Portrait of a Russian village near Kaliningrad and its multiethnic inhabitants.
Social & External
Herself
Himself
Follows the lives of Boris and Masha Rak, Soviet Jews who in 1934 moved to the Jewish Autonomous Oblast.
The disintegration of the Soviet Union and the failure of Communism has been symbolically documented by many tv reportages of removals of monumental public sculptures, but the citizens of Vilnius in Lithuania did the unexpected!
Russia is grappling with a critical issue: they have become the country with the most at large serial killers in the world particularly concentrated in Rostov, the same city that witnessed Andrei Chikatilo's infamous killing spree. In response, law enforcement has turned to Dr. Alexander Bukhanovsky, a prominent psychiatrist and criminal profiler, who is implementing radical measures to understand the root causes of this phenomenon and develop effective solutions. Within Dr. Bukhanovsky's clinic, we encounter three of his young patients: Edward and Igor, whose families express deep concerns about their disturbing fantasies, and 'Mischa', who has perpetrated acts of torture and sexual assault. Dr. Bukhanovsky's approach is groundbreaking, offering treatment to potential serial offenders. However, critics argue that by keeping individuals like 'Mischa' anonymous, he may inadvertently shield them from public awareness and accountability, prompting debate over the ethics of his methods.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.
How in 1959, during the heat of the Cold War, the government of the United States decided to create a secret military base located in the far north of Greenland: Camp Century, almost a real town with roads and houses, a nuclear plant to provide power and silos to house missiles aimed at the Soviet Union.
A double portrait of two dictators who were thousands of miles apart but were constantly fixated on each other.
The film tells about the birth of a new wave in the USSR under a strict political regime and about the era of "perestroika", when musicians received freedom of expression.
Historian James Bulgin reveals the origins of the Holocaust in the German invasion of the Soviet Union, exploring the mass murder, collaboration and experimentation that led to the Final Solution.
Documentary recounting the story of the Cuban Revolution and its impact on the young people of Cuba.
A different history of the Cold War: how Estonians under Soviet tyranny began to feel the breeze of freedom when a group of anonymous dreamers successfully used improbable methods to capture the Finnish television signal, a window into Western popular culture, brave but harmless warriors who helped change the fate of an entire nation.
In the 1980s the breathtaking scenery of the Engadine is the setting of a social tragedy. The local youth rejects the rigid rules of traditional society. Along with juvenile get-togethers, heroin appears in the mountain valley. As more and more die from overdose, society reacts to the crisis by isolating itself and averting its eyes. The film lifts the veil on the stories untold. Can the memories of this bleak past become part of the Engadine’s acknowledged heritage?
The epic story of the Russian Civil War (1918-21): the White Terror, the counterrevolutionary uprisings, the guerrilla war, the Kolchak front, the Wrangel front and the Kronstadt rebellion. Chaos and violence, devastation and death.
The film is a travelogue of sorts. Ostrovsky’s personal family footage meets the archives of Soviet propaganda footage. The result is a kind of Khruschev-era mix with a collage of Soviet music and a voice-over of my reminiscences of the Cold War era.
Documentary telling the inside story of Communist hardliners' failed attempts to seize power from Soviet president Mikhail Gorbachev, which resulted in the rapid collapse of the Soviet Union.
Documentary movie about testing of the largest nuclear weapon in history, the Tsar Bomba. Declassified and made available to the public in 2020.
Albert Maysles' visual diary of the faces and places encountered along a cross country motorscooter ride through the Soviet Union in the late 1950s.
In the 1930’s, the workers of the underground, headed by brigades of writers, are in charge to write in real time "the history of the Moscow Metro". Based on their narratives, partially unpublished, the film recounts the first lines construction of the most beautifiul underground in the world, in the light of this "big literary Utopia", stoped by the purges of 1937-38.
Documentary examining Stalin's Gulag. Between the October Revolution and Stalin's death in 1953, millions of people died in the camps. The film explores the Gulag legacy, hearing from victims and perpetrators of the system.