Benny Rubin performs vaudeville routines between singing and dancing acts.
Social & External
Self
Construction worker Buzz Blackwell becomes the guardian of 12-year-old Pat Johnson after one of his buddies, her father, is killed. Buzz and Pat, along with their chum Axel Swensen, head to New York to look for the girl's uncle. The trio soon unexpectedly become owners of a tired restaurant.
The life and loves of Music hall singer Vesta Tilley, who married into the nobility
The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognizes that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.
Leonor and Engracia suddenly become widows, but both will take their new social situation in different ways. When they meet Jose Luis and Eugenio, all the plans made will change with the intention of reaching the altar.
Mickey courts Minnie in the Gay Nineties: they take in a vaudeville show and go for a drive in his horseless carriage, to the strains of "While Strolling Through the Park" and "In the Good Old Summertime". Goofy rides by on a penny-farthing bicycle, and the whole Duck family rides by on a bicycle built for five.
A series of 19 musical and comedy "vaudeville" sketches presented in the form of a live television broadcast hosted by Tommy Handley (as himself).
When the paperhangers go on strike, guests at a newlyweds' housewarming party try to finish the job with disastrous results.
A biography of the Three Stooges, in which their careers and rise to fame is shown throughout the eyes of their leader, Moe.
A biopic of the career of Joe Howard (12 Feb.,1878 - 19 May, 1961), famous songwriter of the early 20th Century. Howard wrote the title song, Goodbye, My Lady Love; and Hello, My Baby among many others. Mark Stevens was dubbed by Buddy Clark, well known singer of the 30's and 40's
A young woman, who wants to be in the Follies, is making ends meet by working at a department store's sheet music department, where she sings the latest hits. She is accompanied on piano by her childhood boyfriend, who is in love with her, despite her single-minded interest in her career. When a vaudeville performer asks her to join him as his new partner, she sees it as an opportunity to make her dream come true. Upon arriving in New York City, our heroine finds out that her new partner is only interested in sleeping with her and makes this a condition of making her a star. Soon, however, she is discovered by a representative of Ziegfeld.
The Baroness de Courtebise presides over an association of mothers-in-law with grievances against their sons-in-law. Armed with her prerogatives, she forbids the marriage of her daughter-in-law to the mayor's nephew, especially as an inheritance is in doubt. The ladies kidnap, the men kidnap, the election campaign turns sour and the Baroness must capitulate. She takes revenge by falling into the mayor's arms.
The life of Fanny Brice, who rose from the Lower East Side of New York to become one of Broadway's biggest stars under producer Florenz Ziegfield. While she was cheered onstage as a great comedian, offstage she faced a doomed relationship with the man she loved.
In this chronicle of a vaudeville family, Myrtle McKinley (class of 1900) goes to San Francisco to attend business school, but ends up in a chorus line. Soon, star Frank Burt notices her talent, hires her for a "two-act", then marries her. Incidents of the marriage and the growing pains of eldest daughter Miriam are followed, interspersed with nostalgic musical numbers.
A miniature vaudeville show, complete with a title card introducing each act, is presented. First up is The On-Wah Troupe, an East Asian group of contortionists. Next, Blossom Seeley and Benny Fields sing a duet of the song, "Why Don't You Practice What You Preach". Third up, father and son Pat Rooney and Pat Rooney Jr. perform a recitation and dance musing about if they will ever be as clever as their dad. And the last act on the bill is The Runaway Four, a group of comic acrobats.
Two vaudeville acrobats adopt the son of an actor friend.
There's never a dull moment at the Hôtel du Libre Echange. Deceptions, hitches and other misunderstandings make a few people mingle whereas, for their own sake, they should not. An example among others: an expert who has come to the hotel for professional reasons had better not meet his wife, who is there to cheat on him with his best friend.
Husband-and-wife vaudeville stars separate when success goes to his head.
Summaries Shorty's wife throws him out of the house for lying around reading detective thrillers and letting his boss Pigmeat get away with not paying him for the work he does at Pigmeat's barber shop in Harlem. He runs into Pigmeat on the street and asks for the money he's owed, but Pigmeat winds up convincing him that not only does he not owe Shorty any salary, but he actually overpays Shorty $1.25 a week. Later, Shorty reads about a jewel thief on the loose in Harlem and that there's a reward of $1,000 for his capture. He convinces Pigmeat that the two of them can catch this guy, collect the reward and then become famous detectives. Complications ensue.
Father Conroy has a parish which serves the acting and performance community. When one of his parishioners gets too sick to work, his daughter Holly finds a job working for a dance club of questionable character, which is run by Tony Vincent. Vincent never made the big time, and Father Conroy tries to look after Holly.
A down-on-his luck actor teams up with a singing barber to do a vaudeville act. Its success eventually leads them to Broadway, but things start to go awry.
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