Documentary exploring the meaning and history of cool through the American music that started in the 1940s in the bars of New York and LA, and became known as cool jazz.
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This Emmy-nominated TV special highlights rare performance footage filmed between 1968 and 1969 at various US venues and locations, including the Westbury Music Fair, The Village Gate, and RCA Studios in New York City. Also featured are candid and personal interviews with Nina herself, revealing her unique views on music and life -- all expressed with her trademark intensity.
During the summer of 1980, the American jazz concert pianist Kazzrie Jaxen writes a 16 pages long letter to director Ingmar Bergman. His film 'From the Life of the Marionettes' have sent her on a dramatic inner journey, making her realize that she is not alone in her own body.
Combining footage unseen since WWI with original scores from the era, this film tells the story of Noble Sissle's incredible journey that spans "The Harlem Hellfighters" of World War I, Broadway Theatre, the Civil Rights movement, and decades of Black cultural development.
Documentary film about the life and mysterious death of forgotten jazz arranger/composer Gary McFarland.
A short documentary on jazz trombonist, Ryan Porter.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
A documentary about the jazz standard and it's roots in Jewish and African-American culture/
A music documentary made with Sun Ra.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
Vipal Monga's first feature-length documentary chronicles an unprecedented series of concerts performed in February 2005 by the legendary jazz composer Lawrence D. Butch Morris. The concerts were in celebration of the 20th anniversary of Conduction, Butch's revolutionary technique for live music-making. Butch put on 44 performances in 28 days with 85 musicians pulled from all across New York's musical community. Along with footage from these remarkable concerts that span a full range of musical styles from big band jazz to funk to electronic and symphonic works. The documentary features some of the leading lights of the New York creative-music community, including Henry Threadgill, JD Allen, Brandon Ross, Graham Haynes, Howard Mandel, and Greg Tate. Although the film provides unique insight into New York's vibrant avant-garde music scene,
‘Lady Day’ was one of the greatest jazz vocalists the world ever heard. In 1971, journalist Linda Lipnack Kuehl set out to write the definitive biography of Billie Holiday. Before her mysterious death in 1978, Lipnack Kuehl had taped over 200 hours of interviews. The tapes have never been heard. Now they form the basis of an atmospheric, multi-layered documentary that captures the many complex facets of a proud black woman, violent drug addict, loyal friend, vindictive lover and unforgettable singer of ‘God Bless The Child’, ‘Saddest Tale’ and the haunting ‘Strange Fruit’.
In the late 1990s, iconic photographer Bruce Weber barely managed to convince legendary actor Robert Mitchum (1917-97) to let himself be filmed simply hanging out with friends, telling anecdotes from his life and recording jazz standards.
Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings.
The film follows the quartet from collaborative development of new music to a live performance at New York’s 55 Bar.
In 1999, on the occasion of the centenary of Ellington's birth, Franco Maresco commissioned Steve Lacy to perform ten songs by the Duke, which were recorded and filmed in Palermo. In 2024, twenty years after Lacy's death and fifty years after that of Ellington, that unpublished material re-emerges from the archive of the great Sicilian director and becomes a documentary.
Before Rolling Stone, there was Soul Newspaper. Behind Soul, there was Regina Jones. Against all odds, Regina blazed her own path, and at 80 has found herself again.
A feature-length tour of Amsterdam's thriving jazz scene.
