm Horace Tarbox in his Yale dormitory, Horace falls madly in love and follows her to New York where he and Marcia marry. Denounced by his wealthy father, Horace attempts to support Marcia through his writing, but all his manuscripts are rejected, and he is fired from every job.

His Phantom Sweetheart

An escaped lunatic threatens the romance of his wife and her new suitor.

Resurrection of a Corpse

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

The Weaker Vessel

Abby Hopkins, the eldest of a small-town newspaper-owner's five daughters, is urged by her family to marry the wealthy, twice-widowed J.B. Hanks. Abby leaves Hank on the night of the wedding and goes to New York, where she supports herself as a waitress and shares an apartment with a co-worker. At the restaurant, Abby meets J. Booth Hunter, a heavy-drinking "ham" actor, and tries to convince him to give up liquor. Hanks shows up one day and during a battle with his estranged wife, Hunter comes to Abby's rescue. Abby finally gets a divorce from Hanks, Hunter conquers his drinking habit, and Abby marries him.

Molly Go Get 'Em

Young and wealthy Molly Allison can't be "presented" into society until her older sister Julia is married, but that doesn't stop Molly from pursuing her usual wild ways. She finds herself in turn pursued by Count Renaud, unaware that he is a criminal interested in swindling her out of her money. To discourage the Renaud's attentions--and because she already has a boyfriend, Billy Wilcox--she tells Renaud that she is actually an Indian squaw who is just living in the Allison household. That doesn't stop the Count, however, and he turns his attentions to Molly's sister Julia.

A Texas Joke

A short silent film produced by Gaston Mèliès in San Antonio.

A Postal Substitute

When our picture opens, Joe Flynn, a rider in the service of the government, has been shot from ambush by a masked man and is dying. Grouped at his bedside are his son Jack, a sturdy young man, the local doctor and the county sheriff. The old man dies and a week later we see Jack delivering the mail. The sheriff has inserted the description of the murderer in the Yuma Gulch Herald, and the country is being scoured to find him. Jack has a long and perilous ride between the two points of his route and is frequently beset with danger. Steve Benson, a desperado, who has killed old man Flynn, is living unhappily with his wife in hourly fear of having his crime discovered.

Cyclone Pete's Matrimony

An early silent short comedy directed by William Haddock.

The Newly Born

A short silent comedy produced by Gaston Mèliès in San Antonio.

Drama in the Futurists' Cabaret No. 13

Why Is a Plumber?

“This hilarious bit of foolishness has for its theme the gradual rise of a hard-working plumber and his wife, who, after years of struggle, find themselves with a lovely home. The wife who has social aspirations and a desire to entertain people of wealth and note, invites a millionaire couple to dinner. She hires a caterer to help her with the serving and they send a butler who turns out to be a truck driver with whom her husband has had a collision, a short time before, which resulted in a street fight. What these two do when they recognize each other and what happened to the millionaire couple has to be seen to be appreciated.”

The Star Reporter

Major Starr is an ambitious newspaper reporter who has taken undercover employment as chauffeur to Lady Susan Loman in the hope of witnessing high-society goings-on which he can use in a feature article he is planning.

Table Steaks

The city chap arrives in a flivver and makes love to the daughter of the proprietor. The rival plays a strong hand but is not quite strong enough to regain the girl. Little brother plays his part with tact and gets the regulation quarter for allowing the spooners to be alone. An elopement in moonlight provides a good finish.

Her Choice

Mrs. Letitia Summers, owner and principal of an exclusive boarding school, decides to give her two nieces an education while deciding which will be her heir unbeknownst to them. She writes each a letter, stating that a lady of means has provided for their education at Mrs. Summers' seminary. Edith and May are both delighted with the news, but while Edith leaves with her modest belongings May immediately demands a lot of new things to satisfy her vanity and desire to make a great impression. May attracts considerable attention upon her arrival but Edith, in her modest wardrobe, is received with disparaging remarks. Both do well in their studies but on graduation day Mrs. Summers calls the two girls into her private office and tells them that she is their aunt, and she has chosen Edith as her heir in recognition of her kindness and thoughtfulness towards others, particularly towards her poor mother.

The Man Under the Bed

We all remember the boy who cried wolf so often that when the wolf really did come the people did not believe it. Little Billy must never have heard this, or had forgotten it. His sisters Martha and Jane are very fearful of burglars entering their room, and their little brother decides to play a joke on them.

Cutey Tries Reporting

Small brothers are the bane of love affairs. The inimitable Cutey, reporter on a country paper, is courting Ethel Clark, the editor's daughter, and having a lively time with her small brother Tommy. The editor declares that unless Cutey brings in some live news he will be fired--and forbidden to call on Ethel anymore. So Cutey takes matters into his own hands and creates a sensation!

Three Girls and a Man

A wealthy but weary Charles Morris visits a friend in the country where he meets two young women: the mercenary Hilda and the sweet Dorothy. Betty subtly steers Charles towards Dorothy. When Hilda attempts to capture Charles's affection, Betty orchestrates a situation where Charles sees Hilda with her other suitor, Mr. Bennett, effectively eliminating Hilda's chances. Charles and Dorothy eventually fall in love and become engaged.

The Eavesdropper

Alice takes her little siblings Billy and Kitty to a matinee. They immediately become imbued with the wonderful idea that they are actors. They set up a miniature stage of their own in the summer house on the grounds. They spy upon their sister and her sweetheart Bob, and reproduce their affairs. A quarrel furnishes material for an interesting production, which is a revelation and a lesson to Bob. He goes and makes amends, acting upon the suggestions of the performance.