An abstract film consists of static shots of a small house-like being demolished through temporal ellipsis.
Social & External
In 2007, a teen girl from a posh L.A. suburb must deal with the grizzly murder of her family while trapped in the company of their killers.
Six sequences about Fascism and its segments throughout history.
This shows physicist Stephen Hawking's life as he deals with the ALS that renders him immobile and unable to speak without the use of a computer. Hawking's friends, family, classmates, and peers are interviewed not only about his theories but the man himself.
A poetic and contemplative journey of harmony between different forms of life that coexist on the earth. This film is a meditation on the effect of time, movement of the human spirit, and passage to new forms of life, through the eyes, ears, and bodies of three elderly land workers living in a small community in the outskirts of Bauta, Cuba.
A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not changed: all the streets are frozen, long-gone voices can be heard in the empty rooms and around the corner you can find yourself in a video game from your childhood.
Marie-Hélène, my mother, is retiring and takes with her her memories, her anxieties and the mental burden of having raised three children while working full time. As she works her last shift as a home nurse, her thoughts jostle and harmonize in a whirlwind similar to a panic attack.
On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some days after he passed away, i was offered a small VHS camera. "Moving Memories" is a visual journey that makes the viewer reflect on our momentary presence on earth and questions the nature of memory. Throughout this journey, we get to the conclusion that memories are more than just static photographs in our minds, they're alive and in constant movement, changing while we evolve as individuals. These memories have influence and help us to move on.
Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.
Amie Siegel’s film installations often reveal the hidden narratives behind architecture and design, investigating the mechanisms by which objects, materials, and spaces accrue meaning and value. The Architects examines the processes of architectural creation, using the artist’s signature slow, parallel tracking shots to offer insight into the inner workings of multiple architecture firms, slicing through them laterally like an architect’s section plan... Siegel not only punctures the myth of the singular “master architect” but also poses questions around creative autonomy, the sociopolitics of labor, and the circulation of capital. (Source: MoMA)
"Bagong Buhay" is a short experimental film that dispels the common belief that packing up and moving to a new place will magically improve one's quality of life. The film challenges this presumption by portraying two contrasting ways of life through objects and locations, encouraging viewers to think critically about the complexities of what makes a better life. In the Philippines, it's believed that relocating to a new area will bring about positive changes in one's existence. True satisfaction is a complex and multifaceted notion, and "Bagong Buhay" encourages us to ponder that relocating to a new place is not a surefire way to attain it.
A children's film about the largest mass suicide of the 20th century reconstructs the 1978 event. The Reverend Jim Jones forced nearly a thousand followers of his People's Temple sect to drink poison in the settlement of Jonestown, Guyana, South America. A third of them were children. Jan Bušta gives sadists, voyeurs, and necrophiliacs one minute to leave the cinema. His self-reflective documentary, which is the result of ten years of time-lapse filming, does not depict dramatic scenes. To the sound of an audio recording from that fateful day, we see a collage of child ghosts preaching about escaping the corruption of the world.
With the lack of personal video archive, Youhanna (the filmmaker) creates false memories using lost home videotapes shot between the 1990s and 2000s in Europe, Africa, and Asia, with the help of an Artificial intelligence programme, until a real, personal video archive surfaces, transporting him into the past to relive one more memory with his late mother.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
a poem. trees. fragments of fritz. love—and nothing besides!
A film photo-montage about an old house that belonged to a traditional local family that was later demolished.
Set in the mountains of northeast Italy, this film may be considered an observational documentary about rural life. Although this is undeniably the case, at the same time Under the cold stars can hardly be considered a documentary: the microcosm on which it focuses appears to be a reflection of a broader reality and perhaps a way to deal with the themes of man’s existence and his relationship with animals, nature and, most importantly, with time. As written by Franco Piavoli "it is a film which essentially relies on images and sound, where words themselves are sound and the music of life, of the relentless flow of time."
fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.
Leevi Pienihäkkinen’s tight experimental short documentary Peace and Silence dives into the Helsinki night, exploring the darkened city with fresh eyes. The familiar spots of the city centre flash in the images, but something is different. The everyday becomes weird, details vanish, lights shine taking over everything around them. Humans remain anonymous and faceless, silhouettes against the backdrop of the dark city.
A collection of memories from a tumultuous time at University.