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A microcosm of everything Brazil stands for: the good, the bad and the ugly. This immersive and intimate portrait of the largest residential building in Latin America and its inhabitants shines a light on a country being torn apart by corruption, populism, polarized politics and a collapsing democracy.
Follow reporter Francesco Croquete Margharette on his comical journey through the world of photography.
The sacred and the profane are explored through the dialectic between sacred images and the world of BDSM when we meet Guilherme and his fetishist persona Luke.
In 1952, TV Tupi, Brazil's first television channel, invited psychiatrist Júlio Gouveia and his wife, Russian writer Tatiana Belinky, to develop the network’s children's programming. The couple then asked the sons and daughters of their friends to join the cast of the newly created shows, the most prominent of which was Sítio do Picapau Amarelo. And so, Antonio Silvio, Lia, Lídia, Sérgio, and David José embarked on an unexpected journey that would come to shape the future of Brazilian television. Memories of the Sítio is a trip through the personal recollections of these actors and the story of the first television adaptation of Monteiro Lobato’s work.
Gilberto leaves his home on the last day of his father's life, travelling around the city in search of the places that were meaningful to him: his old house, the museum where he worked, and the streets of a very lively city. This escape becomes a reconstruction of the father, a journey through memory and a farewell.
A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.
A portrait of Gabriel Medina, director and screenwriter of "Los paranoicos" and "La araña vampiro". He tells us about his creative process and what he looks for when making movies.
Memories of his four-year journey focused on the Hong Kong protests. Narrated in the first person, is rich with reflections and contemplations, most intertwined with feelings of guilt.
Darrell Austin, Stevie Hyper D's nephew, embarks on a journey through 90s London to explore his uncle's legacy. Through conversations with family, friends, and artists Stevie inspired, he pieces together the full story.
The film is based on interviews with 2,000 women from 50 countries, and covers the status of women all over the world. The topics covered include forced marriages, sexual assault, female genital mutilation, acid attacks, motherhood, sexuality, menstruation, education and the professional success of women.
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