Social & External
Homem
Mulher
The portrayal of a gargantuan baby splashing through silver paint.
The word “me” sinking into a bubbling puddle of metallic goo. The piece is about how narcissistic artists have to be to make their work, but by admitting their narcissism, they can at least take some steps to control it.
The model’s feet are uncomfortably squeezed into the heels, and her movements are slippery on slick silver liquid, before she slowly and ominously destroys the glass pane separating the subject from the viewer.
Placing a word widely acknowledged as amongst the most offensive in the English language into the hands of each of the women in her video, Minter reclaims it from chauvinistic associations and rescues it from centuries of censorship and degradation.
2 flatmates unfold the layers of their relationship on a random Sunday afternoon after they encounter a power cut.
In EIN TRAUM DER LIEBENDEN [A DREAM OF LOVERS], Monk meanders through a maze of Minoan bull-leaping, satyrs and revelatory rainbows.
"This project consists a visual fluidity of construction, harmony and thoughts taking colors and length from this body of autonomy. Different images between figuration and abstraction are created by meaning and phenomenon letting the decoupage revealing a piece of a strange underworld. I built it like a window opened to the fresh air of improvisation by familiar landscapes, those exact moments articulating a connection between light and movement."
A short film about a telephone engineer and his son as they both attempt to understand the past and the future.
A man in need of help eventually receives it, whether he asks for it or not.
Inspired by the energetic German film, Run Lola Run, City Shocks delves into the chaos of urban life through a series of interconnected vignettes, while following a character navigating the bustling streets of a sprawling metropolis.
In his Miami studio, built as a solar observatory, a famous painter lives alone, without a wife or children. His only obsession is to paint at dawn. But for some unknown reason, as he prepares to finish his last canvas, that morning the sun does not rise.
Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.
A comfortable rhythm composed of light and shadow. Director Ogino-style absolute movie which freely manipulates geometric figures.
The surreal, experimental story of an unseen serial killer.
New York's floral district, like Amsterdam's is a scene that is most vibrant at the crack of dawn when flowers are shipped in to wholesalers. Very convenient timing if you've spent all night at the disco! If you want it fresh, you have to be there early. Not only are the better florists there to get the freshest flowers, but also the latest, freshest, and hottest dish. The scenario of this video is inspired by the central core of the design world: innuendo, rumors and gossip. Hearsay based on the cruising practices of one of New York's top gay floral designers. A vignette in a pastoral country setting–full of sunflowers and wild flowers–shows what the honey bee is really attracted to. Two lusty youths get it on atop a bed of exotic varieties.
a poem. trees. fragments of fritz. love—and nothing besides!
At the center are takes which do not change - a tree in a field in Vermont, U.S.A. Since the film was shot over a period of fifty days, the single frame shots create a storm of pictures.
how i prefer to remember things