A letter to what has gone before. And to what is to come.
Social & External
Voz
Mãos
Letícia Silva
Olhos
A homogeneous structure of wind and light across tree branches in the South region of Isère
Washed ashore and taken in to a gothic manor by an unseen masculine force, a lost girl dances in gratitude before him until one day she says no and begins to suspect she might not be the first person to be brought here.
When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.
A contemplative and musical journey which takes us along the Rhine and through the Alsatian countryside.
A comfortable rhythm composed of light and shadow. Director Ogino-style absolute movie which freely manipulates geometric figures.
A man is haunted by the mysterious CHICKENMAN after he chooses not to order a takeaway.
Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.
A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".
A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.
A sensual hommage to Germany's most productive queer filmmaker, Rosa von Praunheim.
"Fag End" is an astute representation of the metaphorical death of a mother. The movie revolves around a girl named 'Tania', a victim of smoking and alcohol abuse, going through the process of In vitro fertilization. When it comes to alcohol and smoking, an abuser is overlapped with the tendencies of both alcoholism and chain smoking wherein one is subjected to intense cravings, followed by untoward mental as well as physical detention. Things go downhill one morning, as she relapsed the night before and she suffers a miscarriage. Does it not leave us with the raucous screams of the unborn?
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
The strange but intense dream of a musician the night after a tiring performance.
Life is what we don't want it to be.
On an isolated farm, a woman finds an injured and frightened woman in her old chicken coop. Moved by an inexplicable instinct, she decides to help her, without imagining that this silent encounter will awaken buried secrets. When tension finally gives way to trust, something dark approaches, bringing a truth that no one could have foreseen.
Experimental Colombian short documentary on the treatment of livestock.
A Landscape documentary about the silent voids the living inhabit after everyone they love has gone.
It's as if the world and the pain are reflected in the pool's water, but I still swim in it to stir up my memories.
Memories are fleeting. They penetrate our imagination, put us in a moment of trance and then disappear again. They will never return in the same way. In the search for them, we screw ourselves into ourselves.
Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.