Seven political activists from Israel come together in a theater in Tel Aviv and read from the transcripts of government meetings dating back to 1948, which had been classified until recently.
Social & External
In the fall of 2002, it was announced that Benjamin Netanyahu would deliver a speech at Concordia University in Montreal, and reaction from the student body was swift and sudden.
This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers and the alliance which develops between the Palestinian activist Basel and Israeli journalist Yuval.
The film returns to the origins of the creation of the State of Israel (from 1896 to 1948) and highlights the responsibility of the Western World.
The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.
This new documentary will look at how Hamas has used rape and sexual terror as weapons of war, inflicting physical, emotional and psychological trauma on women, children and men. The terrorist group’s attack on Israel on Oct. 7 resulted in approximately 1,200 deaths and 250 hostages. During and after the attack, countless cases of sexual violence, particularly against women and girls, were reported and documented at the Supernova Music Festival, as well as the kibbutzims and villages. The documentary will delve into these events though research and investigation, while following the victims’ journeys to recovery.
A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.
“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.
Samer lives in Ramallah in the West Bank. His family lives in Gaza, one hour away. They have not seen each other for six years. When Mustafa went for a visit to Gaza in 2006, he was 18 years old. He was never allowed to return – his mother Hekmat has been fighting to see him again for seven years now. Two families torn apart. They share the same “crime”: being registered with a Gaza address in their Identity Cards. Under Israeli rule, they are considered “infiltrators” in their own country. Their lives have turned into a permanent struggle. Parents can only talk to their sons on the phone; sisters can only see their brothers on the internet – mothers and their children fighting to be together at last…
Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.
While much of the world struggles to keep the planet going, a frighteningly large group of American fundamentalist Christians are working to promote the apocalypse. The evangelical movement is convinced that they will be saved when Jesus appears in the state of Israel on horseback and, with a sword raised to heaven, kills the infidels so that the blood reaches the horses’ bridles. Natural fires, corona, wars and crises are evidence that the time is nigh. But for the prophecies to be realized, the state of Israel has to grow stronger, so they provide huge financial support and are so far inside the White House that they help influence US foreign policy.
On the eve of the Israeli attack on Egypt in 1956, Israel declares martial law in all the occupied Arab territories without any previous notice. When the villagers of Kafr Kassem returned home from the fields, they were butchered and killed in what is known today as the massacre of “Kafr Kassem”.
Portrait of a Russian village near Kaliningrad and its multiethnic inhabitants.
In Breaking Bread, exotic cuisine and a side of politics are on the menu. Dr. Nof Atamna-Ismaeel - the first Muslim Arab to win Israel's MasterChef - is on a quest to make a social change through food. And so, she founded the A-sham Arabic Food Festival in Haifa. There, pairs of Arab and Jewish chefs collaborate on mouthwatering dishes like kishek (a Syrian yogurt soup), and qatayef (a dessert typically served during Ramadan), as we savor the taste of hope and discover the food of their region free from political and religious boundaries.
Since 9/11, the Israeli arms industries are doing bigger business than ever before. Large Israeli companies develop and test the vessels of future warfare, which is then sold worldwide by private Israeli agents, who manipulate a network of Israeli politicians and army commanders, while Israeli theoreticians explain to various foreign countries how to defeat civil and para-military resistance. All based on the extensive Israeli experience.The film reveals The Lab, which has transformed the Israeli military occupation of Gaza and the West Bank from a burden to a marketable, highly profitable, national asset.
In the mid-1950s, lured by false promises of a better life, Inuit families were displaced by the Canadian government and left to their own devices in the Far North. In this icy desert realm, Martha Flaherty and her family lived through one of Canadian history’s most sombre and little-known episodes.
In July 1987, Palestinian cartoonist Naji Al Ali was shot by an unknown assassin. This documentary traces his life and work from his birth in Galilee to his death in London. It examines the forces that shaped Naj Al Ali as an artist and as a human being and shows how his experiences mirrored those of other exiled Palestinians.
Unpublished testimonies from freed hostages, survivors, and members of first responders regarding the attacks perpetrated on Israeli territory on October 7, 2023, by the terrorist gang Hamas reveal the repugnant extent of the crimes committed by the so-called Palestinian freedom fighters.
An Iranian filmmaker participates in a series of video calls with a young Palestinian photojournalist who describes her life confined in Gaza during the current regional conflict.
Documentarians Justine Shapiro and B.Z. Goldberg traveled to Israel to interview Palestinian and Israeli kids ages 11 to 13, assembling their views on living in a society afflicted with violence, separatism and religious and political extremism. This 2002 Oscar nominee for Best Feature Documentary culminates in an astonishing day in which two Israeli children meet Palestinian youngsters at a refugee camp.
A film essay by Asher de Bentolila Tlalim, an Israeli filmmaker living in London, GALOOT ("Exile" in Hebrew) is an extended meditation on the Israeli-Palestinian conflict through the eyes of those living at a distance. Through international visits (London, Israel, Morocco and Poland) and dialogue-with Palestinian refugees, the new immigrants to Israel who now occupy their homes, the current occupants of his family's former house in Tangiers, the residents of the former village of his wife's family in Lisensk, a scientist, a jazz musician, and others-the filmmaker explores the position of exile, with its unique pain and perspective on what others may be too close to perceive.