Social & External
Spontaneous portrait of an endearing and cheerful teenager living in balance between traditionalism and modernity. She presents her regalia to us and we share her pride in being Innu.
This quirky little short by Gilles Carle was filmed on the pierced rock that stands near Quebec’s Gaspé peninsula. It is perhaps the most photographed natural phenomenon on Canada’s East Coast. Shot in the 1960s, the film has a very psychedelic feel to it, with animation, special effects, and a trio of women to guide us through.
Ten years after an enormous open-pit gold mine began operations in Malartic, the hoped-for economic miracle is nothing more than a mirage. Filmmaker Nicolas Paquet explores the glaring contrast between the town’s decline and the wealth of the mining company, along with the mechanisms of an opaque decision-making system in which ordinary people have little say. Part anthropological study, part investigation into the corridors of power, Malartic addresses the fundamental issue of sustainable and fair land management.
A documentary account by award-winning filmmaker John Ferry of the events that led up to the 1969 Native American occupation of Alcatraz Island as told by principal organizer, Adam Fortunate Eagle. The story unfolds through Fortunate Eagle's remembrances, archival newsreel footage and photographs.
In this era of "reconciliation", Indigenous land is still being taken at gunpoint. INVASION is a new film about the Unist'ot'en Camp, Gidimt'en checkpoint, and the Wet'suwet'en Nation standing up to the Canadian government and corporations who continue colonial violence against indigenous people.
A Chippewa prophecy foretells a time called the 7th Fire when lost traditions will be recovered. Native American filmmaker Sandra Sunrising Osawa examines how the Chippewa Indians of Northern Wisconsin have struggled to restore the centuries-old tradition of spearfishing — and the heated opposition they have encountered.
This feature-length film tells the story of the passion between Marie de l’Incarnation, a mid-seventeenth-century nun and God, her "divine spouse." Fusing documentary and acting by Marie Tifo, whom we follow as she rehearses for this demanding role, the film paints an astonishing portrait of this mystic who abandoned her son and left France to build a convent in Canada, where she became the first female writer in New France.
John Pilger unearths the hidden agenda behind the NHS crisis.
Sean and Adrian, a Two-Spirit couple, are determined to rewrite the rules of Native American culture through their participation in the “Sweetheart Dance.” This celebratory contest is held at powwows across the country, primarily for heterosexual couples … until now.
Karan and Rohan, two biracial brothers raised in a marginal environment, are finding ways to get stimulated on a normal summer day. They embark on a trip to buy candies to avoid boredom. This film plays with the sense of boundaries between what is real and what is fiction. It is a film about the love of two brothers and their singular reality in the countryside of Quebec.
In 1977, Prince Charles was inducted as honorary chief of the Blood Indians on their reserve in southwestern Alberta. The ceremony, conducted in the great Circle of the Sun Dance, commemorated the centennial anniversary of the original signing of Treaty 7 by Queen Victoria.
Samuel Grey Horse, an Indigenous equestrian from Austin, Texas, is known for rescuing horses from being put down. After a riding accident lands him in a coma, Grey Horse experiences an afterlife vision that changes his perspective on the world and his place in it.
From the remote Australian desert to the opulence of Buckingham Palace - Namatjira Project is the iconic story of the Namatjira family, tracing their quest for justice.
Filmed in Victoriaville, the film uses images from various sources to paint a cynical portrait of the violent boredom that reigns in rural areas. Quiet sequences of people sharing joints by the river are followed by a lone car speeding along wooded roads, as if seeking speed on the brink of accident. Thuya abandons technical mastery in favor of intimate and spontaneous filming, composing a raw self-documentation of daily stagnation. Filmed mainly in a single day of improvisation, based on chance encounters and found footage.
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