The Movies That Made Us

These blockbusters brought us together and gave us the time of our lives. Meet the actors, directors and industry insiders who made them happen.

Flick Flack

Flick Flack was a Canadian television series broadcast by Global Television Network in 1974. The series featured interviews with motion picture industry personalities combined with excerpts from films. William Shatner was the regular series host. "It was a TV show produced for Canadian TV. A handful of shows that aired every fortnight for a few months in the 70’s." @WilliamShatner · Sep 15, 2020

The Frame

A journey through the world of classic and contemporary cinema.

Besættelsens danske filmkonger

Sound of Cinema: The Music That Made the Movies

Series celebrating the art of the cinema soundtrack, as Neil Brand explores the work of the great movie composers and demonstrates their techniques.

The Art of Film with Ian Nathan

Ian Nathan explores the many layers of the world of filmmaking, discussing each episode with filmmakers, cultural commentators, historians, authors and critics; what defines these stories, how they came to be, and who were the creative forces behind them.

Sex, Censorship and the Silver Screen

A six-part series exploring the 100 year evolution of sexuality and censorship in motion pictures. The series journeys backward in time, leading off with the most explicit excerpts and the most recognizable stars.

The Men Who Made the Movies

Acclaimed profiles of eight great American film directors. Produced and directed by Richard Schickel and narrated by Cliff Robertson, with solid interviews and film clips, the series reviews the careers of Raoul Walsh, Frank Capra, Howard Hawks, King Vidor, George Cukor, William A. Wellman, Alfred Hitchcock and Vincente Minnelli.

Titans: The Rise of Hollywood

Inspiration, power, greed, scandal – a story that was made for the movies. The gripping drama of how Hollywood was built.

Movie Magic

Documentary series dealing with every aspect of special effects in movies, from low-budget make-up to multi-million-dollar computer-generated graphics. The clear presentation includes descriptions of the creation and technical problems of the effects, and interviews with effects technicians, directors, stars and other crew. Each episode deals with one topic, effect or technician (eg theme park rides, CGI, Stan Winston), concentrating on one or more current or recent films.

Elstree: Britain's Hollywood

Two-part documentary celebrating the 75th anniversary of what was once the biggest film production centre outside Hollywood: Elstree.

Super Sara

A fascinating look at the life of trailblazing Hollywood icon Sara Montiel, widely considered Spain's first international star.

30 Even Scarier Movie Moments

30 Even Scarier Movie Moments was a two-part miniseries on Bravo which counted down 30 more of the most frightening scenes in horror cinema, or any other genre. This is also a two-part sequel to 100 Scariest Movie Moments. The list mostly consists of movies that didn't quite make the first list, or popular movies that had come out since.

Five Came Back

Five acclaimed contemporary directors tell the story of five legendary Hollywood filmmakers who enlisted in the armed forces to document World War II.

Imagining Indians

Imagining Indians is a 1992 documentary film produced and directed by Native American filmmaker, Victor Masayesva, Jr.. The documentary attempts to reveal the misrepresentation of Indigenous Native American culture and tradition in Classical Hollywood films by interviews with different Indigenous Native American actors and extras from various tribes throughout the United States. With an all-Indian crew, Victor Masayesva visited tribal communities in Arizona, Montana, New Mexico, South Dakota, Washington and the Amazon to produce this film. Masayesva says, "Coming from a village which became embroiled in the filming of Darkwind, a Hollywood production on the Hopi Reservation, I felt a keen responsibility as a community member, not an individual, to address these impositions on our tribal lives. Even as our communities say no, outsiders are responding to this as a challenge instead of respecting our feelings... I have come to believe that the sacred aspects of our existence which encourages the continuity and vitality of Native peoples are being manipulated by an aesthetic in which money is the most important qualification. This contradicts the values intrinsic to what's sacred and may destroy our substance. I am concerned about a tribal and community future which is reflected in my film and I hope this challenges the viewer to overcome glamorized Hollywood views of the Native American, which obscures the difficult demands of walking the spiritual road of our ancestors."

100 Years of Warner Bros.

Tracing a century of movie and TV history, these four documentary specials explore the unparalleled global impact of Warner Bros. on art, commerce, and culture.

Hollywood Black

The epic story of the actors, writers, directors, and producers who fought for their place on the page, behind the camera and on the screen. From blackface to Black Panther, this series is a definitive chronicle of more than a century of the black experience in Hollywood and a powerful reexamination of a quintessentially American story – in brilliant color.

Back to Barrytown

Colm Meaney presents a celebration of Roddy Doyle's trilogy about Dublin family the Rabbittes and the film adaptations of the books, The Commitments, The Snapper and The Van.

A Personal Journey With Martin Scorsese Through American Movies

Filmmaker Martin Scorsese celebrates US movies from the silent classics to the Hollywood of the seventies.

La Course Destination Monde

"La Course destination monde" is a Canadian reality television series, which aired on Télévision de Radio-Canada from 1988 to 1999. The series was a filmmaking competition which sent young, emerging filmmakers from Quebec around the world to make short films about their destinations, with prizes awarded at the conclusion of each season to the best films coming out of the competition. The show premiered in 1988 as "La Course des Amériques", sending filmmakers to destinations in North and South America. The second season, "La Course Amérique-Afrique", continued to highlight destinations in the Americas as well as opening to destinations in Africa, while the third season, "La Course Europe-Asie", centred on destinations in Europe and Asia. From the fourth season onward, the show was titled "La Course destination monde", and permitted filmmakers to travel to anywhere in the world.