A documentary about the life and music of Justin Pearson. An enigmatic underground musician and owner of Three One G records.
Social & External
Self
Self (Archival)
A colorful and provocative survey of anarchism in America, the film attempts to dispel popular misconceptions and trace the historical development of the movement. The film explores the movement both as a native American philosophy stemming from 19th century American traditions of individualism, and as a foreign ideology brought to America by immigrants. The film features rare archival footage and interviews with significant personalities in anarchist history including Murray Boochkin and Karl Hess, and also live performance footage of the Dead Kennedys.
Documentary about jazz great Chet Baker that intercuts footage from the 1950s, when he was part of West Coast Cool, and from his last years. We see the young Baker, he of the beautiful face, in California and in Italy, where he appeared in at least one movie and at least one jail cell (for drug possession). And, we see the aged Baker, detached, indifferent, his face a ruin. Includes interviews with his children and ex-wife, women companions, and musicians.
Going To California is a concert performance video by the British pop group Tears For Fears. Released in 1990, it is a recording of the band's show at the Santa Barbara County Bowl in May 1990 during their "Seeds Of Love" World Tour.
A documentary about the band X. Includes live and studio performances and interviews with the band members.
Two different students—a successful but aloof academic and a rebellious but kindhearted delinquent—form a friendship through their love of jazz music.
The urban on-line dictionary defines queercore as “Gay-themed, underground, independent music; usually punk rock (Team Dresch, Pansy Division, The Butchies, The Need, etc.)”. See for yourself.
In 1955, on his report, a medical examiner wrote in the box: age, “about 53 years”. Charlie Parker nicknamed Bird just died, at 34. His death will be the ransom of a life that was not denied to the excesses or the consuming flame of genius. His wildest improvisations will open the door to future jazzmen. Between shadow and light this film will pay tribute to one of the greatest musicians of the 20th century.
The Offspring live in concert at the Rock am Ring at the Nürburgring in Germany. Tracklist: Nitro (Youth Energy) Bad Habit Gotta Get Away Genocide Something to Believe In Come Out and Play It'll Be a Long Time Killboy Powerhead (Didjits cover) What Happened to You? So Alone Not the One Smash Self Esteem Intermission All I Want You're Gonna Go Far, Kid Staring at the Sun Why Don't You Get a Job? (Can't Get My) Head Around You Pretty Fly (For a White Guy) The Kids Aren't Alright
Jack DeJohnette - Drums, Herbie Hancock - Keyboards, Dave Holland - Bass, Pat Metheney - Guitars. For the first time, these four masterful musicians come together to form a jazz group most people would never expect to see happen. Taking their collaborations around the world, they toured Canada, Europe, Japan, and the United States, performing concerts and festivals to sold out audiences and rave reviews. On June 23, 1990, this extraordinary group performed two concerts at the Mellon Jazz Festival at the Philadelphia Academy of music. Both shows were filmed and have been carefully edited to create a technically flawless video of a truly "once in a lifetime" event. All of the songs were selected with great care, as might be expected from a band of this caliber.
Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.
During a decade rife with paranoia, in the middle of the McCarthy era, Music Inn was a bold experiment. Halfway between the Second World War and The Civil Rights Movement, Phil and Stephanie Barber created an oasis in the Berkshire Hills in Western Massachusetts where aspiring musicians came to learn from the very best. Students and faculty, young and old, rich and poor, white, black, and brown convened together and learned from each other. Defying the surrounding environment, Music Inn harbored a racial and cultural harmony where music was all that mattered.
Kirk Whalum curates this exciting collection of musicians, coming together to perform THE GOSPELACCORDING TO JAZZ. The artists include Kim Burrell, Jonathan Butler, Georke Duke, Paul Jackson Jr. and Tata Vega, all neatly complementing Whalum's forays into jazz, blues and gospel.
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
A vibrant tribute to one of America's legendary bandleaders, charting Glenn Miller's rise from obscurity and poverty to fame and wealth in the early 1940s.
The true-life story of Darby Crash, who became an L.A. punk icon with his band The Germs. Along with Lorna Doom, Pat Smear, and Don Bolles, Darby Crash completely transformed the L.A. punk scene, while sacrificing everyone he loved, his career, and ultimately his life.
Tenor saxophone master Sonny Rollins has long been hailed as one of the most important artists in jazz history, and still, today, he is viewed as the greatest living jazz improviser. In 1986, filmmaker Robert Mugge produced Saxophone Colossus, a feature-length portrait of Rollins, named after one of his most celebrated albums.
"Green Day: The Early Years" chronicles the rise of the world's most influential punk band, from their origins playing shows at Berkley's notorious Gilman Street venue in the late 80s, through the release of the platinum-selling Dookie in 1994.
Danny 'Sweet Touch' Caputo is a young sax player on the verge of crowning his life's dream, to play in the festival that will send him to the top amongst the jazz greats. With just 50 minutes standing between him and his consecration, as he runs over his last simple question more to pass time than anything else. Danny tries to answer, but instead finds himself projected into another world, one populated by the sensual and very real ghosts of his past...
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."
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