A story that talks about self-perception, through two interviews with the same person.
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Santiago is a skeptical young man, but his friend Andrés is obsessed with a mysterious door in the forest that he says is capable of taking them to another world. One day, Andrés disappears without explanation, which will lead Santiago to cross the mysterious door to find him.
In Bucharest on a winter’s morning, a couple make love. Adina wants to move in with her boyfriend Radu as soon as possible. He, on the other hand, is slightly more reluctant but appears to simply tolerate her plans. Today is New Year’s Eve and Radu and Adina have a lot to do: the two have planned a visit to Adina’s parents followed by a party with friends. While buying last-minute gifts at the supermarket, Radu thinks he spots ex-girlfriend Nadja, who he has never forgotten. In one small moment, Radu’s insecurities about Adina come bubbling to the surface. No sooner have the corks begin to pop, the relationship comes to an abrupt end. This is followed by the perfectly timed offer from Radu’s friend Alex to hit the town with him and his friends. Radu accepts the offer in the hope that Nadja is also out. Director Paul Negogescu draws a portrait of Radu with precision and subtle irony – and captures the atmosphere of a New Year’s evening with great authenticity.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
One apartment, five women and four absurd stories.
Cristy is a gambler in too deep with debt from Facundo and Aurora. When she found out that her debtor’s son has taken a liking for her daughter, Susie, she devised a scheme to get rid of her debt.
Famous fantasy author Pierre Dubois and his wife, Aline, talk about the loss of their teenage daughter, Melanie, who committed suicide after a heartbreak.
Pseudo-documentary about black magic and the study of witchcraft with a rare appearance by real-life occultist Alex Sanders.
Perpignan, 1971. A toy factory supervisor becomes obsessed with a newly hired employee. To be with her, he plans the perfect crime: Training his lover to murder his wife.
Crooks discover a Genghis Khan treasure ship on the Canada-Alaska border but the treasure is hidden somewhere on land. In their efforts to find the hidden treasure they resort to murder and sabotage to stop the construction of the Alcan highway which will bring homesteaders to the area. Sergeant Royal of the Royal Canadian Mounted Police battles through 12 episodes to find the crooks and to learn the identity of their mysterious leader known only as 'The Boss'.
“Edie, the faded starlet of “A.” is not so much a literal figuration of a woman, but a nightmare memory come to life. Nothing in Price’s cinema is quite what it appears to be. Daytime broadcasts implode into personal confessions. Edie is not Price-in-drag, but Price living within the ethos of the woman’s pictures that his mother obsessively tuned into when Price was growing up. Audio recordings Price made with his sister Sally, re-enacting the films Streetcar Named Desire and Imitation of Life invade the film. The memories engendered on these lazy afternoon are poured into Edie’s unsteady form. “A.” took years to film and the interior locales stretch out over 3 or 4 of Price’s apartments….it was a turbulent period of production in which Price became severely depressed and suffered a near-fatal accident while filming the suicide sequence.