Faces from Home

In an empty house, we see the memories of a home, from those who once lived and filled it with joy and love.

Dear Albania

Eliza Dushku takes on her homeland of Albania.

Nazaten

Frans Bromet goes in search of his family history and discovers that Hermanus Bromet was a well-known slave trader in Suriname. Should he feel guilty for what his ancestor did? How do you deal with a burdened family past?

Strudel Sisters

Two elderly sisters share the delicate art of making traditional Hungarian strudel and reveal a deeply personal family story about their mother, who taught them everything they know.

Ashes

A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.

Villa Madjo

To Catch a Glimpse

A film that delves into director Jean Carlomusto's family history by trying to find out if the rumors about her grandmother's death -- trying to rid herself of an unwanted pregnancy in 1939 -- are true.

Drinking a Monster in the parking lot of the clinic where I was born that is now a funeral home

A woman returns to the site of her birth, which is now a funeral home. She drinks a white monster energy drink.

Up the Yangtze

At the edge of the Yangtze River, not far from the Three Gorges Dam, young men and women take up employment on a cruise ship, where they confront rising waters and a radically changing China.

Meeting David Wilson

African American filmmaker David A. Wilson decided to look into his family's history during the slave era. The result is this documentary, which provides a unique perspective on the long shadow cast by slavery in America. Wilson travels to North Carolina to visit the plantation where his ancestors once toiled and to meet its current owner -- a white man named David Wilson, whose slave-owning ancestors originally occupied the property.

The Giacomettis

The rugged Swiss mountain valley of Bregaglia has produced an entire dynasty of artists: the Giacomettis. Alberto revolutionised the art world with his slender sculptures. Before him, his father was an Impressionist of the first hour. What makes this valley the birthplace of so many artists?

De Aracaju a Harvard

The Family Forest

Epigenetics and psychogenealogy ​through a VERY personal experience.

Our Maternal Home

Filmmaker and educator Janine Windolph ventures from Saskatchewan to Quebec with her two teens and younger sister, tracing their familial origins to the Cree First Nation of Waswanipi. Against the scenic backdrop of these Traditional Lands, Elders offer newfound interdependence and hands-on learning, transforming this humble visit into a sensory-filled expression of reclamation and resilience. Our Maternal Home lovingly establishes a heart-centred form of resistance to confront and heal from the generational impacts of cultural disconnection, making space for what comes next.

The Trouble with Merle

The director explores the birth origins of actress Merle Oberon, traveling to Tasmania and India in search of the truth, but her quest ultimately results in probably more questions than it answers.

Video Blues

Emma reviews old tapes on VHS, which show faded family memories of those distant 80s, when she was still a child. While recalling the trips to the coast and the children's laughter, she tries to recompose pieces of a story that he never fully understood, joining the pieces of a forgotten puzzle to discover that things were not what they seemed.

Phantoms of the Sierra Madre

A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.

Qatar, une dynastie à la conquête du monde

For three decades now, Qatar, this small desert kingdom, has not stopped being talked about; because of its financial power and the secrecy that surrounds it, the royal family that runs it fascinates as much as it frightens.

A Landscaped Area Too Quiet for Me

Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.

Elle va crier

Audrey, a woman in her mid-fifties, has never been able to make peace with her tumultuous family history. A clumsy mother, an emotionally distant father and sexual assaults that have gone unreported. She now decides to confront her demons. Supported by her son, the director of the documentary, she revisits a striking scene from her past: the moment when she told her parents that her grandfather had raped her. Together, through a year-long production process, they transform this awkward exchange into a moment of communion, thanks to actors, a set and Audrey's desire to do herself justice.