A young woman grapples with the decision of following her dream of an acting career or marrying and having babies with the man she loves.
Social & External
Self (voice)
In Aix-en-Provence, feminist slogans dot the walls of the city. This is the work of "Les colleuses". Their goal: to claim their place in the public space, and to denounce patriarchal violences. For a month, we follow young Ameline and her friends. They tell us about their process, the reasons for their commitment, their doubts and their hopes.
A study, in film animation, of a day in the life of a housewife, described without words, with a minimum of detail but with a perception all the more pertinent because of the simplicity of presentation. The film makes no judgments. It simply states the case, but serves as an apt starting point for any discussion of the role of women and the value of their work.
Global pandemics are like prairie thunderstorms. Full of terror and havoc, they eventually pass. Bringing a new baby into the world can also feel like a storm.
Emile is an unhappy little vampire, doing a job he detests, in a world plunged into perpetual gloom. He serves a despotic mistress who loathes wrinkles, in the most extreme way.
Behind The Looking Glass is a film about the lives of women whose partners have or want to ‘transition’. While we hear a great deal of “stunning and brave” stories of men, there is a deadly silence when it comes to the stories of the wives or partners. This film will be the first of its kind in collecting such experiences of women from around the world.
Using original animation, archival footage and personal interviews, this full-length documentary portrays the multiple relationships Canadian Muslim women entertain with Islam’s place of worship, the mosque. Islam is the fastest growing religion in the world. In North America, a large number of converts are women. Many are drawn to the religion because of its emphasis on social justice and spiritual equality between the sexes. Yet, many mosques force women to pray behind barriers, separate from men, and some do not even permit women to enter the building. Exploring all sides of the issue, the film examines the space – both physical and social – granted to women in mosques across the country.
In her attempt to escape her past, Huiju relocated to the UK over 11 months ago. However, even after moving to a new country, she found that her nightmares from Korea continued to haunt her. Determined to move forward, she made the decision to confront her memories head-on in a very contemporary way, using dating apps to push the boundaries she had set due to her sexual trauma.
Our hero inadvertently earns the favor of a woman after suffering frustration in a campaign to win her heart.
Inspired by the poem Hamza by the great Palestinian poet Fadwa Tuqan, compares and connects the mystery of the fertility of the Palestinian land to the mysterious power of it's women.
This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.
The mother of animation director Rebecca Blöcher didn’t want to live an ordinary life. She wanted “something more,” she explains in this stop-motion film. The people around her didn’t understand—in a letter written in 1968, a girlfriend criticizes her for going out on her own and making men jealous, while advising her to dress in a more “feminine” way and to join a cooking course. Blöcher’s mother brushed aside the advice. Years later still, she divorced her husband and stepped into the big wide world.
The encounter can never happen between a man in the past (tense) and a girl in the present (tense) in the garden of times.
On the final night of summer, Annie is confronted by a relentless stalker—the embodiment of her deepest childhood fears. When her friends dismiss her concerns, Annie must contend with her anxieties and the unsettling truth.
The Untold Story of the Suffragists of Newfoundland (1999) is a docu-drama celebrating the thirty year struggle by the women of Newfoundland to win the right to vote.
A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.
Ten girls are waiting for arrival of the train. We find out from the conductor that it is delayed indefinitely. We spy on the girls from the outside and they figure it out. While they are telling their stories, sharing their problems and concerns, we are all waiting for the train. Will the train arrive? Where are they going and what are they really waiting for?
Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.
We're working on finding the perfect movies for you. Check back soon!