The Cooperative Movement in Barquisimeto (CECOSESOLA) emerged as an alternative to the outrages against the people and their inability to afford a decent burial for their relatives.
Social & External
History is Ours narrates the struggle of the workers of the Refrescos Pascual soft-drink company against its owner, Rafael Jiménez, the official trade unionism of the CTM and the labor authorities of the governments of José López Portillo and Miguel de la Madrid, between 1982 and 1985. It documents the workers' difficult struggle to take over the company, when justice, which had been elusive, finally proved them right, and opened the possibility that these brave, tenacious workers would become collective owners of the company. Today, these soft-drink fighters resist a system that hits Mexican companies in favor of the monopolistic transnationals. The film is an account of one of the most brilliant episodes of the contemporary Mexican labor movement, an example of unity and class consciousness, embodied by men and women who make their struggle a tribute to comrades Concepción Jacobo García and Alvaro Hernández García, tragically fallen at the beginning of this historic event.
The story of ten trans girls who form a co-op theatre to be able to stop working as prostitutes. The protagonists tell us their dreams, show their daily struggles and share their experiences and realities to be accepted and belong to society as well.
A movie about the history of the Gustavsberg porcelain company.
This short documentary depicts the formation in 1959 of the first successful co-operative in an Inuit community in Northern Québec. The film describes how, with other Inuit of the George River community, the Annanacks formed a joint venture that included a sawmill, a fish-freezing plant and a small boat-building industry.
PROJEKT A is a documentary that resists the common clichés about anarchism to instead show anarchist ideas of a society in which no one shall have the power to control knowledge, natural resources, land, soil or other people. After inspiring over 25,000 German cinema-goers, this award-winning documentary about anarchism and anarchist projects in Europe is now available on VoD! “Projekt A stirs up the audience and is grippingly shot, getting close to the kinds of tenacious people who are so vital to change in our society.” (kinokino) “…a cinematic portrait, not of anarchy, but of anarchists. A story, not of possibilities, necessities or even failure, but a depiction of achievements, initiative, action, ideas, as well as success.” (kino-zeit.de) Audience Award Filmfest Munich
Canada is facing a housing crisis, and cooperative housing might be a part of the solution.
Set in a Burkina Faso organic cotton weaving cooperative, a cacophonous cotton-spinning apparatus eats, digests, and takes a breath. Threads become the organs of a whirling, burping, guzzling machine animated by hands, looms, vats, cogs, and feet. Where does the machine end and the body begin? The weaving cooperative promises equitable remuneration for workers in an industry beholden to its colonial predecessor: today, Burkinabè cotton farmers live in permanent debt to cotton companies financed by European capital. By focusing on the repetitive labor unfolding within a cooperative that claims to serve its workers, Everything Here Holds Its Inverse examines the tension between empowerment and evolving oppressions. Can the ties that bind and define also set free?
In 2015, a black, female professor at a prominent Christian college wore a hijab and said that Christians and Muslims worship the Same God. The firestorm that followed exposed the rifts among evangelicals over race, Islam, religious freedom...and Donald Trump.
At the '87 Tokyo International Video Biennale, held at Spiral Hall, performance artist Laurie Anderson gave the unforgettable lecture-demonstration, "Talk Normal". In "Talk Normal", Anderson discusses the many elements that distinguish her work, from the unique violins that serve as her alter egos, to her video clone, to her experiments with electronics and her personal homage to Oscar Schlemmer's Bauhaus dances. Through excerpts from the film Home of the Brave, the television program What You Mean We?, and the music videos for her songs O Superman and Sharkey's Day, Anderson draws you into an eclectic world where sight and sound are united. In "Talk Normal", New York's best known performance artist talks about herself.
A magnificent rhapsodic ode to the filmmaker’s mother, the legendary transgendered tap-dancing cult diva Sandie “The Goddess Bunny” Crisp, that will send your heart straight into orbit.
A delightful insight into the filming of Antony Hickling's "Frig" with interviews and behind the scenes footage.
Marina Abramovic collaborated with videomaker Charles Atlas on this striking work of autobiographical performance. Abramovic delivers a monologue that traces a concise personal chronology. This brief narrative history, which references her past in the former Yugoslavia, her performance work, and her collaboration with and separation from Ulay, is intercut with images of Abramovic engaged in symbolic gestures and ritual acts—scrubbing her feet, staring like Medusa as snakes writhe on her head. Closing her litany with the phrase "time past, time present," Abramovic invokes the personal and the mythological in a poignant affirmation of self.
This documentary records the in-depth testimony of a gay Muslim couple, Ovil and Usman, whose only wish was to share a life together. Since in their home countries it is illegal for gay men to live their lives as they would like to, they had no choice but to escape to the West, following the underground caravan of refugees and immigrants that leads from Asia to Greece . They ended up trapped in the infamous hotspot/refugee camp in Moria - where their "dream paradise" would show its ugliest face. The film was shot on the island of Lesvos, Greece, under very difficult circumstances. It illustrates the squalid living conditions and the human mosaic at the Moria camp through strong imagery of never before seen footage from the life inside and outside the camp, shot through different means, even mobile phones, as there was a government prohibition for journalists and film crews to enter the camp.
Jacobs’s hypnotic “3-D” adaptation of New York 1911, a long-forgotten Swedish documentary restored by MoMA in 2017, is representative of his current work.
Paradoxically described by Walter Sorell as "a tender lullaby of love" and by Richard Buckle as "cold and menacing, the courtship of the Macbeths," Night Wandering is a duet reminiscent of snowy landscapes. Cernovitch designed the original costumes: fur tunics that Cunningham wore over trousers, and Brown wore over tights. Continuing with the piece's Nordic theme, the music by Bo Nilsson was characterized by bursts of activity followed by moments of silence, evoking the feeling of traveling through the spacious, and seemingly endless Northern night.
The controversial Thai Buddhist temple "Dhammakaya" is in crisis as its abbot was charged with money-laundering and receiving stolen property. The film reflects the clash between politics and faith in modern Thai society.
A construction site with foreign workforce – lunch break. A Greek man tries to write a request letter to the German authorities to allow his parents to stay in Germany because of the Greek-Turkish clashes on Cyprus. A German foreman helps him write the appeal. Upon saying that the reason for summoning his parents is that their lives are threatened by the Turks, other bricklayers join in and a row takes place. During the row the letter is torn, lunch break is over and the bricklayers go on laying bricks.
Directed by Margot Benacerraf, Reverón is a poetic and visually striking documentary that delves into the life and artistic vision of Venezuelan painter Armando Reverón. Set in the sun-drenched coastal landscape of Macuto, where the artist lived in near isolation, the film captures his eccentric lifestyle and unique creative process. Through evocative imagery and a contemplative narrative, Reverón explores his deep connection to nature, his experiments with light and texture, and his profound artistic genius. This seminal work stands as a tribute to one of Venezuela’s most influential painters and a landmark in Latin American documentary filmmaking.
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
A young man talks to his psychiatrist about strange visions he has been having in his dreams.
A duo of Edgar Allan Poe adaptations about a greedy wife's attempt to embezzle her dying husband's fortune, and a sleazy reporter's adoption of a strange black cat.
Enrico Russo rapes and slaughters children. A magistrate, a policeman and a psychiatrist try to arrest him, but it’s too difficult to identify a cancer that hides itself behind a normal life. Then, one day, Enrico meets Andrea, a 7 year old child, and falls in love with him. He wants to be Andrea’s good father, the good father he himself never had. But his emotional delirium isn’t able to hold back his animal instinct. By pure ‘chance’, the detectives find the monster in the act of his last execution. On time?
A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.
An unfortunate highschooler finds an ancient book that summons Allentown's deadliest maniacs back from the dead.
Celtic Thunder presents Take Me Home, an all new show, as seen on PBS. The DVD with a running time of almost 2 hours long features 13 new Celtic Thunder performances! After the smash success of the first Celtic Thunder production in 2008, producers Sharon Browne and Phil Coulter have developed an all-new Irish-music showcase. The sharply dressed male vocalists who starred in the first show have returned, and each performer gets a chance to show off his pop sensibility. The energetic set includes traditional Celtic tunes as well as rock covers and original compositions by Coulter.
After an unthinkable tragedy, a man's reality is shattered by a seemingly haunted flaslight.
Geologist Lena receives the news that her father Gottfried, who abandoned her eight years ago, is terminally ill. With a heavy heart, she travels back to her home village in the mountains with her young daughter. A journey into a difficult past, as Lena is not only confronted with Gottfried's rejection, but also with her former great love Anton, whom she has never been able to forget and who is now married to the enterprising and scheming Magda. But this is not the only problem: Lena discovers that her village is threatened by a landslide as a result of massive environmental destruction.
A taxi driver takes advantage of a sleeping passenger while he keeps the taximeter running. He drives around town to scam the passenger. However, something sinister will change the taxi driver’s perspective.
Skinemax is Koyaanisqatsi for a generation raised on late night television and B-movie VHS tapes. It's long form entertainment for short attention spans. An hour long VJ odyssey, it will move your body and warp your mind. A nostalgic look back at a half remembered childhood growing up in the 80s and early 90s, Skinemax takes a close look at the culture of that era. The images that motivated, delighted, and terrified us on the silver screen, set to propulsive modern music that pines for a simpler time.
Vinayakan, who has hearing and speech impairment, is in love with his childhood friend, Ammu. But Vasavan, a gangster, poses a threat to their relationship as he lusts after Ammu.
Five years in the making, based on six lengthy interviews filmed on six different locations in Saint Petersburg, we meet an outspoken artist who covers here his entire life and prolific career. The locations were Sokurov’s own favourites, where he felt at home.
Laura Regueira is wrongly accused of the murder of her boyfriend, he was killed by a band of thugs the night they were sharing a romantic moment. In the woman's reformatory Laura, besides of having to endure the life of prisoner, will have the chance of prove her innocence, with the help of a police officer who believes she's innocent Laura has the chance of uncover a band involved in drug traffic. These delinquents also use the women captive in the penitentiary as prostitutes.
This film follows several independent game developers (Jason Rohrer, thatgamecompany, Douglas Wilson, Zach Gage, Aledander Bruce) examining why they make digital games. The film delves into their creativity and explores some of their thinking and design strategies. Game developers operate in terrain that demands both programming logic and aesthetic quality. The work is hard, however that's what they want to do. The film explores how the developers go deeper into the notion of entertainment and discovery.
When deadly terrorists strike, an FBI man, who is an expert on terrorist mentality, hunts their twisted "creator," who may be connected with a disgraced professor from his past.