Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The Somme: The First 24 Hours with Tony Robinson

Hosted by actor and historian Sir Tony Robinson, this one-off special tells the powerful and moving story of five men, all members of a unique volunteer army – the Sheffield City battalion – as it recounts the soldiers’ last days, leaving their homes and loved ones to go and serve alongside their friends and neighbours, completely unaware of what lay ahead of them. Central to the programme is the story of Private Frank Meakin, who recorded his unique personal testimony of the war. Frank and his friends could never have anticipated what they would experience, but 100 years on we know in detail, thanks to his diary – an account that shouldn’t have existed, because keeping one was forbidden for servicemen on active duty on the Western Front. Frank’s diary, which was smuggled back from the Front, reveals the intimate details and dramatic stories of one battalion – and one British city – in the words of one man.

The Lost World of the Seventies

Michael Cockerell sheds new light on the tragi-comedy of the 1970s by focusing on some of its most controversial characters. With fresh filming and new interviews, along with a treasure trove of rare archive, the film presents the inside story of giant personalities who make today's public figures look sadly dull in comparison. The well-known journalist revisits some of his films on the big characters who helped shaped the 1970s in Britain. Both tragic and comic, it highlights just how much our world has changed in four decades.

Grandpa's in the Tuff Shed

It adroitly tells the story of a "counter culture" young man who when his grandfather dies, packs the body in dry ice, and stores him in a Tuff Shed, waiting for the time when advances in modern medicine can bring him back to life. I am not making this up. Then our young men gets deported back to Norway on unrelated charges. Then, quite a while later, people look up and take notice ... "Hey ... there appears to be a frozen dead guy in that shed over there."

Don't Die: The Man Who Wants to Live Forever

In this documentary, wealthy entrepreneur Bryan Johnson puts his body and fortune on the line to defy aging and extend his life beyond all known limits.

Que mi nombre no se borre de la historia

Geraldine Ferraro: Paving The Way

A documentary by Donna Zaccaro about the political trailblazer, Geralidine Ferraro. Featuring interviews with Bill and Hillary Clinton, George and Barbara Bush, Walter Mondale, and Geraldine Ferraro herself, among others, this is a heartwarming and engrossing portrait of the first woman who was nominated for vice president, whose legacy still reverberates today.

Hoxsey: When Healing Becomes a Crime

In the 1920s, former coal miner Harry Hoxsey claimed to have an herbal cure for cancer. Although scoffed at and ultimately banned by the medical establishment, by the 1950s, Hoxsey's formula had been used to treat thousands of patients, who testified to its efficacy. Was Hoxsey's recipe the work of a snake-oil charlatan or a legitimate treatment? Ken Ausubel directs this keen look into the forces that shape the policies of organized medicine.

We Exist Triply

A sock puppet explores a family history told from the perspective of a mother and father.

Lágrimas rojas

Pyhä

Home and Hatred

Two filmmakers juxtapose field recordings and documented moving images as an attempt to reconcile with their place in their desensitized semi-urban hometown in India.

Atlantic Poems - La Force

Lillie & Leander: A Legacy of Violence

Documentarian Jeffrey Morgan set out to the track one woman's search for the truth about her great-great-aunt's 1908 murder. But his film quickly became a fascinating study of racism, revenge and family secrets. In the process of uncovering information about her ancestor's violent death at the hands of an African-American suspect, the woman learns that her family tree might have also produced a few murderers.

Pandemic in Times of Love

A 16mm archive from 1964 intervened as an emotional diary during the first three months of the COVID-19 pandemic is the basis of this film, reinterpreted in the montage of the sound design, in which the images are reinterpreted, emphasizing the soundscape of the protests from 2020 to 2023 in the streets of Cajamarca, Cusco and Lima, three regions of Peru, questioning the constant political and social crisis.

Memory

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

Slaughter (Besmel)

"Slaughter" is an experimental short film that delves into the archival and historical footage of the Iranian Revolution in 1979, depicting a symbolic narrative surrounding the ritualistic act of animal sacrifice, known as "Besmel." It serves as an allegorical representation of a nation's sacrifice amidst the backdrop of political transformations.

Bed Peace

John and Yoko in the presidential suite at the Hilton Amsterdam, which they had decorated with hand-drawn signs above their bed reading "Bed Peace." They invited the global press into their room to discuss peace for 12 hours every day.

FUCK TV

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

Mother of the World

Six million tons, suspended by the slightest gesture. Mother of the World presents a series of brief vignettes of Cairo just prior to the 2011 Egyptian Revolution. These fragmented scenes choreograph class structure and foreign influence into an intimate, poetic view of a nation about to change.