Social & External
George Lucas, Irvin Kershner, Lawrence Kasdan and John Williams look back at The Empire Strikes Back 30 years later.
From the slow waitings for opening of the big top to the loneliness in the dressing room backstage, Abuhadba follows the life of a small circus in Chile run entirely by a traditional circus family.
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
Two Canadians, one Liberal and one Conservative, attend a U.S. convention focused on depolarizing politics, determined to engage in tough conversations for a healthier democracy.
A short film warning the unaware housewife of the dangers of “dry cleaning” with gasoline at home.
Also known as Reindeer Time and Inheritance, this 9-minute short by Arne Sucksdorff documents the Sámi people’s autumn migration as they guide their reindeer herds back to the forest lands. Blending ethnographic observation with lyrical nature imagery, the film follows the reindeer through mountain landscapes, calving, herding, and branding, underscoring the deep interdependence of humans, animals, and the northern environment.
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.
Takes place in the Saharawi refugee camps in Algeria against the historical backdrop of Spanish colonialism and the Moroccan invasion of the Western Sahara. The Saharawi women, who make up 80% of the adult refugee population, provide a powerful voice as they reveal how they came to assume primary responsibility for the survival of the remains of their families and in turn the entire refugee population.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Murray Sinclair's acceptance speech for an award in honor of his role as chair of the Truth and Reconciliation Commission of Canada, intercut with the testimonies of survivors of the Indian residential school system.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.
Comedic behind-the-scenes film for the production of Mary and Max, originally released as webisodes.
Dating back to the 1800s, Birmingham’s roller skating scene is a flourishing, diverse community - but it lacks dedicated spaces. This community documentary explores the history of one roller venue, The Tower Ballroom, and considers what it tells us about the power of community action.
A poetic exploration of three subterranean telescopes in remote regions of Canada, Japan, and Antarctica that reveal a new way of perceiving the universe from within. Underground, we are dreaming into the earth.
Alexis is a 32-year-old white woman married to Alain, an African from Rwanda. This documentary focuses on Alexis giving birth in her parents home. As her parents and great-grandmother look on, a calm mid-wife delivers ten and a half pound Jazmine. The documentary is Interspersed with interviews with Alexis, her husband, Alexis' parents, the soon to be great-grandmother and the midwife.
On Manhattan's jam-packed streets, NYC's most iconic driving instructor prepares students for the road ahead.
An unflinching look at the ongoing debate on violence in movies and its effect on the audience.
