Canada is facing a housing crisis, and cooperative housing might be a part of the solution.
Social & External
Narrator (voice)
Too many stories can tell the horrible consequences of the housing crisis. Those of Jeannette and Frances make us feel the difficult experience of eviction. During long months of anguish, brief hopes and uprooting, Jeannette and Frances struggle, alone and surrounded, against a phenomenon that is becoming more and more pronounced: losing your home.
Between 1968 and 1970, J M Goodger, a lecturer at the University of Salford, made a film record of the living conditions in the slums of Ordsall, Salford, which were then in the process of being demolished. Under the title 'The Changing face of Salford', the film was in two parts: 'Life in the slums' and 'Bloody slums'.
The Cooperative Movement in Barquisimeto (CECOSESOLA) emerged as an alternative to the outrages against the people and their inability to afford a decent burial for their relatives.
A close-up of a snow-bound city, and the men, money and machinery it takes to dig it out.
Documentary devoted to the architectural and urban planning designs of Le Corbusier. The architect supports his in-depth reflection on the city and its necessary adaptation to modern life with plans, drawings and images, particularly Paris, whose revolutionary development dreamed of by Le Corbusier is exhibited here. Its first projects will remain at the stage of a model: the modernization plan for the city of Algiers. Some will be created by other architects: Ministry of Education in Rio de Janeiro, UN Palace in New York. From the post-war period in less than 10 years, Le Corbusier created large housing units in Marseille, Nantes, a chapel in Ronchamps, a factory in Saint-Dié, a town in Chandigarh in India. Through diagrams, the architect presents his theory of the "radiant city", the mathematical key modulor of his work as well as his project for reorganizing the countryside, industrial and urban cities into a grouping around a cooperative system.
The story of ten trans girls who form a co-op theatre to be able to stop working as prostitutes. The protagonists tell us their dreams, show their daily struggles and share their experiences and realities to be accepted and belong to society as well.
Author and activist Jane Jacobs talks about the problems and virtues of North American cities.
Five floors. Forty apartments. Rats, leaks and debts. In Pantin, I live in a building with a danger order. Under court order, we have to renovate it. Between Dantesque arguments, missing money and humor as a fire extinguisher, I film our collective rescue.
The documentary offers an overview of the district of Cidade Tiradentes and its inhabitants. It starts by the acquisition of land by the public authorities from the 1970s onwards, to the occupation of what is today one of the largest housing projects in Latin America.
A short documentary on the River Ouse, following it downstream from Lewes to Newhaven, meditating on the surrounding area.
This short documentary film is a fascinating portrait of urban and rural Quebec in the late 1960s, as the province entered modernity. The collective work produced for the Quebec Ministry of Industry and Commerce calls on several major Quebec figures.
Homelessness in the United States takes many forms. For Elizabeth Herrera, David Lima and their four children, housing instability has meant moving between unsafe apartments, motels, relatives’ couches, shelters, the streets and their car. After 15 years of this uncertainty, the family moved into their first stable housing — an apartment in the San Francisco Bay Area — in the midst of the coronavirus pandemic.
Because of the big housing problem in the US many people move into cheap, run down hotels, the so-called Flophouse hotels. Twelve-year-old Mikal was born and raised in a hotel room he shares with his parents, who struggle with substance abuse. Driven by love and a desire for a better life, his greatest wish is for his mother to stop drinking. Mikal is bright and articulate, but his parents’ struggles prevent them from giving him the stability he needs. Through Mikal’s perspective, the film paints an intimate portrait of resilience, hope, and the harsh realities of life on society’s margins.
The human side of town planning, as exemplified in Baltimore, Maryland. The Coldspring Project concerned a proposed housing development for lower and upper income levels on a three hundred-acre site adjoining a wildlife sanctuary. The film records the differences aired in meetings of various interest groups that tried to modify the plan according to their views, and the compromise reached, based on plans drawn up by Montréal architect Moshe Safdie.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
In 1959 New York City announced a "slum clearance plan" by Robert Moses that would displace 2,400 working class and immigrant families, and dozens of businesses, from the Cooper Square section of Manhattan's Lower East Side. Guided by the belief that urban renewal should benefit - not displace - residents, Frances Goldin and her neighbors formed the Cooper Square Committee and launched a campaign to save the neighborhood. Over five decades they fought politicians, developers, white flight, government abandonment, blight, violence, arson, drugs, and gentrification - cyclical forces that have destroyed so many working class neighborhoods across the US. Through tenacious organizing and hundreds of community meetings, they not only held their ground but also developed a vision of community control. Fifty three years later, they established the state's first community land trust - a diverse, permanently affordable neighborhood in the heart of the "real estate capital of the world."
Just a stone’s throw from downtown Montreal is the largest social housing complex in Quebec. Built in 1959 where the red-light district used to be, Les Habitations Jeanne-Mance have retained something of the area’s seedy reputation for poverty, prostitution, drugs and violence. But who really knows the projects and the people who live there? Delving beneath the prejudices and stereotypes, director Isabelle Longtin ventured inside the buildings and met the residents.
Valérie Jouve is a weel-known photographer, and Grand Littoral is her first film. Out the outskirts of Marseille, in a landscape criss-crossed by motorways, railways and srubland paths, some figures that seem to be from her famous photos passby and bump into each other. They act as our guides in a tour without beginning or end. How do you look at a place without taking possession of it? How do you describe characters without confining them within a given plot? How do you make the transition from still shots to moving pictures? this brief, musical film leaves us asking these and other unresolved questions.