The annual birthday dinner for the elderly Miss Sophie is coming up. Unfortunately, the invited guests have all passed away and so butler James has to take over their roles. Swiss version of the famous sketch.
Social & External
The people behind it
Freddie Frinton
James
May Warden
Miss Sophie
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Two men are on an elevator when fantasy intervenes. Going up? Going down?
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The backstory of the Killer Poop of how he became who he is and where he came from as he kills anyone he runs into.
Zombies have come to life, past victims of the Killer Poop and when the zombies poop, well that poop is not your average day dump. It's zombified.
Love has packed up and left the castle. The queen has snuck back to her Kingdom of Skedaddle. But one person’s loss is a scoundrel’s gain: Bonifacio, a teller of tall tales, sees in the forlorn queen the perfect target for his hackneyed charms. As summer approaches, he changes himself into a sweet talker and sings her praises. Things would have worked out perfectly if only Princess Molly hadn’t arrived on the scene. While visiting her mother, she quickly discovers the hoax: the queen thinks she’s found a new husband in Bonifacio. But the swindling storyteller is really only interested in the kingdom’s legends.
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Ricky Gervais tackles life, death and the state of the world in a brutally honest special that spares no topic, even his own mortality.
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Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.
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Heart set on becoming a princess, Lisa Simpson is surprised to learn being bad might be more fun.
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